Sentences with phrase «sheet edge»

As a storm approaches an ice sheet, it encounters the steep slopes of the ice sheet edges, and the air is lifted and cooled.

(92 x 69.7 cm) With a few pinprick foxmarks in the margins, the palest mat staining, very minor surface soiling at extreme sheet edges, the bottom right corner with a minute 1/3 x 1 in.

HELEN FRANKENTHALER (B. 1928) Solar Imp screenprint in colors, 2001, on wove paper, signed in pencil, numbered «AP 13/18» (the edition was 126), published by Lincoln Center / List Poster and Print Program, New York, the full sheet, a very minor scuff at the upper sheet edge, otherwise in very good condition, framed S. 39 1/2 x 30 in.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

«Most ice cores are collected from the middle of the ice sheet where it rarely ever melts, or on the ice sheet edge where the meltwater flows into the ocean.

Helen Frankenthaler MONOPRINT II (HARRISON 77) Color monotype, 1981, on Japan, signed, titled, dated 11 Feb 81 and inscribed 2 White / Black C - Mix D / Black D - Mix B in pencil, published by Tyler Graphics, Mount Kisco and with their blindstamp, some rippling, two pinholes at top sheet corners (one with an associated 1/4 inch tear), a 1/8 tear at top right sheet edge, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame).

The reason I ask is we have two bathrooms with same style back & side splashes of laminate sheets edged in «ageless» aluminum framing, plus 16 ″ walls of the avocado stuff in the kitchen (major remodel in next 1 - 2 yrs.

AIR FRAME (HARRISON 6) Color screenprint, 1965, signed, dated and numbered 88/200 in pencil, from New York Ten, published by Tanglewood Press, New York, printed to the edges, matstain verso, some unobtrusive creasing at bottom right extreme sheet edge, otherwise in good condition, the full sheet, framed.

«Most ice cores are collected from the middle of the ice sheet where it rarely ever melts, or on the ice sheet edge where the meltwater flows into the ocean,» Karina Graeter, the lead author of the study as a graduate student in Dartmouth's Department of Earth Sciences, said in a statement.

ADOLPH GOTTLIEB (1903 - 1974) Imaginary Landscape aquatint in colors, 1971, on Fabriano paper, signed and dated in pencil, numbered 36/90, published by Marlborough Graphics, Inc., New York, adhered to the overmat in places at the upper sheet edges, otherwise generally in good condition, framed Image: 17 5/8 x 23 7/8 x in.

soft horizontal crease in the upper left corner, a very small nick at the lower left sheet edge, otherwise in very good condition, framed S. 29 3/16 x 20 3/4 in.

«Most ice cores are collected from the middle of the ice sheet where it rarely ever melts, or on the ice sheet edge where the meltwater flows into the ocean.

screenprint in yellow and black, 1967, on wove paper, signed and dated in pencil, numbered 63/75 (there were also artist's proofs), published by Marlborough Graphics, the full sheet, a tiny crease at the right sheet edge, otherwise in excellent condition, framed S. 18 x 24in.

Pale time staining at sheet edges.

With extremely pale time staining at the sheet edges, affixed to the support with short intermitent Japanese paper tabs verso.

Hinged to thesupport in a few places at the reverse of the sheet edges, floated.

AFTER HELEN FRANKENTHALER Heavenly Twins (not in Harrison) offset lithograph in colors, 1959, on wove paper, signed in red pencil, numbered 17/100 (there were also an unknown number of artist's proofs), the full sheet, light -, mat and time staining, the colors slightly attenuated, minor surface soiling, occasional handling creases, tape remains in places at the reverse of the sheet edges and along the upper sheet edge, otherwise in good condition, framed S. 28 x 21 7/8 in.

(78.7 x 57.2 cm) signed, dated «78» and numbered 6/38 in pencil (there were also 4 artist's proofs), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), slight creasing in the lower corners, hinge remains and areas of skinning in places along the reverse of the sheet edges, otherwise in very good condition, unframed.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 26 3/4 x 39 1/2 in.

