Boasting the best - in - class in the tablets, LG Optimus Pad LTE provides the ultimate user environment to enjoy HD multimedia with a 1280 x 720 True HD IPS display and 8 megapixel camera for
shooting high definition video.
The 7 - incher is also capable of
shooting high definition video in 720p.
Not exact matches
Cameras can
shoot video at standard
definition (SD),
high definition (HD), or ultra-
high definition (4K).
To achieve the
high -
definition needed for the big screen, Domino takes images which have been
shot on movie film and converts them into a
video format by breaking each of the 24 frames per second into a mosaic of 3000 × 2000 picture points.
That done, his team have quite literally reworked the entire movie - reframing some
shots, recolouring most of them, and generally spending an enormous amount of time making sure that this is the definitive version of the film for home
video, both on DVD and on future
higher -
definition formats.
Shot quickly and cheaply in
high -
definition video and almost entirely on one set, the movie has almost zero visual energy, but it teems with snappy dialogue and the same carnival anarchy Lumet brought to «Dog Day Afternoon» and «Network.»
The anamorphically enhance 1.78 X 1 image looks like it was
shot in some kind of
high definition digital
video, but color,
definition and detail somewhat limited throughout no mater how it was
shot.
Shot on
High Definition video, this exceptionally well - made but exceedingly bleak peek at tinseltown would be unbearable were it not for the sympathetic performance of Danny Huston...
Director Boyle chose, shrewdly, to
shoot part one on analog - looking 16 millimeter film, part two on 35 mm and part three on
high -
definition digital
video.
In addition to photos, Xperia ion HSPA can
shoot at 1080p resolution and allows
video calling at
High Definition (possible using the front camera of 1.3 MP).
With Sony being one of the biggest pushers of ultra
high -
definition or 4K television, it's no surprise that its newest phone
shoots quality
videos in that sharper resolution.
Nikon unveiled the first DSLR (digital single lens reflex) camera that also
shoots HD (
high definition)
video in 2008.
February 6 — 12 Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann —
shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 2011, 8 minutes 15 seconds 16 mm film negative transferred to
high -
definition video, no sound Commissioned by the Contemporary Arts Forum, Santa Barbara, California and Thanks to Andy Perry
February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements —
shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to
high -
definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.
One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long
High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recrea
High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images
shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the
High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recrea
High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to
high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recrea
high -
definition video, no sound Commissioned and produced by Friends of the
High Line and the New York City Department of Parks and Recrea
High Line and the New York City Department of Parks and Recreation
Shot alternatively in black and white or color,
high -
definition video or super-8mm, using CGI effects or hand - drawn animation, each piece possesses a unique, almost tactile and highly sensual surface.
Viola combines images recorded in grainy analog
video using an old surveillance camera with those
shot in
High -
Definition video to bring the viewer to the intersection of obscurity and clarity — from death to life — and back again.
Shred the Gnar Full Moon Film Noir (35 mm film print and negative shredded and stomped on by a bunch of Snowboarders and a few Skiers getting ginormous catching air during Aspen Big Air Competition and Fallen Friends Event — marked up with blue course dye — sprayed with Diet Coke, Bud Lite & Whiskey — taken hot tubbing with Epsom salts, rubbed with Arnica, K - Y Jelly, butter and Advil — full moon
shot by Peter West) 35 mm film transferred to
high definition video, 5 minutes 9 seconds 2010 Image courtesy of the artist.
2005 The Rape of the Sabine Women, single channel
High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel
video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a
video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic
video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic
video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video installation,
shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance
video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel
video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel
video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel
video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen
video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision
video w / Karen
video w / Karen Hatch
In the meantime, check out this one - minute Hi - Def
video after the jump where Lutz produces from his breast pocket a few top secret snap
shots of the first Continental lithium Ion battery pack developed for the Volt.To play
High -
Definition video click here.
The Xperia Z3v, like the standard Z3, runs on the same 2.5 GHz Snapdragon 801 system - on - a-chip and 3 GB of RAM and has the same 5.2 - inch
high -
definition LCD display and 20.7 - megapixel cameras that can
shoot 4K
video content and broadcast it live over YouTube, a first in the smartphone industry.
But despite its small size, it still boasts a lot of features, such as an 8 - megapixel camera, 1 GB of RAM, and 4 GB of internal memory, and it can
shoot high -
definition video.