Sentences with phrase «ships in bottles»

We are Grammar, Pratt Institute, New York (2011) Clap, Marie Luise Hessel Museum, CCS Bard, Annandale - on - Hudson (2011) Learning from Vancouver, Western Front, Vancouver (2010) Portscapes, Museum Boijmans Van Beuningen, Rotterdam (2010) Making Ships in Bottles, CGP, London (2010) Impakt festival, Utrecht (2010) The Crude and the Rare, Cooper Union, New York (2010) Xth Lyon Bienniale, The Spectacle of the everyday, curated by Hou Hanru, Lyon (2009) Generosity is the new political, Wysing Art Centre, Cambridge (2009) One Day Sculpture, Auckland (2009) Pumphouse Gallery, London (2009); Becoming Dutch, Van AbbeMuseum, Eindhoven (2008) For Reasons of State, ISP Whitney, New York (2008) Utopia Transfer, Kiscelli Museum, Budapest (2008) Xth Istanbul Biennale (2007) Models For Tomorrow, European Kunsthalle, Cologne (2007) Moscow Biennale, Moskow (2007) Temporary Measures, Associates, London (2007) Naked Life, MOCA, Taipei (2006) Ford Boxes, Cork Caucus Cork (2005)

This maritime - themed charmer teams raw wooden banquettes with retro patterned wallpaper and a timber ceiling, accessorized with ships in bottles,... Read More

She models ships in bottles with her dad so she can spend time with him.

«That person, within 10 or 15 minutes, is just doing a little email, and 10 minutes later is building a ship in a bottle because they've lost track of the meeting and it's hard to hear what's going on in the room.»

Wood's muse isn't his lovely girlfriend Dolores (Sarah Jessica Parker), but rather scrap - heap fright - star Bela Lugosi (Martin Landau), a man who personifies Wood's idea of stardom as a ship in a bottle and movies as the one true means of perfect expression and immortality.

As in the book, Jack is an accomplished and precise craftsman, but what he is meticulously creating in the workshop isn't a handmade violin or a ship in a bottle: They're high - powered weapons used for assassinations.

Here is the episode list for this season: Time's Arrow, Part II; Realm of Fear; Man of the People; Relics; Schisms; True - Q; Rascals; A Fistful of Datas; The Quality of Life; Chain of Command, Part I; Chain of Command, Part II; Ship in a Bottle; Aquiel; Face of the Enemy; Tapestry; Birthright, Part I; Birthright, Part II; Starship Mine; Lessons; The Chase; Frame of Mind; Suspicions; Rightful Heir; Second Chances; Timescape and Descent, Part I. Brent Spiner's dual performance as Data and his father Dr. Noonien Soong in «Birthright» are fantastic.

This is a film of subtlety and care, lovingly constructed like a ship in a bottle.

And what's the connection between her off - hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?

Like flora and fauna themed «ships in a bottle», Kiva's work captures his glass - based specimens in jars as if preserving them for the future.

In 2010, the artist's sculpture Nelson's Ship in a Bottle was selected for the prestigious Fourth Plinth commission series in London's Trafalgar Square and was on view until January, 2012.

In 2010, the artist's sculpture Nelson's Ship in a Bottle was selected for the prestigious Fourth Plinth commission series in London's Trafalgar Square.

The work is by renowned artist Yinka Shonibare, known for the Ship in a Bottle sculpture that stood as the fourth plinth in Trafalgar Square.The ballet and the visual arts have a long history of interaction -LSB-...]

Highlights of the Happening to Be exhibition, which is open to the public, include a maquette of Nelson's Ship in a Bottle by gallery artist and Turner prize nominee Yinka Shonibare MBE, first unveiled on the fourth plinth in Trafalgar Square.

Shonibare's work, «Nelson's Ship in a Bottle» was the 2010 Fourth Plinth Commission, and was displayed in Trafalgar Square, London, until January 2012.

In 2011, the artist's sculpture «Nelson's Ship in a Bottle» was selected for Trafalgar Square's prestigious commission series.

Yinka Shonibare's Ship in a Bottle has been commissioned by the Mayor of London and supported by Arts Council England and The Henry Moore Foundation with sponsorship from Guaranty Trust Bank.

The work echoes the sails from Yinka Shonibare's Fourth Plinth commission in Trafalgar Square, «Nelson's Ship in a Bottle», now on permanent display outside the National Maritime Museum, Greenwich.

2013 Royal Museums Greenwich, London 2010 Nelson's Ship in a Bottle, Fourth Plinth Commission, Trafalgar Square, London Nouveau Musee National de Monaco, Monaco Lethaby Gallery / Central St. Martin's College of Art and Design, London 2009 Dublin City Gallery The Hugh Lane, Ireland Museum of Contemporary Art, Sydney National Museum of African Art / Smithsonian Institution, Washington, D.C. 2007 National Gallery, London Musee du Quai Branly, Paris 2005 National Design Museum of the Smithsonian Institution, New York 2004 Tate Britain, London

In 2010, he won the Wollaston Award for his work Crash Willy in the Royal Academy's Summer Exhibition and Nelson's Ship in a Bottle became his first public art commission on the Fourth Plinth in Trafalgar Square.

YINKA SHONIBARE MBE: I made a piece called Nelson's Ship in a Bottle for the Fourth Plinth project in Trafalgar Square.

His Nelson's Ship In A Bottle is on display until the end of the year on Trafalgar Square's Fourth Plinth and he is also taking part in the I Know Something About Love exhibition at the Parasol Unit in London, which runs until 22 May.

Called Nelson's Ship in a Bottle (2011), it contained a scale model of HMS Victory with brightly patterned African fabric enlivening its sails.

