Sentences with phrase «shooting on celluloid»

As ever, it's odd that Nolan should be such a fervent champion for shooting on celluloid when so many of his images are monotonous and filmed in a color and lighting range that's more typical of digital.

Anderson has long been a proponent of shooting on celluloid and releasing his films theatrically, which puts him on an anti-streaming team that also includes directors like Christopher Nolan and Quentin Tarantino.

His long takes, tracking shots, use of natural lighting, admiration for shooting on celluloid film and blend of comedy and drama have distinguished his films as pictorially attractive and thematically inimitable.

The best argument for shooting on celluloid in the digital age gets made in the Romanian film When Evening Falls on Bucharest or Metabolism.

Only in the past few years have a large percentage of films been shot digitally, and shooting on celluloid is still alive and well.

Not exact matches

THE DVD by Bill Chambers It's not clear from the press release whether Lovely and Amazing, which was shot in 24 fps HiDef, bypassed a celluloid intermediary in its transfer to DVD, but whatever the case, the film looks technically as lush on the format as the all - digital Star Wars: Episode II - Attack of the Clones.

Shot with the Viper, the HiDef camera of choice among maverick filmmakers, Zodiac looks on the format like grainless celluloid, but not like celluloid that has fallen victim to DVNR; there were moments where I felt as if I was seeing things as they'd appear through a window onto the set.

But there's so much more wrong with Bobby Jones: Stroke of Genius than just the music, the winking title, and the truism that for as boring as golf is to watch on television, it's that much more boring to watch in reverent celluloid slow motion — no, the picture is also fatally tagged by a terrible screenplay and terrible direction (that includes a half dozen ball's - eye view shots: not as interesting as you might misunderstand), as well as the dreadfully persistent belief that the measure of a man's life are the crescendos and valleys rather than the caesuras and grace notes.

Shooting Once Upon a Time in Mexico with HiDef instead of celluloid cameras apparently allowed for more spontaneous implementations of CGI — Rodriguez claims that he solicited some 330 unallotted F / X shots (many of the niftiest of which Rodriguez deconstructs in the vein of football play - by - plays) and still came in under budget, though I'm not convinced that the sloppiness encouraged by the flexibility of DV (the phrase «we'll fix it in post» is a veritable mantra on HiDef productions) isn't largely responsible for the inflated number.

The film was shot on three - perf 35 mm stock to allow for smaller magazines and therefore lighter cameras / increased mobility; according to Greg Carson's worthwhile supplemental featurette, «Obtaining Cover: Inside Code 46», director Michael Winterbottom purposely avoided digital video because he wanted the crispness of celluloid, and yet there is often a PAL - like quality to the image here that considerably softens definition and shadow detail.

His work is also strongly influenced by the Hollywood film industry: the mountain in his Mountain Series is a play on the Paramount Pictures logo; Large Trademark with Eight Spotlights (1962) depicts the 20th Century Fox logo, while the dimensions of this work are reminiscent of a movie screen; in his painting The End (1991) these two words, which comprised the final shot in all black - and - white films, are surrounded by scratches and streaks reminiscent of damaged celluloid.