HELEN FRANKENTHALER First Stone (H. 1) lithograph in colors, 1961, on Arches, signed and dated in pencil, numbered 7/12 (there were also 5 known artist's proofs), with the ULAE blindstamp, West Islip, New York, the full sheet, pale light - and time staining at the extreme sheet edges, pale soiling and foxing, a tiny area of wear at the lower left corner, two pieces of old tape remains on the reverse, otherwise generally in good condition, framed S. 22 x 30 in.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 26) screenprint in colors, 1970, on Arches handmade coldpress, signed and dated in pencil, numbered 38/75 and inscribed «ss» (for original silkscreen), (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheet, hinged at the corners and at the center of the sheet edge, in very good condition, framed S. 38 1/2 x 26 in.

HELEN FRANKENTHALER (B. 1928) Essence Mulberry (Harrison 57) woodcut in colors, 1977, on buff Maniai gampi handmade, signed and dated in pencil, numbered 16/46 (there were also 10 artist's proofs), with the Tyler Graphics Ltd., blindstamp, Mount Kisco, New York, the full sheet, the colors attenuated, creases and rippling throughout, glued to the support in places at the reverse of the sheet edges, otherwise in good condition, framed S. 39 x 18 1/2 in.

Helen Frankenthaler (b. 1928) Untitled lithograph printed in colours, on wove paper, signed in red crayon, numbered 48/100, printed to the edges of the sheet, some discolouration at the extreme sheet edges, otherwise generally in very good condition S. 715 x 558 mm.

S.» and numbered 1/75 (there were also 24 artist's proofs), published by Multiples Inc., New York, the full sheet, pale time staining along the left sheet edge, otherwise in very good condition, framed S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER (B. 1928) Air Frame, from New York Ten (Harrison 6) screenprint in colors, 1965, on Arches, signed and dated in pencil, numbered 140/200 (there were also 25 lettered hors commerce), published by Tanglewood Press, New York, the full sheet, occasional minor soft scuffing, a few creases and ink losses at the sheet edges, pale mat staining on the reverse, otherwise in good condition, framed S. 22 x 17 in.

HELEN FRANKENTHALER (b. 1928) Air Frame, from New York Ten, New York, Tanglewood Press, Inc., 1965 (Williams College 6) screenprint in blue, green and yellow, on wove paper, signed and dated in pencil, numbered 60/200 (there were also 3 artist's proofs), the full sheet, a soft crease at the left sheet edge, otherwise in excellent condition S. 22 x 17in.

ADOLPH GOTTLIEB Green Ground, Blue Disk screenprint in colors, 1966, on wove paper, signed and dated in white pencil, numbered 7/50, published by Marlborough Graphics, New York, the full sheet, minor scuffs, a few handling creases, minor ink loss at the sheet edges, otherwise in good condition S. 24 x 18 in.

HELEN FRANKENTHALER Green Likes Mauve, from Four Pochoirs (H. 30) pochoir in colors, 1970, on Arches Imperial Rough, signed and dated in pencil, numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original Editions, New York, the full sheet, occasional scuffs (with associated ink loss), abrasions at the sheet edges (measuring 1/4 - in.

HELEN FRANKENTHALER (B. 1928) Pranzo Italiano (Harrison 44) etching and aquatint in colors, 1973, on White Fabriano, signed and dated in pencil, numbered 34/43 (there were also 3 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with full margins, two pale foxmarks in the lower margin, moisture staining at the lower sheet edge (associated pale foxing, primarily visible on the reverse), occasional pale surface soiling in the margins, otherwise in good condition P. 8 1/2 x 7 7/8 in.

This small outlet glacier south of Jakobshavn Isbrae is moving ice from the interior of the ice sheet out to the ice sheet edge (top right), where the ice calves off into the ocean.

Increasingly warming seawater sloshed exposed rocks about 161 kilometers (100 miles) inland of the current ice sheet edge.