Sentences with phrase «shooting stage light»

One of the weirdest (and best) tips I have for shooting Stage Light portraits is shooting in medium - to - low - light areas.

Portrait Lighting can be added live, but I prefer to add it after the fact (unless I'm trying to shoot a Stage Light photo):

Not exact matches

A lot in the way this film was shot, with this speed and the high stakes and the technicalities and the dependency on each other and the, also the effects, you know the props and things, the cameras, the lighting and the removing of tables and putting them back, you know all those things sort of created this high level intensity and pressure that felt sort of emblematic sort of how it feels on the stage.»

Director Steven Soderbergh shoots those dance sequences with dynamic flourish (The camera is almost always moving in ways that punctuate the actors» motions) and plenty of polish (The stark contrast of the darkened house of the club with the perfectly lit stage is itself a contrast to Soderbergh's washed - out cinematography for the scenes outside of the club).

Elizabeth Olsen has four films in various stages of completion (Red Lights; Peace, Love, & Misunderstanding; Liberal Arts; and Very Good Girls) while Brit Marling has shot a role in Arbitrage and flirted with Breaking the Girl.

Two «Visual Effects Scene Deconstructions» allow you to see short effects - heavy set pieces (tunnel scene and the Edgar climax) in various stages of completion: storyboards, bluescreen shoot, bluescreen composite, lighting & animation, and the final cut.

They are not staged, shot, or lit like the stars of a studio film.

Many scenes take place on a vast wooden stage, dressed appropriately for the scene, and every shot of the film is framed, lit and coloured as if it were a Renaissance painting.

Sometimes Ritchie makes his simplistic points simplistically: past - it Barbie doll Feldon pushes her lonely, tendresse - starved husband away and we're left looking at the blue - green - lit TV dinners in her freezer (the word «frigid» is mercifully delayed till their next interview); Michael Kidd, as a gruffly sentimental directorial superstar engaged by the local Jaycees to stage the spectacular, watches the Antelope Valley girl turn an onstage fumble into a sympathy - inducing bonus and murmurs, «They learn fast» (a mere reaction - shot cut to him at this point would have verged on the excessive; the line kills any validity the moment might have had); a drummer (screenwriter Jerry Belson, no less) watches one contestant segue into a striptease whose impiications are hilariously ambivalent in the context of so much plastic puffery, then exchanges glances with the orchestra leader and gives his drumstick a ribald stroke.

Director: Jean Serge Film Sequence with Daniel Gélin shot by Jean Renoir, Sets: Fred Givone Lighting: Hughes Pinneux Stage Manager: Georges Frémeuax Cast: Daniel Gélin (Charles Castle), Claude Génia (Marion Castle), Paul Bernard (Marcus Hoff), Paul Cambo (Smiley Coy), France Delahalle (Patty Benedicte), Vera Norman (Dixie Evans), Teddy Bilis (Nat), Andrea Parisy (Connie Bliss), François Marie (Buddy Bliss), Robert Montcade (Hank Teagle), Andrès Wheatley (Russell), Jacques Dannoville (Gardener)

«Penguin Pandemonium» demonstrates the progress of a single sequence, from mapping out shots to lighting reference pass to different stages of animation, with commentary from Waters, Green, and Hollander.

In an early scene, Sanders stages the action with a nod to Christopher Nolan's Dark Knight trilogy, with skyline shots framing Major as a sole avenger amid a festering city rife with crime and the glow of neon lights below suggesting a world of excitement and carnal possibilities.

