Sentences with phrase «shoot scene in the film»

PRODUCERS will use digital images of Philip Seymour Hoffman to shoot a scene in the film he was making before his death.

Not exact matches

The opening scene of «Spectre,» the latest James Bond film, centers on a Dia de los Muertos (Day of the Dead) parade shot on location in Mexico City.

However, the rest of the Getty scenes in the movie are clearly of Plummer, which Scott could pull off as they are mostly scenes shot in one exterior location or interiors, which could all have been filmed on studio sets.

Among the content to look forward to, Malibu and Ne - Yo completed a commercial shoot in Spain that will provide a variety of brand assets — from videos and short films to behind - the - scenes images.

The Skyway in Buffalo was shut down for a few hours Tuesday so a film crew can shoot a scene.

Three major productions are currently shooting scenes in the area and a highly anticipated movie filmed at several local sites will be released next month.

The entire film was shot in only 14 days, and even managed to include a surprise celebrity encounter the director was able to arrange for a scene in the world famous Rainbow Bar and Grill in LA, in which the girls run into the infamous Ron Jeremy, who actually then offers Dani a job.

There is also a scene of an arrow being shot into someone and various other slapstick violence which is common in the film.

At the end of a big rhinoceros battle, a male character submits to Gurira in the film's single most iconic shot, while an earlier scene in which she tosses aside a bad wig ranks as the most gay - friendly Marvel moment to date.

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

Forster's manic editing style — at its worst in The Quantum of Solace (2008)- does turn that opening street rampage into a blithering mess of shakycam shots, reverse - swish - swoop pans and psycho - edits, but the film soon calms down, and there are several strong performances in the quiet scenes that buffer Lane's ongoing question for answers.

Except for the bookends (its opening and closing scenes) and two other brief shots (the little girl in a red coat and candles burning with orange flames), the entire film in - between is shot in crisp black and white.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

There's little doubt, ultimately, that the character works best in extremely small doses and yet much of the narrative is focused entirely on his somewhat obnoxious (and completely unsympathetic) exploits, which ensures that large swaths of The Disaster Artist completely fail to completely capture and sustain one's interest - although it's hard to deny the effectiveness of certain making - a-picture sequences in the film's midsection (eg the shooting of the infamous «oh, hi Mark» scene).

Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful shots create definite impact; one of the film's final scenes, that takes place in an abandoned town, surprised me in its method of creating danger.

One of many interesting stylistic choices by director Irvin Kershner and cinematographer Haskell Wexler, who shot the film in gorgeous high contrast black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.

The film is artfully shot with eye candy galore: sumptuous dresses, beautiful people and scenes from Pierre and Yves's time in Morocco.

Camera movement issues aside, the film is beautifully mounted, with many scenes being shot in the actual locations where events occurred some 75 years ago.

Goold shoots the film with a fine restraint, never coming off dull or dry in the two - hander and courtroom scenes and never going over the line into exploitative sensationalism for a story about a grisly crime.

Real - life astronauts have given the film their blessing but one or two artificial - looking scenes betray the fact the film was shot on sets at Shepperton and Pinewood, not in outer space.

I think that the mix of the really short shoot (miraculously, Prince Avalanche was filmed in 16 days), with what an action - packed shoot it was, in terms of the amount of scenes we did every day, and the comedic dynamic of the character was something that I never explored before.

Already one of the most Halloween - friendly shows on TV, we already know that the some scenes for the new season were filmed in the South Pasadena neighborhood where John Carpenter shot Halloween, reportedly even using some of the same houses.

Producer Mike Kaplan has gone the extra distance to find interviews and behind - the - scenes footage shot during filming on location in Maine, conducted new interviews and shared his own vivid memories of making this lovely picture with director Lindsay Anderson and a once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..

Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.

Director Terrence Malick's currently - shooting untitled film set within the Austin music scene isn't exactly lacking in actors, but we all know that just because you shoot scenes for a Terrence Malick movie doesn't mean you'll actually be in a Terrence...

Cruz finds shooting love scenes in «films strange» so she makes her co-stars laugh to help relieve tension.

