Sentences with phrase «shoots the movie without»

A Master Builder was never staged in a theater, and Demme shoots the movie without any regard for stage space.

According to Aglialoro, «everybody is saying, how can you shoot this movie without a star?

Not exact matches

If we want to liken what Jesus did to a movie, it is not a «Good Cop, Bad Cop» scene we should imagine, but Chuck Norris breaking Prisoners of War out of a military prison camp — except without all the shooting and killing.

That is why in every movie theater there shall be established a well functioning alarm system, with cameras outside the door, and sound which immidiately would alert, an adequate number of well trained, armed and background checked security guards to arrive ready to apprehend the perpotrator and provide for the safety for all the innocent individuals who spent their money to have a good time not to get shot at (enterprises cut corners and then we complain about security and unemployment, charge what you charge for the concession if you have to without serving the soda and the pop - corn, I rather stay lean, healthy, intact and alive).

I can't wait to shoot looks without totally freezing myself to bits and I definitely have seeing James Franco and Jonah Hill's new movie «True Story «on the agenda for the weekend... the trailer has totally sucked me in!

As The Disaster Artist (both the book and the movie) details, he made all sorts of bizarre, incompetent decisions, like shooting his movie on 35 - millimeter and digital film simultaneously at prohibitive expense, building elaborate and pricey sets for locations he could have filmed on for free, and firing crew members without cause at the drop of a hat.

Your defense of Bay's «auteurist» aesthetic sense - «a man who never outgrew directing Super Bowl commercials»; «Bay has a style - a weird one, certainly, a hybrid of a nose - picking jock and a slick ad man who shoots a can of Pepsi, a Chevy Camaro, and a leggy blonde with the same voyeur's eye, and his bizarre gallery of ethnic sounds, voices, and faces is not without precedent» - makes this movie sound about as appealing as... well, exactly the things you described.

To make a movie now I don't know how you wouldn't shoot a movie about teenagers without smartphones because they all live their lives online.

Reichardt describes the film, shot on 16 mm, as «a road movie without the road, a love story without the love, and a crime story without the crime.»

In fact, «they» don't really come like this: a movie almost without establishing shots or hand - holding narrative cues, aggressive with its weird ambient sounds and literally eccentric frames.

It's rare that a movie jumps straight into a wedding scene and lets most of it play out on the actors» faces, without any cheesy audience reaction shots or contextual scene - setting.

, a vintage puff piece with a few B - roll and behind - the - scenes home movies of the shoot that come without commentary and make no particular impact.

The wide shots of Los Angeles, especially the night time scenes, immediately puts you in the place that so many movies of yesteryear did, even down to the smog that used to be a part of the L.A. skyline, and the fashions look authentic without going for the cheap laugh that retro movies usually go for (Starsky & Hutch, we're looking at you).

No Tony Scott movie is complete without the mandatory scene gleamingly shot in driving rain.

It is simply a cool action movie and while the movie is not without its faults (I particularly missed the architectural fetishism of the Tim Burton movies and some fight scenes are shot up real close so that you can't always see just what the heck is happening) it is like seeing your favourite comic book title being written and drawn by some guys with an understanding of the character involved for a change after seeing it being ruined by some talentless hacks.

Most importantly, without Cuarón, it's hard to imagine Yates would have the freedom to make the Potter movies his own: to make the Ministry of Magic an automated nightmare straight out of Brazil; to shoot action sequences as loud and surprising as gunfights; to let Harry and Hermione dance to Nick Cave, even though it's not in the books, because it turns out that's just what the audience needs to see.

For your average movie - goer, however, this is slim pickings, with a story that almost appears to be shot without a cohesive script, and although there are some amusing performers in the film, there aren't any real laughs coming from the script itself.

«Jurassic Park III» is certainly a long shot from the unforgettable 1993 blockbuster, but it isn't without appeal to generic monster movie lovers.

