Sentences with phrase «shoot second thing»

Not exact matches

And so it was very confusing because when we were shooting up there I would say to the script supervisor I would tell her that, you know, this scene, we're shooting this thing right now, this is for second picture.
For the second straight year they were among the favorites to win the whole thing and while they haven't won a sought - after Crown just yet, they are a relatively young group that will bring most of the squad back in 2017 where they will once again have as good of a shot as any for the Championship.
Victor Lindelof's moment of madness allowed Casemiro to level things up from the spot for Madrid in the second half, but Mourinho's men came out on top with a 2 - 1 penalty shoot - out victory.
But a couple of things held him back: His spotty jump shot had scouts projecting him as, at best, a second - round pick; and Tennessee's 77 — 75 loss to Oklahoma State in the first round of the NCAA tournament was eating him up inside.
The only thing that would slow Curry in the second half was a shot to the eye that forced him to the bench for a few minutes, but he would return as the Warriors cruised to victory.
Things turned on the back nine and he finished with six birdies in his final eight holes to shoot 65 and jump all the way into second place.
After the Golden Eagles had a 10 - 3 advantage on shots in a scoreless first half, Patrick Seagrist turned things in Marquette's favor early in the second half.
For instance, inspite of a transition to having the most attacking touches in the league (on a percentage basis of touches by the team), as well as the second highest shots per game ratio, Liverpool only have the 8th highest number of shots on target per game. This is suggestive of several things.
The second thing I have are the actual clapboards for syncing the film that are at the beginning of every shot in a movie.
The second entry in the Marvel One - Shot short series, A Funny Thing Happened on the Way to Thor's Hammer (4:00) depicts S.H.I.E.L.D.'s Agent Coulson (Clark Gregg) buying mini donuts at a gas station and unleashing a heretofore unknown badass side as he thwarts a robbery attempt.
The filmmaker changed things up a bit and shot in Super 16 mm and the 1.85 aspect ratio for his first period piece «Moonrise Kingdom» (set in the 1960s) and for his second period piece «The Grand Budapest Hotel,» Anderson is doing the same, switching things up.
Conceived, written, shot and finished in less than nine months from page to premiere, the film is the second feature from «Eastern Promises» and «Dirty Pretty Things» writer Steven Knight, who made his debut only a few short months ago with Jason Statham vehicle «Hummingbird» (known in the U.S. as «Redemption»).
The things that are bad about the film — director Douglas's obvious bid for recognition as a serious creative personality — are all traceable to faulty production decisions and a direction willing to settle for easy second - or third - best solutions instead of seeking the most effective means of staging, shooting, and mounting a scene.
That unique mindset grounds everything: because we're focused on the basic challenges of day - to - day existence, our brains don't question that this is all taking place on an alien planet; the stunning scarlet landscapes (shot with unfussy style by Ridley Scott) are second to the mathematical athletics on display; the prospect of space travel is nothing compared to the mind - bending number of disco tunes in the possession of Chastain's guilt - ridden leader — if there's one thing Blade Runner's missing, it's Abba.
So, without anything to do or say, the filmmakers ask your indulgence as they cram the lacunae with dog reaction shots, cat reaction shots, baby reaction shots, dogs humping legs and other things shots, cat flushing the toilet and having toilet paper stuck to its paw shots, and, of course, Barbra Streisand on speed riding De Niro like the world's biggest (and loudest) jockey on the world's craziest steed, massaging Blythe Danner, and never, ever, not even for a second, finding it prudent to shut her kvetch hole.
It's true that lots of things happen in this movie — lots of car chases and stunts and rapid - fire dialogue and whiplash changes in scenery — and director James Mangold even has the decency to sometimes hold a shot for more than five seconds.
These British folk seem to be really into shooting zombies, and who can blame them, shooting zombies is possibly the second best thing on earth next to shooting zombie dogs.
It really is a lot of fun flying around and shooting at things, but be careful as the enemies can turn their attention towards you and easily kill you off in a matter of seconds.
I couldn't actually tell what the developers have done to the free - kick system aside from two things: the first change is that you can switch the perspective from any free - kick, allowing you to switch from a direct free - kick to an indirect free - kick; the second change keeps the perspective on the free - kick taker when shooting directly at the goal (instead of zooming out).
He has also said that one of the game's main themes is the idea that most games are about man's first tool, the stick (punching, shooting, kicking), and that he wants Death Stranding to communicate through the game equivalent of man's second tool, ropes (for securing things we find important).
The first stage of a Megazord battle acts like a first person shoot - em - up, of all things, while the second part (the one you can see in the footage) acts more of a QTE and rhythm game hybrid.
There is also a co-op mode that can makes things easier; it is very similar to the co-op found in Jet Force Gemini or Mario Galaxy 2 — the second player can not control a character on the screen, but they are able to aim and shoot with a second reticle.
It also had Wario Ware, the most loopily creative game that Nintendo has ever made — a crazy collection of mechanically perfect one - shot miniature gamelets that encapsulate many of the things I love about video games in five seconds or less.
The second part places you into a small arena, having your nuns shoot out constantly appearing skeletons, vampires, werewolves, and little annoying things that can burn, freeze or damage you.
The «Special Editions» where Han shoots second, Jabba is tiny, and this CGI thing walks in front of the camera for some reason?
When you try to take a long - exposure shot — say, for a neon city skyline or to make a blurry waterfall shot — the P20 will use image detection know - how to smooth things out, taking up to an eight - second - long still.
Though you may not be too happy shooting down helicopters at the wheezy 36 FPS average we achieved in ultra 4K, at medium things clipped along just fine, maxing out at a respectable 132 frames per second.
The second lens shoots at f / 2.4 aperture, and since it's a telephone lens, you can zoom in on scenes to capture things from up close.
If that isn't the look you are trying to go for, you can also dial things back and shoot at UHD, QHD, HD or even spice it up a tad bit by shooting at 1080p at 60 frames per second.
We want our clients to shoot short (1 minute 37 seconds length) videos in the field of defects and unsafe things they see while inspecting the properties.
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