Sentences with phrase «shifting shapes and colors»

Not exact matches

The approach provides a measure of distances, on the order of a billionth of an inch, between two beacons glowing in different colors, and this can be used to detect shape shifting as it occurs and the attached beacons move.

Nature is not monotone — colors, shapes, and spaces always shift as shadows move and leaves sprout and fall.

Watch the Walls is the perfect mix of neon pink glitters, along with some other fun colors and shapes and the perfect amount of blue - to - purple shifting shimmers.

The black shift dress and the gold shift dress, same shape, different colors are absolutely amazing!

... And yes, that gives me comfort only in the sense that what viewers will see in the opening episodes is such a perversely wonderful hallucinogenic experience — dance numbers, shape - shifting, the creepy sound of frozen people and their chattering teeth, explorations of color, astral plane hijinks and multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaniAnd yes, that gives me comfort only in the sense that what viewers will see in the opening episodes is such a perversely wonderful hallucinogenic experience — dance numbers, shape - shifting, the creepy sound of frozen people and their chattering teeth, explorations of color, astral plane hijinks and multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaniand their chattering teeth, explorations of color, astral plane hijinks and multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaniand multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaning.

In the middle point of interest is the relationship between the blue (in skin color and demeanor), shape - shifting Raven, aka Mystique (Jennifer Lawrence), and Hank McCoy (Nicholas Hoult), who comes to be known as Beast due, in part, to his hand - like feet and agility.

A gaudy, gorgeous rush of color, sound and motion, «Slumdog Millionaire,» the latest from the British shape - shifter Danny Boyle, doesn't travel through the lower depths, it giddily bounces from one horror to the next.

Standard features include high - intensity discharge headlamps and L - shaped LED daytime running lights, paddle shifters, a dual - zone climate - control system, a color 4.2 - inch multi-information display and 10 airbags.

1969 351ci Windsor V8 Engine 650 CFM Carb Toploader 4 - Speed Manual Transmission Ford 9» Rear End 3.50:1 Ratio Posi Trac Front Independent Suspension New Ball Joints New Radius Bushings Core Support Looks Great, Not Beat Up Shock Towers are Solid w / Tag Rear Leaf Spring Suspension New Shocks New Dual Exhaust w / Jet Coated Headers Front and Rear Drum Brakes Billet Distributor Rebuilt Alternator Newer Radiator New Gas Tank Parking Brake Is Enabled RARE: Only 1 of 351 Sold w / this Color Combination Hood is Flat Black Like From Factory Hood is Flush w / Fenders Hood Scoop Hood Pins Front Chin Spoiler Gold «Mach 1» Tape Stripe Down Side Door Lips and Jambs Look Great Original Door Tag Replaced Weather Stripping All Around Rear Window Louvers Rear Trunk Spoiler Original Trunk Floors and Paneling Chrome and Stainless are in Great Condition Undercarriage Looks Great ORIGINAL Red Oxide Painted Underbody Has Been Freshened Up (we have pics) Drop Downs are in Great Condition Super Straight Frame w / No Jack Damage New Floor Plugs 14» Style Steel Wheels Front Tires: BFG Radial T / A 215 / 70R14 Rear Tires: BFG Radial T / A 225 / 70R14 Factory Appearing White Interior is Astounding Bucket Seats w / Fold Down Rear Seat Center Console Floor Shifter Seat belts w / Shoulder Belts Headliner is Tight Dash Pad is in Great Shape Gauges are Nice and Clear Original Steering Wheel recently restored A restored Mach 1 with a Ford 351CI Windsor V8 and a 4 speed top loader.

Over $ 1,400 worth of options are now become standard for 2014, which include HID headlamps, L - shaped LED daytime running lights, Drive Mode Select, paddle shifters, a dual zone climate control system, a next - generation Remote Touch Interface, Display Audio, a color 4.2 inch TFT multi-information display and 10 airbags.

This color - changing, tentacled shape - shifter can «pour» itself through a hole the size of a thimble, drill through seashells with its tongue, squirt ink, and paralyze its prey with venom.

Simultaneously, the natural light streaming through the windows shifts in color and shape, constantly playing with the viewer's perspective.

The Light and Sea series, inspired by the extraordinary light of sea, sky and water on the East End of Long Island, consists of abstract visual meditations on the interplay of air, light and water, the shifting of colors and shapes from form to formlessness.

The color field is repurposed as a visual staging area upon which organic forms, vascular and sinuous, shape - shift and commingle.

Proving the painting's flatness with frontal shapes or solid stripes must have seemed superfluous or monotonous to him; he wanted movement; he wanted your eyes to dance and skitter across the painting, where the ground might be mottled or solid, where the shifts of color and surface pull you closer, where the space between the planes and vibrate or smolder, where color intensities vary considerably.

The sculptures that help you to see (and feel) color in a new light Los Angeles Times The magical mysteries of color strut their shape - shifting stuff in «Peter Alexander, Sculpture 1966 - 2016: A Career Survey» at Parrasch Heijnen Gallery in Boyle Heights, where the exhibition is a garden of earthly delights.

And despite the mechanical rigidity suggested by Desmarais» architectural forms, the movement continued as one walked past each piece, the body's motion stirring constant shifts in shape, lighting, and colAnd despite the mechanical rigidity suggested by Desmarais» architectural forms, the movement continued as one walked past each piece, the body's motion stirring constant shifts in shape, lighting, and coland color.