Cruise control, Digital clock, Driver information module, Navigation system with TMC, PAS, Personal telephone integration system with bluetooth, Rear parking aid, Service interval indicator, Stop / start button, Auxiliary Audio Jack, DAB Digital radio, Steering wheel mounted audio / cruise controls, Automatic headlights + automatic windscreen wipers, Daytime running lights, Electric adjustable / heated / folding door mirrors, Electric front / rear windows, Jupiter grille / side vents, One shot lowering / closing on front windows, Rear wash / wipe, 12V power point front / rear, 12V power point in luggage area, 3 rear headrests, 60/40 split folding rear seat, Auxiliary heater, Driver / passenger sunvisors and illuminated vanity mirrors, Front armrests, Front centre console storage box, Front head restraints, Heated front seats, Height adjustable driver's seat, Luggage cover, Map pockets on front seats, Pollen filter, Tilt / reach adjustable steering wheel, Two rear outer seat isofix location points, Clearview Pack - Freelander 2, Design pack - Freelander 2, 5 x 3 point seatbelts, ABS / hill descent control / electronic traction control, CBC -(Cornering brake control), Drivers knee airbag, DSC - Dynamic Stability Control, Dual stage Driver / Passenger Airbags, Electronic brake force distribution, Electronic parking brake, Emergency brake assist, Front seatbelt pretensioners + load limiters, Front side airbags with curtain airbags, Roll stability control, Locking wheel nuts, Perimeter alarm, Remote central locking / doors + fuel cap + tailgate, Robust passive engine immobilisation, Diesel particulate filter, Terrain Response

Cruise control, Digital clock, Driver information module, Navigation system with Traffic Master Control, Personal telephone integration system with bluetooth, Power assisted steering, Rear parking aid, Service interval indicator, Stop / start button, Auxiliary Audio Jack, DAB Digital radio, Meridian audio system with radio / single cd player / MP3 / 380W amp + 11 speakers, Steering wheel mounted audio / cruise controls, USB / iPod / auxiliary input connections, Automatic headlights + automatic windscreen wipers, Daytime running lights, Electric adjustable / heated / folding door mirrors, Electric front / rear windows, Front fog lamps, Heated windscreen + washer jets, LED headlamp signature, One shot lowering / closing on front windows, Rear wash / wipe, 12 V power point front / rear, 12 V power point in luggage area, 3 rear headrests, 60 / 40 split folding rear seat, Auto climate control with air filtration, Auxiliary heater, Driver / passenger sunvisors and illuminated vanity mirrors, Front armrests, Front centre console storage box, Front head restraints, Heated front seats, Height adjustable driver's seat, Luggage cover, Pollen filter, Rear centre armrest, Tilt / reach adjustable steering wheel, Two rear outer seat isofix location points, Design pack - Freelander 2,5 x 3 point seatbelts,Anti - lock Brake System / Hill Descent Control / Electronic Traction Control, CBC -(Cornering brake control), Drivers knee airbag,DSC - Dynamic Stability Control, Dual stage Driver / Passenger Airbags, Electronic brake force distribution, Electronic parking brake, Emergency brake assist, Front seatbelt pretensioners + load limiters, Front side airbags with curtain airbags, Roll stability control, Trailer Stability Programme, Locking wheel nuts, Perimeter alarm, Remote central locking / doors + fuel cap + tailgate, Robust passive engine immobilisation, Diesel particulate filter, Terrain Response, 19» 10 spoke alloy wheels

Recommended if you like: * PixelJunk Shooter 2 «s bonus stage, «The Road to Dawn» * Bright colors and a light - hearted shooting experience (assuming you're playing on Casual) * Having to retry boss fights over and over

Using the GamePad as the camera, players «shoot» their way through seven adrenaline fueled stages including dimly lit alleyways, crack houses and drug dens: all in an attempt to snap incriminating photos of drug deals in progress to help build a solid case that puts dangerous drug lords behind bars.

Instead of players taking control of a ship or a person and avoiding colorful patterns of death dealing bullets while shooting back some of your own in scrolling stages, Minutes has players take control of a circle as it feeds off objects of light color, while avoiding dark ones for the duration of one minute.

Some stages have the lights off, requiring a flashlight (don't worry DOOM detractors, you can use it while shooting).

The enemies you defeat during stages will drop stardust crystals of various colors, indicating which power - up you'll receive (such as light blue for a temporary shield or purple for increased speed and faster shots).

Using a masterful combination of natural light and strobes, staged scenarios and «found» happenstance, to this day, diCorcia still only shoots film.

9to5Mac notes there's support for Contour Light, Natural Light, Stage Light, Stage Light Mono, and Studio Light evident in the leaked build, and suggests the mode enhancement could be related to the flash when shooting.

iPhone X's Portrait Mode now features Portrait Lighting which supports Contour Light, Natural Light, Stage Light, Stage Light Mono, and Studio Light modes for improved DSLR - like shots.

