Sentences with phrase «shifting topography»

A constant varying sequence of images reflect the Internet's shifting topography of information.

Series such as «Future Memories» display the artist's grasp of change and shifting topography of the city.

New Delhi — based artist Vibha Galhotra (b. 1978) addresses the shifting topography of the world under the impact of growth and globalization in her large - scale work composed of thousands of metal ghungroos.

These flat, ceramic works bear mineral - rich glazes and evoke shifting topographies, constellations and biological formations.

Not exact matches

First among my absolute favorites was the tactile joy of the topography table, which featured the ability to shift new, soft land masses using composite materials and lights.

Furthermore, tornadoes can be influenced by many regional factors, including topography of the land and areas where cooler air meets warm, subtropical air, making it difficult to attribute the shift in the tornado season to any one factor, he said.

Such a shift would have had a significant impact on the appearance of the planet, whose topography in this early configuration was recalculated by Matsuyama with the aim of examining the effects of the relief on primitive Mars.

A second is how even limited spending and activity can shift the political topography.

As you drift north through the channel, the topography shifts from a gentle slope to steep wall, festooned with colourful soft corals, huge gorgonian sea fans, and sea squirts and tunicates in a multitude of sizes and shapes.

Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias).

Featuring works by eleven NMSU Department of Art faculty and staff members, Impermanent Topography addresses the social, political, geographical, and cultural landscapes that comprise our ever - shifting understandings of contemporary life.

Located at the confluence of open grass and forested glen, Portals serves as a gateway of sorts, marking not only a shift in topography but a transition in mental acuity as well.

In «Topography of Knowing,» HATCH Projects artists Mara Baker, Nina Barnett, and Cherith Lundin, curated by Jeannette Tremblay, consider timeless questions from within a markedly shifting paradigm of perception.

The new work she will develop during her time in Southern California explores seismic activity along the Ring of Fire through musical composition, experimenting with the friction of geographic shifts to create a new harmonic topography.

The topography and reflective property of the material play with color and light according to the work's surroundings and the viewer's perspective; nuances of texture, color, and tone emerge and shift through that interaction.

Migratory currents, the minute structures of living matter, shifting atmospheres and the whorls of fingerprints are simultaneously summoned in the written topographies that swirl and crystallise across the picture surface, conveying turbulent energies and the processes of the universe.

The luminous works call to mind associations with shifting atmospheres, migratory currents, fingerprints, and topographies.

Asking old questions about the joint fictions of reality and the photographic medium in ways that take us beyond the documentary and the poetical, No Greater Fiction pictures the often dystopian experiences, shifting scales and topographies of the real by reminding us that being aware of make - believes does not obliterate our need to have them.

Ms. Sánchez's stretched topographies, which contrast geometric forms and subtle color shifts with shaped and protruding stretcher elements — had rarely been seen outside Puerto Rico until her exhibitions at Artists» Space in New York in 2013 and then at Galerie Lelong in 2014.

Expanding her range of mark making in scale shifts and close ups, Ferris couples syncopated brushstrokes with airbrushed oil paint to create surfaces that combine the topography of textiles with the banter of gestural mark making.