A look back at the career of the Turner prize - nominated artist whose work Nelson's Ship in a Bottle will take its place on Trafalgar Square's fourth plinth in May 2010

Yinka Shonibare is proposing a piece called Nelson's Ship in a Bottle, which would be a scale replica of HMS Victory, in a bottle, and address issues of multiculturalism.

Nothing could look less urgent, aggressive or dangerous than Yinka Shonibare's ship in a bottle outside the National Gallery.

As with Yinka Shonibare's celebrated work on the Fourth Plinth, «Nelson's Ship in a Bottle», «Kaleidoscope» reclaims an object from a familiar British tradition and subverts it through the bold use of batik patterns and the transformation of the shape into that of a phallus.

His Fourth Plinth Commission «Nelson's Ship in a Bottle» for Trafalgar Square was unveiled by the Mayor of London, Boris Johnson on the 24 May 2010.

2012 Nelson's Ship in a Bottle, Acquisition National Maritime Museum, Greenwich, London, England (a permanent public sculpture) Globe Head Ballerina, Royal Opera House, London, England

Since Yinka Shonibare's ship in a bottle commission in Trafalgar Square, his work has expanded into the public realm.

, Art Guide Australia, June Pena, Anne Marie, A Terrible Beauty: Politics, Sex and the Decline of Empires, Cmagazine, issue 114, Summer Pollock, Barbara, Arthur Solway: Bringing the West to the East, Artnet, 22 May Artists to look out for at Frieze Art Fair New York 2012, Huffington Post, 5 May Little, Mandy, Ship art docks for exhibition, The Mercury, 2 May Guner, Fisen, The Arts Desk, 23 April Brown, Mark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, February

2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.

Recent major works include Nelson's Ship in a Bottle, the first commission on the Fourth Plinth (2010 - 2012) to reflect specifically on the historical symbolism of Trafalgar Square.

Marc Quinn's Alison Lapper Pregnant (2005) was meant to make us think about disabled people and beauty; Yinka Shonibare's Ship in a Bottle (2010) was meant to make us think about the history of British imperial power; Elmgreen & Dragset's Powerless Structures, fig. 101 (2012) was meant to make us think a bit about war, and y ’ know, innocence and stuff.

In 2010, he won the Wollaston Award for his work Crash Willy, 2010, in the Royal Academy's Summer Exhibition and Nelson's Ship in a Bottle, 2012, became his first public art commission on the Fourth Plinth in Trafalgar Square, London.

Best known for his Nelson's Ship in a Bottle exhibited on the Fourth Plinth in 2010, Yinka Shonibare MBE RA discusses, with Patrick Wright, how his thought - provoking works have been inspired by his experiences of London.

In 2010, «Nelson's Ship in a Bottle» on the Fourth Plinth in Trafalgar Square became his first public art commission.

As with Shonibare's celebrated work on the Fourth Plinth, «Nelson's Ship in a Bottle», «Kaleidoscope» reclaims an object from a familiar British tradition and subverts it through the bold use of batik patterns and by transforming the shape into that of a phallus.

In 2010, «Nelson's Ship in a Bottle» became his first public art commission on the Fourth Plinth in Trafalgar Square.

In this week's roundup, Kerry James Marshall and others explore black identity, Mark Dion has a ship in a bottle, Barbara Kruger makes art from chess, and more.

Following the installation of the artist's widely acclaimed work «Nelson's Ship in a Bottle» in Trafalgar Square in London, Shonibare continues his explorations of Lord Nelson, the figurehead of the British Empire at its apotheosis.

A ship in a bottle is an object of wonder.

YOU could call it two galleries for the price of one, but Tate St Ives describes the central point of its new exhibition as a kind of «ship in a bottle».

The next commission for the Fourth Plinth, Nelson's Ship in a Bottle, by leading Anglo - Nigerian artist Yinka Shonibare will be unveiled in Trafalgar Square on the morning of Monday 24 May 2010.

Yinka Shonibare's Nelson's Ship in a Bottle is sponsored by Guaranty Trust Bank who are also supporting Chris Ofili's mid-career survey exhibition at Tate Britain, on view until 16 May 2010.

Two for the price of one at Tate; 2005 Turner Prize winner Simon Starling in St Ives West Briton, The; February 10, 2011; Colin Gregory; 686 words YOU could call it two galleries for the price of one, but Tate St Ives describes the central point of its new exhibition as a kind of «ship in a bottle».

Yinka Shonibare said that he was «absolutely delighted and touched by the public's generosity»: «It is testimony to the importance of keeping Nelson's Ship in a Bottle in the country».

Yinka Shonibare MBE RA, «Nelson's Ship in a Bottle», 2010; fibreglass, steel, brass, resin, UV ink on printed cotton textile, linen rigging, acrylic and wood; 290 x 525 x 235 cm (114 1/8 x 206 3/4 x 92 1/2 in); © Yinka Shonibare MBE RA, Courtesy Yinka Shonibare MBE RA and Stephen Friedman Gallery, London.

Howick Place The hand painted Dutch - wax fabric pattern of Yinka Shonibare RA's Wind Sculpture seems to flutter in the wind and recalls the sails of his Nelson's Ship in a Bottle for the Fourth Plinth in Trafalgar Square.

Considerably larger than a usual ship in a bottle, yet much smaller than the real HMS Victory, in fact a 1:30 scale model, Shonibare's Nelson's Ship in a Bottle, was «the first commission on the Fourth Plinth to reflect specifically on the historical symbolism of Trafalgar Square, which commemorates the Battle of Trafalgar, and will link directly with Nelson's column.»