Just
shooting in the dark here.
I'm going to take
a shot in the dark here and say that Penguin is reading the writing on the wall, seeing the indie author movement take off to unexpected heights with the digital self - publishing industry coming of age, and is finally wising up enough to want a piece of it.
I'm totally taking
a shot in the dark here, but I'm going to say we used about $ 100 worth of pipe and fitting to make the legs.
Not exact matches
After creating one of Marvel's few truly great villains
in the first movie, the sequel squanders its
shot with a
dark elf named Malekith — a chilling presence
in the comics, brought to vague and unimpressive life
here by Christopher Eccleston.
So I thought, I should probably share my gram measurements for your recipe with others who don't get the hang of cups and ounces: 16g dry yeast or one cube (42g) of fresh yeast) 125g warm water 450 (works for me)-500 g water 85g molasses 62g apple cider vinegar 50g butter 28g
dark unsweetened chocolate (seems to be nonexistant
in Germany, I used 90 % cocoa) 100g whole wheat flour 375g
dark rye flour (I used homeground, so pumpernickl for the Americans, medium rye might pack denser) 385g bread flour (German Type812 didn't have other, should correspond to American AP or light bread flour) 120g bran 10g carraway 3g fennel 1 double
shot of espresso (didn't want to buy powder, so no grams
here, sorry) half a small shallot, chopped 14g salt
Coffee
in hand we then had a short drive out to a more scenic spot to
shoot this outfit and captured the sun setting as we done, it gets
dark here really quick, unfortunately; but overall I loved the outcome of these images.
I didn't think to try this gold mirror
in here until I had taken all my photos but I did quickly take a couple of
shots before it got
dark and I really like how it looked!
Here shot in the
dark by Marco Giuliano and styled by Anca Macavei.
Those
shots you took
in the
dark with your webcam, or that you doctored up with various photo editing programs are not the photos you want to use
here.
Martin McDonagh has a
shot at getting
in here for «Three Billboards,» too, as does Joe Wright for «
Darkest Hour» — but
in an echo of why the HFPA might be miffed at Peele these days, they probably still haven't forgiven the way Ridley Scott («All the Money
in the World») mocked them for accepting his film «The Martian» as a comedy.
Smart movies like Zero
Dark Thirty might think they the whole movie consciousness game on lock at the moment, but no,
here comes bumbling
in Gangster Squad,
shooting its tommy gun
in the air and then pooping its pants Al Roker style.
There's a
shot here of Stanton sitting at the
dark bar
in a pool of light; on the other side of the screen and behind him is the only other illuminated thing
in the
shot, a colorful, classic jukebox.
One of the first things you notice about the film is that it's oddly bright — even
dark shots catch the actors
in tractor beams of light, while the majority of the action takes place
in the daytime (
here we have a Dracula who seems to be immune to sunlight)-- and unapologetically sharp.
He's as hilarious
here as
in anything he's ever done, but «Funny People» also goes to some really
dark places, and it's stunningly well
shot for a comedy.
You have two options
here: request to get your eBook mentioned on the date of your promotion without paying for it (a
shot in the
dark, perhaps), or pay for a guaranteed spot (if available).
He has also been included
in such notable group exhibitions as I Decided Not to Save the World at the Tate Modern (2011), The Workers at MASS MoCA (2011), A
Shot in the
Dark at the Walker Art Center (2010), Les Promesses du passé at the Pompidou (2010), and
Here Is Every: Forty Decades of Contemporary Art at the Museum of Modern Art (2008), as well as the 28th São Paulo Biennial
in 2008, the 4th Berlin Biennial
in 2006, and the Yokohama Triennial
in 2011.
Here are people, landscapes, and odd little moments
in and around Eggleston's hometown of Memphis — an anonymous woman
in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal - fired barbecue
shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray - haired lady
in a faded, flowered housecoat, standing expectant, and dwarfed
in the huge
dark doorway of a mint - green room whose only visible furniture is a shaded lamp on an end table.
But because it is not correct to claim
here an astronomical (synchronous) model, and because there is no resonance from the moving stars shown, it is a loud
shot in the
dark.
You can see the rest of the room
in a tour I
shot HERE... man now that I've seen Buff's stuff I should seriously fix my old
dark pictures.