Sentences with phrase «shoot camera days»

And, given that all our phones serve double duty as point - and - shoot cameras these days, one of the most important tests is camera quality.

Not exact matches

A customer who hasn't received his camera for a photo shoot the next day or hasn't got their concert tickets for tonight's show has to get priority over someone calling about a refund or to change their address.

We invited our Instagramers out for a day of shooting in New York City, during which we had our own cameras tag along to get an up - close and personal view of how they view the city.

I had to work out an improvised camera rig, shoot over two days as the light in my room kept changing and next time I will definitely be using a more sturdy table!

Thompson weighed in on whether body cameras would have made a difference in the Father's Day shooting in Syracuse, during which a man was shot and killed and an officer fired her gun.

That failure was compounded by confusion about what was being shown to police on school security cameras the day of the shooting and the lack of meaningful response to reports to the FBI and local police that 19 - year - old suspect Nikolas Cruz might become violent, had guns and possibly would attack a school.

Possibly the best DSLR camera for video, the Nikon D750 FX - Format DSLR features a set of pro video settings that will have you shooting incredible videos from day one.

Some days I will go for a walk with my camera (I'm fortunate to live near some beautiful hiking trails and nature); other times I will shoot for pleasure at home, with friends, flowers, books, clothes... whatever inspires in the moment.

I usually try them out off - camera and a day or two later, shoot them with M. Just because I want to see if they feel comfortable, are wearable and make any sense.

Luckily that day, I had taken my camera with me to shoot some street scenes, so I was able to snap some pictures of this cute lunch spot.

Ahhh, the old days when I used to shoot outfit posts in my dressing room with a point and shoot digital camera on a tripod.

To begin, I never thought these photos would make it onto the blog (or at least this season I mean) as these were the first shots I took with my mini tripod and new camera and it was honestly no picnic asš I was learning the camera and how to stand the flimsy tripod up correctly and I worried about trespassing onto this closed restaurants property that day to shoot these and well lets just say that whole day was a mess.

We shot this look on our final day in Nice in the old market and the camera decided to play up.

«I modelled all over the world for about 10 years while living in Paris, and then one day, when I was about to leave for another shoot in Kenya, my boyfriend gave me a camera.»

I modeled all over the world for about 10 years while living in Paris, and then one day, when I was about to leave for another shoot in Kenya, my boyfriend gave me a camera.»

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

The movie's second half, set over two days in Tehran, shot with lots of bouncy hand - held cameras in claustrophobic settings, aims at war - zone realism.

Only the obvious ending of Marlene walking out when Petra promises to be better to her and Michael Ballhaus» sometimes imprecise camera movements (probably due to Fassbinder wanting to shoot it in 10 days, a usual feat even on location for him) are sour points.

As the film began as a loose collection of scenes, many of which were originally shot for Lynch's website on a low - resolution camera, Lynch committed to making the film on digital cameras and wrote scripts daily in response to what had been filmed the day before.

Featuring a scene of poor old David proposing to Janet on the day he wouldn't see the end of specially shot for the trailer, as well as talking - to - the - camera Stewart footage, it is in reasonable shape visually, although the soundtrack is rather hissy.

Working with cameras on a floating rig in choppy waters and braving the elements, with actors dieting for months to appear as depleted as their characters, Jolie completed a successful first day of a location shoot that promises to be rigorous and uniquely challenging.

Constructed around a few locations (including Stevens» own home for Anne's gilded prison) and a cast of four central characters and shot in an economical ten days, it is both a handsome production (shot by veteran, Oscar - nominated DP Ted McCord sometime between Treasure of the Sierra Madre and The Sound of Music, and camera operator Conrad Hall) and a visually evocative world taut with palpable tension and he orchestrates the quartet nicely.

It's sort of a poor man's Big Chill, complete with Kevin Kline (The Emperor's Club, Wild Wild West), in this multi-character piece reportedly shot entirely with DV cameras in 19 days, with roles written specifically for the friends of writer - director - stars Cumming (X2, GoldenEye) and Leigh (Road to Perdition, Fast Times at Ridgemont High).

«Tangerine,» an against - the - clock chronicle of a hectic day in the lives of two transgender hustlers in Los Angeles, won some of its fame for having been shot with an iPhone camera.

Beasts, which stars Idris Elba and newcomer Abraham Attah, was shot in Ghana in 35 days on Panavised ARRI Alexa cameras with anamorphic C - series lenses — older lenses that gave the film its 1970s patina.

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.