If you took a shot in Portrait mode and decide you'd rather not have that bokeh effect or Stage Lighting gracing your image, removing either option is an easy fix.

Apple has released a new ad showcasing the Portrait Lighting feature on the iPhone 8 Plus that lets users create dramatic studio lighting effects when shooting in Portrait mode.Titled «Portraits of Her», the ad features Shannon Wise of music group The Shacks walking along a sidewalk and singing the band's 2016 single «This Strange Effect» as the camera transitions through the Portrait Lighting mode's range of effects, such as Natural Light, Studio Light, Contour Light, and Stage Light.The short ad concludes with the iPhone 8 Plus operator showing Wise her portrait photo as he taps through the various effects in the Camera app interface before choosing a favorite.The Portrait Lighting feature on the iPhone 8 Plus and iPhone X uses sophisticated algorithms to calcuLighting feature on the iPhone 8 Plus that lets users create dramatic studio lighting effects when shooting in Portrait mode.Titled «Portraits of Her», the ad features Shannon Wise of music group The Shacks walking along a sidewalk and singing the band's 2016 single «This Strange Effect» as the camera transitions through the Portrait Lighting mode's range of effects, such as Natural Light, Studio Light, Contour Light, and Stage Light.The short ad concludes with the iPhone 8 Plus operator showing Wise her portrait photo as he taps through the various effects in the Camera app interface before choosing a favorite.The Portrait Lighting feature on the iPhone 8 Plus and iPhone X uses sophisticated algorithms to calculighting effects when shooting in Portrait mode.Titled «Portraits of Her», the ad features Shannon Wise of music group The Shacks walking along a sidewalk and singing the band's 2016 single «This Strange Effect» as the camera transitions through the Portrait Lighting mode's range of effects, such as Natural Light, Studio Light, Contour Light, and Stage Light.The short ad concludes with the iPhone 8 Plus operator showing Wise her portrait photo as he taps through the various effects in the Camera app interface before choosing a favorite.The Portrait Lighting feature on the iPhone 8 Plus and iPhone X uses sophisticated algorithms to calcuLighting mode's range of effects, such as Natural Light, Studio Light, Contour Light, and Stage Light.The short ad concludes with the iPhone 8 Plus operator showing Wise her portrait photo as he taps through the various effects in the Camera app interface before choosing a favorite.The Portrait Lighting feature on the iPhone 8 Plus and iPhone X uses sophisticated algorithms to calcuLighting feature on the iPhone 8 Plus and iPhone X uses sophisticated algorithms to calculate how

If you want a good Stage Light photo, expect to be shooting in Stage Light from the start — and take a few test photos to see what your background is giving you for a matte.

I shot the portraits above in a black stairwell with overhead light; while both look great, the Stage Light effect adds an additional layer of contextual lighting on the subject's face, giving it a warmer and less washed out light; while both look great, the Stage Light effect adds an additional layer of contextual lighting on the subject's face, giving it a warmer and less washed out Light effect adds an additional layer of contextual lighting on the subject's face, giving it a warmer and less washed out look.

All of Apple's Portrait Lighting effects can be applied after the fact, but Stage Light and its black and white companion are designed to be shot in - camera (and potentially removed or changed afterward).

While most of the other Portrait Lighting modes can shoot subjects at an angle with little difficulty, Stage Light needs a single focus point on its subject to work most effectively.

This can appear anytime you don't intentionally shoot with Stage Light, but I've had the best luck reproducing it when shooting images that don't have a face cleanly visible.

If you're shooting in Stage Light, I recommend shooting a still (or near - still) subject, lest ye be subjected to the kind of insanity pictured above.

A dramatic portrait of a boy shot with the iPhone 8 Plus in Portrait Mode with the Stage Light Mono setting.

With this mode, users are able to choose between Studio, Contour, Stage and Stage Light Mono, changing the image's lighting either while shooting the photo, or in post production.

Consider hiring a professional photographer to stage and shoot your home to present it in its best light.