On view through May 11 are Colorado artist Rosane Volchan O'Conor's complex mixed - media installation with organic - shaped ceramics, Organismo; New York artist Claire Watson's surrealist found - object sculptures, Now What; and Los Angeles - based Texas - native Paul Rodriguez's shifting, color - manipulated videos of surfers, landscapes and still - lifes in Post Penis.

The installation incorporates mechanically generated mist and snow as «screens» for a cyclical loop of video projection, in which colored rectangular shapes recess one behind another, rising, falling, and moving through the mist in ever - shifting patterns.

The most significant shift in my work was around 2004 when the shapes and areas of color in my paintings became larger as if I had zoomed in on pieces of my earlier paintings to draw attention to the color and the compositional choices.»

Josef's shape - shifting, geometric color studies add a quieter, more deliberate vibrancy that feels both controlled and experimental.

Shifting biomorphic shapes painted or drawn in vivid colors populated Matta's often - apocalyptic scenes, conveying confusion and angst.

Recent exhibitions include a solo at Melville House in Dumbo, NY, «View Point» at Cheryl Hazan, «Doppler Shift» at the New Jersey Center for the Visual Arts in Summit, NJ, «Color, Shape and Form» at Galerie Gris in Hudson, NY, and «Oppler» at Transmitter Gallery in Brooklyn.

Visitors witness multiple exhibitions in one area as shapes shift and colors flicker, the effect dependent purely on viewpoint.

We should grasp it as belonging (albeit sometimes in shifting or barely legible relationships) to the same continuum of experience and knowledge - the episteme - that encompassed an array of cultural changes, myths, and motifs or the sixties... yet nor was Color Field art shaped in a vacuum by artist adrift from external reality.

Painters like Morris Louis and Matisse come to mind in these animated works - in the shifting rays of color, sprouting lemon groves and abstracted mountains of «Radiant Chromosphere,» in the blues and golds pouring across the screen into unexpected shapes, like some rubbery character in «Yellow Submarine.»

Working with the central idea of the constructed image of a rose with all its itinerant histories and meanings, etc. the works in this exhibition, which include Mark Dutcher's lovely albeit sorrowful rosebush made of colored wax and Sabina Ott's Mater Rosa I from a series of lithographs that depict the rose as a strangely regressive shape, mirroring the circle, in some way echo both the fragility and decadence of the rose as a central and narrative trope in our ever - shifting human history.

All added up to her eccentrically shaped paintings: wafer - thin enamel - on - aluminum compositions of shifting color planes within extruding and sloping architectures that she mounted as closely as possible to the space's walls.

Yet here the line of representation inevitably blurs, as the artist nudges his forms toward abstraction and surrealism through softened edges, shifts in scale, lush but strange colors, manipulated perspective, and shapes and imagery that repeat but become altered over time.

They are also a visually and formally masterful and complex mesh of shifting colors, tones, shapes, and structures.»

Turning from the hard edges of his representational and geometric abstraction, Demarchelier uses curvilinear paint strokes in bold colors to show indeterminate puzzle pieces of reactive shapes moving in the dynamism of shifting systems, a technique that points to the role emotion plays in determining perception.

Prompted by the exhibitions Sheila Pepe: Hot Mess Formalism, Jeff Donaldson: Dig, and Edie Fake: Structures Shift, the works displayed here explore the formal qualities of line, shape, color, and pattern, as well as themes of gender and identity.

She separates hard - edge shapes with painterly passages of carefully modulated markings, and she uses subtle tonal shifts to create an illusion of overlapping planes of transparent color.

However, Laget then pushes it further by incorporating the extremes of color juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a highly retinal experience, while also leveraging the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the sense of vocolor juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a highly retinal experience, while also leveraging the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the sense of vocolor value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the sense of voColor School to create the sense of volume.

After utilizing mostly geo - based shapes and solid colors in his earlier works, the new pieces seem to be shifting towards non-symmetrical, organic shapes and textured paint, opening new possibilities for interaction and layout of the elements.

However, Shelley has always been intrigued with natural rhythms and slight variations that create shifts in pattern and perception, such as drum beats in music, moving and migrating cloud formations and systematic changes in color and size of similar shapes that cause an enhanced awareness of an otherwise unnoticeable feature.

Lundeberg's later work, by contrast, shifted focus to expressing psychic moods through more forthright abstraction, while continuing to engage both the material and spiritual worlds through her use of form, color, shape, and line.

Shelley's newest series, Earth Measure Blues, is a little different than her other series in that the basic composition and shapes, as well as colors, all change and shift.

She draws out the shapes with pencil and begins to build with color, eventually shifting to opaque layers of oil paint employing trompe l'oeil trickery and overlays.

However, she then pushes it further by incorporating the extremes of color juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a retinal quality, while also utilizing the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the illusion of volume and three - dimensional scolor juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a retinal quality, while also utilizing the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the illusion of volume and three - dimensional scolor value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the illusion of volume and three - dimensional sColor School to create the illusion of volume and three - dimensional space.

Ms. Sánchez's stretched topographies, which contrast geometric forms and subtle color shifts with shaped and protruding stretcher elements — had rarely been seen outside Puerto Rico until her exhibitions at Artists» Space in New York in 2013 and then at Galerie Lelong in 2014.

The linear divisions have, in the more recent pieces, become blunt bold beams that extend color structure and shift from mere edge to self contained slender shapes.

With each host, the colors shift and new shapes emerge.