The non-hierarchical treatment of color in Donald Judd's Menziken wall sculpture (Untitled, 1988) stems from Mondrian's experimental attempts to balance primaries according to scale, while Carl Andre's
shimmering floor sculptures (Copper Sum Five, 2006 and Fifth Aluminum Cardinal, 1978) remove the hierarchy of display, creating infinite points of view.
The exhibition features a 1,800 - square - foot
floor sculpture, «Color Field,» made up of Lou's characteristic «blades» of grass in a variety of striking colors
shimmering across the
floor like a Tetris board.