Likewise, LaBute's direction never rises above «competent,» and the noticeable lack of art direction makes the movie look cheap (it was clearly filmed in ordinary locations around Albuquerque, and one imagines the city rues the day it gave LaBute whatever tax breaks convinced him to shoot there, since he depicts the locals, almost without exception, as rubes).

It's the first - ever narrative feature shot entirely in Saudi Arabia, a land without movie theaters.

Oscar - nominated director Bruce Beresford (Tender Mercies) competently blends some Flint exteriors with Toronto shooting locations, without giving the movie a strong sense of place.

Sexual Content: C - A naked man is seen from the side and rear (without revealing his genitals) in five different shots during the movie, however the nudity is without any sexual references or implications.

«Basic Instinct» can boast high gloss, inventive cinematography and a famous shot of Stone without underwear, but «Sea of Love» is a smarter, far more human, and funnier movie.

Although Hollywood has produced plenty of movies about real - life war heroes, Doss is a fairly unique case: a U.S. Army medic and devout Seventh - day Adventist who single - handedly saved 75 men during the Battle of Okinawa without ever firing a shot.

Smartly shot for a very modest budget of $ 30 million (lots of strings were certainly pulled to get such a cast of famous personalities onboard), Rogen and Goldberg know where and when it's most effective to go for special effects (this does not feel like a low budget Hollywood film), and they do so without letting visuals or star egos get in the way of making a very funny movie.

Though the movie isn't without the typical Bayisms (from the overuse of slow motion and lingering shots of the American flag, to the corny dialogue), «13 Hours» is a marked improvement compared to his recent output that harkens back to earlier films like «The Rock.»

The electric thrill of their first bedroom scene isn't Grey stripping off his shirt, but how he lunges onto the mattress and, without warning or apology, bites into Anastasia's toast... Taylor - Johnson isn't apologizing either for shooting a sex - positive movie where the woman doesn't end up dead.»

The choice to shoot the musical numbers entirely live on set without lip syncing or the use of ADR in post production ultimately reinventing the movie musical is to the director's credit.

The bonus features menu follows the movie's CGI map motif without any additional character shots.

But during the training process, Charlize Theron proved that she could handle even more action in one shot without having to cut, and as we learned in our own Jacob Hall's review from SXSW, that certainly helps make the movie stand out.

It looks good; the nicely - shot movie plays with darkness and shadows, and the DVD recreates the intended, slightly muted palette without any shortcomings.

«PARK CITY, Utah — About three years ago, Randy Moore, a struggling screenwriter living in Burbank, had an out - there idea: What if he took a tiny camera and, without asking permission, began shooting a narrative movie at Disney theme parks?Moore had been visiting Disney World in Orlando, Fla., with his now - estranged father since he was a child, and he'd also begun taking his two children, then 1 and 3, to Disneyland.

A movie producer doesn't show up on the first day of shooting without having completed several planning activities.

Arguably it's even better to head into the game without having every played The Stanley Parable since even that will somewhat color your expectations in much the same way that someone going into the latest Michael Bay movie has certain expectations regarding insane explosions and low - down, spinning camera shots.

I see a pattern here with all these shootings, including the ones without school shootings.Columbine, Virginia Tech, Shooting in Arizona, Colorado Aurora movie theater schooling, and now the Connecticut sShooting in Arizona, Colorado Aurora movie theater schooling, and now the Connecticut shootingshooting.

Further complicating things is the fact that there are various factions within the Darkness that are not above shooting at each other and it's never quite clear why, and the game has a love of bombastic dialog filled with references to things that make you feel like you're watching the third movie in a trilogy without having seen the first two films.

The film 3 Women began as a dream that Robert Altman had, which the director soon adapted into a treatment for a movie that he planned to shoot without a script.

It's thrilling, too, to be able to watch HDR movies without having to worry about seeing the distracting stripes of colour in skies, clouds, swirls of smoke and underwater shots that crop up from time to time on pretty much every other brand of HDR TV - including Samsung's flagship models.