Sentences with phrase «short film material»

Not exact matches

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I filmed these short «outfits for work» clips, just before heading to work, and, at the end of a busy working weekend, I had enough material to edit a fashion video!

Issues regarding pacing and structural tightness are among the more considerable in this film, which promises to be rather extensive as a biopic, only to succumb to anything from repetitious filler, - at its worst with the forceful and recurrent insertion of a recital of Oscar Wilde's own short story «The Selfish Giant» - to meandering material whose being backed by steady directorial storytelling by Brian Gilbert leads to moderate bland spells.

He was adamant that the story premise of Free Fire could not be done as a feature film and was, at best, the sort of material for a 20 - minute shoot - em - up short.

Living in the Material World falls short of Scorsese's terrific two - part PBS film, No Direction Home: Bob Dylan.

The Kite Runner is one of the best books I've ever read, but the film version, while very faithful, acts like a Coles Notes for those with really short attention spans, or a «Disneyfication» of the source material.

Last year, the actor played supporting Vampire hunter Henry Sturges in the genre - bending novel adaptation Abraham Lincoln: Vampire Hunter - one of the bright spots in a film that fell short of finding the same success as its source material.

All of these short films — along with a half - hour documentary called If It Bleeds We Can Kill It — have been strung together in this hour - long video, offering an especially absorbing dose of behind - the - scenes material.

In the short film categories, filmmakers must submit an entry form, one film print or copy in an approved digital format, and all other required materials by the deadline.

More subversive and inspiring than Marston's lineage, which includes the Gal Gadot led reboot (a formidable step in the right direction, especially as concerns box - office standards), a film also robbed of its source material's original enlightened subtexts on sexuality and gender norms, Robinson's take on the material is effective, even if it stops short of being exceptional.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

Plus, it comes with hours of bonus material, like vintage MGM shorts and cartoons, audio commentary by Frank Sinatra Jr. on «Robin and the 7 Hoods» and «Ocean's 11» (alongside Angie Dickinson), featurettes for «Guys and Dolls,» and a 32 - page photo book with movie stills and behind - the - scenes photos from each film.

But although she is the granddaughter of Francis Ford Coppola and a niece to Sofia Coppola and Roman Coppola, her mentor and closest collaborator on the film was James Franco, whose short - story collection «Palo Alto Stories» provided the source material.

It gives the idea of consumerism run wild the short shrift that it deserves (and the cynicism that an intervening quarter - century demands), touching on the original's explanation of the zombies» affinity for the shopping mall and the human heroes» delight at their newfound material wealth before becoming a bracing action film that, like Marcus Nispel's reworking of The Texas Chainsaw Massacre (the source of which didn't need updating as much as Dawn arguably did), is more firmly entrenched in the James Cameron Aliens tradition than the Seventies institution of disconcerting personal horror film.

Publicity Materials holds the following four marketing videos: a 30 - second TV spot and 90 - second full theatrical trailer from the film's original 1988 release, the 1996 reissue trailer (1:40), and the 1996 EPK short «Return of a Classic» (1:59) which exaggerates the film's significance, attempting to lump it in with Disney Animation's Renaissance.

It's a one - joke film that might have worked better as a short skit or featurette, but at two hours in length, the material is spread too thin to keep it from inducing boredom, regardless of how many explosions director Doug Liman (The Bourne Identity, Go) flings at us in order to alleviate the oft recurring lulls.

Yet King is more concerned with remaining faithful to the source material than pandering to every conceivable target demographic, and in short this is a big part of what makes his film is so successful.

And then in 2006, I needed a thesis film to graduate from NYU, so we took an excerpt from the feature film, shot it as a short and it's great because it allows you to workshop the material and get close to the characters.

A few examples include a short film that depicts a single scene from the source material made in 1903; one loosely based, pop - musical version called Smike!

Notably, this time the bounty of material is handled with lightness and confidence, minimizing the sense of overload and hectoring that has hampered his other densely populated features — epitomized by the rhetorical uses of an American flag toward the end of Nashville, the pretentious or mock - pretentious uses of music in A Wedding, and an overreliance on 11th - hour violence to goose the dramatic effects of these and many other films, including The Long Goodbye and Short Cuts.

Movie - tie - in games like Over the Hedge usually lean heavily on the source material for substance, which makes the use of homegrown CG story sequences, rather than short clips from the actual film, a bit of a head - scratcher.

This is an idea that was better suited as a short film, although there's so much funny material here that it's understandable why they felt the need to expand it to feature length.

The first is clearly a short deleted scene between Daniel and son, while the second provides an alternate non-chronological edit of material that's in the film.

The subplot of the end of her parents» marriage also resolves itself more - or-less halfway through — there's a terrific short film in here somewhere, but it's hardly feature material.

