Not exact matches
Waiting... still remains modestly appealing because we like these sorts of occupational comedies with kooky
characters, but the comedy just isn't
sharp or clever enough to really get you fully on its
side and take you for a ride.
Otto Preminger directs with a
sharp clarity, remaining just slightly removed from the drama, the better to watch all
sides and take stock of the
characters, the conflicts and the courtroom tactics, and doesn't get much better than Stewart and Scott sparring with witnesses: the cagey country lawyer hiding his endgame behind a folksy manner versus the smart, sarcastic, thoroughly urban legal eagle who makes a show of his intelligence and showmanship.
A very
sharp script, added to the unusual
side characters mentioned earlier, show modern indie comedy dramas how it should be done.
But on the plus
side, the
characters and cast along with a
sharp dialogue, make this worth watching.
While we chide Toyota about the homely face of this poor truck, we find the
sharper character line on the
side quite appealing.
At the
side profile, there are multi-spoke alloy wheels and a
sharp character line running from the front fender to the tail - lights.
View from
side is largely the same with additions like sporty alloys,
character lines and
sharp ORVMs with integrated turn indicators.
For 2017 (lower image above), there's a
sharper nose, a black egg - carton grille (no horizontal strakes now), and a
side body
character line that sweeps down instead of up as it moves rearward.
Side profile features
sharp character lines, flared wheel arches and chrome work around the window frame.
Side panels feature
sharp beltline, flared wheel arches and supporting
character lines at the bottom.
A chrome element resides in each
side skirt for extra
character and is emphasized greatly by the
sharp and straight body line that is formed by the lower portion of the doors.
It's a bit taller, but it has the same rakish charm to it, with a
sharp front end and an equally
sharp rear, punctuated by some sleek windows and wild
character lines on the
side.
The
sides get
sharper character lines that add to the modern look, and the lines continue on to more squarish LED tail lamps.
Following the people who knew what was happening turns out to be brilliant way to explain the inexplicable, and in The Big Short he makes an entertaining and enlightening return to high finance over 20 years after Liar's Poker, with the same
sharp eye for great
character and contrarian ideas as more recent favorites like Moneyball and The Blind
Side.
The potential to tailor your favorite
character to your preferred playstyle is a double - edged sword, though it's much
sharper on the plus
side.
Simply put, it's slow, it's awkward, it's clunky, and cumbersome, it feels like Simon Belmont (the main
character) weighs a ton, and your level of
side - scrolling depth perception has to be FAR
sharper than it would be for a Mario game.