At the recent press day, Core, Ramirez, Bracey, wingsuit stunt pilot Jeb Corliss, professional free climber Chris Sharma, Alcon producers Andrew A. Kosove and Broderick Johnson, and 2nd unit director Philip Boston talked about how they went about creating the ultimate sports movie, how the actors viewed their characters and built the bro - mance, the challenges of coordinating a production that shot around the world in 11 countries and on 4 continents, why all the 2nd unit work was shot prior to the first unit work, why vision and authenticity were paramount, why the imagination, energy and focus required to shoot a film in camera is much greater than when visual effects are used everywhere, and why it took courage to make this film.

I was won over by the credit sequence, which shows rock - and - roll heroine Susan (Renee Zellweger) lip - synching Little Richard's «The Girl Can't Help It» while cavorting madly around her fluffy 50s bedroom, shot in a slurred, pixilated form that recalls the exuberant camera style of Wong Kar - wei (Days of Being Wild, Chungking Express).

This figure was the result of such senseless cost overruns as Wiseau's choice to buy rather than rent his cameras and lighting equipment and to shoot every scene both on 35 mm film and digital video, not to mention his propensity for showing up hours late to his own set every day.

They met just before she spent the day shooting her straight - to - camera scenes with him, and got along immediately.

Behind the camera is director Ryan Coogler, a black filmmaker who first burst onto the scene with Fruitvale Station, a film about the day in the life of a victim of a police shooting.

Chazelle recast the drummer part with Miles Teller («The Spectacular Now»), and shot the film on digital cameras in 19 days in Los Angeles, with another day spent in New York.

Like Paul Thomas Anderson's Boogie Nights (1997), Lovelace betrays sentimentality about the good old days of shooting analog skin flicks (shot with 35 mm cameras!)

Behind the camera Wiseau was just as maddeningly indecipherable — forcing the crew to shoot scenes that weren't in the script and had no importance to the story, reshooting entire scenes in locations that had already been dismantled and therefore had to be rebuilt, and insisting every single member of cast and crew be on set every day from early morning «til late evening — even if they weren't needed that day.

If you're shooting outside, make sure to do so on a sunny day (with the sun behind the camera).

When shooting photos of a cityscape and some plants with the back camera on an overcast day, we saw clear pictures, but hues were muted.

It will also have a 3,200 mAh battery, which should be good enough for all - day use, as well as a 13 - megapixel rear - facing camera, which is enough for 4K shooting, and 2 - megapixel front - facing camera.

With the level of sophistication offered by even the most basic of cameras these days, the temptation is to turn the dial to auto and just «point and shoot».

The crew surfed all day and we broke the camera out in the afternoon for a few shots.

PADI Digital Underwater Photography is a 1 - 2 day course with an introduction to digital underwater photography centered around today's point and shoot digital cameras.

In this one day course, you will learn how to choose the right underwater camera system for you, the PADI SEA method for getting great shots quickly and the three primary principles for good underwater photos.

Meanwhile cutscene length is far better judged and features heavy use of shaky cam, something I'm normally against as movie directors these days rely on it far too much, but it's artfully done and combined with long, single camera shots.

They're all genuine, captured by Playground using an expensive HDR camera rig, shots taken practically every second of every day across a whole Australian summertime.

However, if they don't find any one, they will call off the search and lower their alert status, even though it's plain as day that someone shot the damn camera out.

He shoots pictures for his visual diary every day, turning his camera on streets, people, architecture and cultures as diverse as Tokyo, Hawaii and Buenos Aires.

The print itself combines 70 mm high - speed camera shots at CERN [the European Organisation of Nuclear Research, Switzerland] of a cylindrical particle accelerator target, echoing elements in The Day the Earth Stood Still.

To make the videos, the artist placed the flowers on a mirror that reflected the bright blue Los Angeles sky above and filmed them from above on a crane using a day - for - night filter — which movie directors use to make scenes shot in the day look like they occur at night — and had a rain machine pump rain between the camera and the flowers.

Today it seems almost impossible to reconcile the output of two forms of labor: one that arrests working bodies in space and time over the long term — over days, weeks, years, lifetimes, and generations — and another that takes place in an instant, in the time it takes for a camera shutter to snap or for a commercial spot to be shot and broadcast in all directions to project an instant of work across the earth.

«120 Days and Nights of Staggering and Stammering: Installation shots (SLR film Cameras, Slides.

Along with his widely recognized works on paper and sculptures, Dzama offers a darkened room of eight dioramas and Lotus Eaters (2005), a silent film partially shot with a Fisher Price PixelVision toy video camera (transferred to DVD for the exhibition) and accompanied on certain days by live piano music.