There is also a sense
of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State,
where peyote and poppies are pressed between
sheets of glass and fired, installed on the wall.
In Noémie Goudal's large scale photograph Cascade (waterfall), a plastic
sheet replaces the pouring water; Tania Kovats»
glass and water sculpture
Where Seas Meet is made with sea water from three places around the world where seas visibly meet; in David Buckland's photographs of Ice Texts, words of warning are projected on to icebergs; Susan Derges captures the continuous movement of water by immersing photographic paper directly onto rivers or shorelines; and Martin Parr candidly documents the English at the sea
Where Seas Meet is made with sea water from three places around the world
where seas visibly meet; in David Buckland's photographs of Ice Texts, words of warning are projected on to icebergs; Susan Derges captures the continuous movement of water by immersing photographic paper directly onto rivers or shorelines; and Martin Parr candidly documents the English at the sea
where seas visibly meet; in David Buckland's photographs
of Ice Texts, words
of warning are projected on to icebergs; Susan Derges captures the continuous movement
of water by immersing photographic paper directly onto rivers or shorelines; and Martin Parr candidly documents the English at the seaside.