Shooting in Atlanta, Georgia, began this week, and Wright is already sharing behind - the - scenes pics from his rock - and - roll car chase film.

Hayley Atwell «s Agent Peggy Carter was such a scene - stealing standout in Captain America: The First Avenger, she went from a supporting character in Captain America's debut film to a One Shot subject to the lead of her own TV show, Agent Carter (not to mention the fact that her cinematic arc was only just wrapped up in Captain America: Civil War).

Audio Commentary — Director Derek Cianfrance and his film studies professor, Phil Solomon, discuss the film, the shooting process, and the reasons Cianfrance chose to include some scenes in lieu of others.

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footagIn addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footagin Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footagin more detail) with the help of behind - the - scenes footage.

On the feature commentary track, Mancini describes more scenes in a similar vein from the script (such as one with Nica bathing in a shower chair that's seen briefly in the film), but says they were never shot due to scheduling constraints.

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's facin Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's facin reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's facin the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's facIn Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

Shot in a highway coffee shop, the scene is almost entirely filmed in close - up - minutes on end with Hall's face pressing the camera, answered by Reilly's blank stare.

Nolan's awe - inspiring masterpiece «Interstellar» will be released on 4K Ultra HD in a 3 - disc Combo Pack that includes the film on 4K UHD and in high definition on Blu - ray, as well as a bonus Blu - ray Disc ™ with three hours of in - depth, behind - the - scenes content detailing the epic shoot, the scientific realities explored in the film, a look at creating the stunning visuals, and much more.

Also starring in the film, which was shot at Pinewood Studios and on location in Toronto and post-produced at Screen Scene in Dublin, are Sean Bridgers, Megan Park, Joan Allen and William H Macy.

Re-watching your films, I noticed that there's more handheld shots than I ever remember, especially Mansfield Park, and then in this one there is in certain moments when things are more chaotic vs. the more stately, flowing movement in other scenes.

Well, he does save the world and in the final scene returns to her cell for his «reward», which is conveyed in the film as a POV shot recorded by the agent's spy glasses, much to the shocked disgust of Q-esque Merlin (Mark Strong).

The production design in the New York scenes (the entire film shot on built sets in Canada) is an appetizer for the main course, The Sharpe Estate.

Wood focuses on the complex system of identification Hitchcock establishes in this scene, and Bellour details the ways in which the film plays with doublings (or «rhymes») of looks and framings, point - of - views shots and eyeline matches.

As the film began as a loose collection of scenes, many of which were originally shot for Lynch's website on a low - resolution camera, Lynch committed to making the film on digital cameras and wrote scripts daily in response to what had been filmed the day before.

Audio Commentary with Director Lee Toland Krieger - Feature length commentary discussing how the scenes in the film were conceived and shot.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

A scene was shot in Gramercy with Jesse Eisenberg, Tom Kemp joins his third Allen film and other tidbits.

proper are less outtakes than straightforward, behind - the - scenes looks at the filming of specific shots (primarily concerning the particulars of revealing a turtle's penis and dumping fake semen onto a lizard puppet) that spotlight Smigel's perfectionism — the target of many jokes in the audio commentaries.

Already a shockingly careless film (watch for boom microphones and mismatched shots), the finale decides to dispense entirely with transitional scenes, shuttling Santa and his henchmen from situation to situation in a flutter of an eye with nary an explanation for how one thing led to another.

In addition, JustJared has landed more behind - the - scenes photos from the Jose Padilha - directed film, which began shooting in Toronto last weeIn addition, JustJared has landed more behind - the - scenes photos from the Jose Padilha - directed film, which began shooting in Toronto last weein Toronto last week.

She would go on to mention shooting scenes for the film in Atlanta in two weeks.

«Star Wars» Sequel: All six previous «Star Wars» film have shot some scenes at U.K. studios, but almost all of the production on J.J. Abrams» upcoming sequel will be done in the country, including the visual - effects work.

One of the great frustrations of this film becomes evident in this scene as it becomes clear that humans will never learn to mind their surroundings, particularly in times as dire as these — in other words, the safeguard of Jersulam's 100 - foot walls gives rise to, yep you guessed it: that infamous shot of the pile of crazed zombies.