Not exact matches
At Bortolami, four sculptures by Ann Veronica Janssens keep things minimal and light — one is an iridescent
leaning piece made from two
sheets of shatterproof
glass and some cellophane.
Gerhard Richter and I circle the seven big
of sheets of glass that
lean together in the middle
of the ground floor
of Marian Goodman's elegant new London gallery.
A huge rectangle
of blue yarn, nailed invisibly to the concrete floor at an angle to its insertion in the wall, becomes a vast and flawless
sheet of glass,
leaning gently, worryingly.