«The Mangler» is a short story in King's oft - reaped collection Night Shift (only seven of its twenty stories haven't made their way to the screen in some form or another), and revisiting it reveals the film to be surprisingly faithful to the details of the piece — another way of saying that the movie and its source material are equally stupid in their attempts to mine horror from a possessed laundry machine.

While many such adaptations face the challenge of compressing detailed material to a reasonable film runtime, others come across just the opposite: an exceedingly short story that needs to be expanded to feature - length.

Blu - ray Highlight: Disney didn't provide me a review copy, but there's plenty of bonus material that I'm looking forward to checking out, including the director commentary by the always amusing Joss Whedon and the newest Marvel short film, «Item 47,» which supposedly played like gangbusters for the crowd at this year's San Diego Comic - Con.

The only drawback is that it contains several «printed» materials, such as the original short story, two versions of the script and magazine articles about the film, but they're only available to read on your TV screen.

The second disc takes a more production - themed approach to the bonus material with a three - part featurette on the development of the film («Developing the Script,» «Finding the Director» and «Focus on Sheffield»), a five - part featurette on the actual production of the film («Anatomy of a Score,» «Stocksbridge Brass Band Blues,» «Song & Dance,» «Editing» and «Translating English to English»), and a short discussion about the film's surprise critical and commercial success.

«The film's an honorable, reasonably grown - up continuation of Scott's futuristic noir vision of 2019 Los Angeles and the world of author Philip K. Dick's source material, the short story «Do Androids Dream of Electric Sheep?»

Blu - ray Highlight: Sony definitely hasn't skimped on the bonus material for the film's Blu - ray release — which includes about 16 minutes of deleted scenes, a short gag reel and a series of production featurettes — but none of them are particularly memorable.

Enthralled by the evocative power of obscure old film footage, Bill Morrison began haunting film archives in search of raw material for his avant - garde short films... read more

Blu - ray Highlight: The list of included bonus material isn't as impressive as it sounds, but fans of the movie will still no doubt be interested in director Sean Durkin's short film «Mary Last Seen,» which serves as a companion piece to «Martha Marcy May Marlene.»

Using authentic material, such as short films, enables educators to help students access this world and make foreign languages real to them.

A ten - minute clip (or shorter) from a film like The Story of the Weeping Camel from Mongolia might suffice to create a powerful discussion prompt on geography and language, on different perspectives about material luxuries, survival, family, how loved ones are cared for, being kind and considerate, what different living environments look like and how they are built, and how kids play or entertain themselves in different settings.

You will also find some other great resources, which I appreciate, like learning apps, interesting short films and authentic reading materials that can make your learning process more enjoyable and exciting.

Following Facing History's unique methodology, Holocaust and Human Behavior uses readings, primary source material, and short documentary films to examine the challenging history of the Holocaust and prompt reflection on our world today.

And self publishers and Indie publishers in particular now have a lot more options available to them in terms of actually pursuing their own projects, and getting their own stuff made and adapted from their original source material into web series, television projects, various different short films, feature films, things like that.

While the substance of the film might be condensed or expanded from the source material (as was the case with Brokeback Mountain, a short story by Annie Proulx), the movie tie - in edition acknowledges the roots of the story and can bring new readers to it.

During ALDF's Speak Out for Farmed Animals Week, GW SALDF members staffed a table offering ALDF materials and free vegan treats, visited Poplar Spring Animal Sanctuary, and held a successful pay - per - view event using an innovative outreach strategy (people are offered $ 1 to view a short film on the experience farmed animals go through on their way to becoming food).

Those looking to reminisce about the famous Top Gun film may find themselves a little short - changed with the material that's provided, but there are few scenes that really sink you into a sense of nostalgia, albeit rather few and far between.

Centering on the use of domestic and recycled materials, this program of short films illuminates formal and cursory elements shared between fine - art abstraction...

This new solo exhibition uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, sketches and archival materials that explore threads of socio - political commentary.

These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.

His own body is one of his most commonly used materials, and he has taken a longstanding interest in documenting his experience encountering the world, resulting in works which take form in manifestations as diverse as self portraits and short films.

In 2013, the Harry Ransom Center acquired a Ruscha archive comprising five personal journals filled with preliminary sketches and notes; materials related to the making of his artist's book On The Road (2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist's books; and materials relating to his short films Miracle (1975) and Premium (1971); his portfolios; and several art commissions.

Most recently, the Cioccis have been mining YouTube for both contemporary and vintage material for «mash - ups» — often - hilarious shorts that overlay and integrate found digital videos in a way that would not have been possible with film montage.

She also works closely with words as material, generating short stories, essays, experimental fiction, and texts for performance and film.

David paints directly onto found materials as well as producing sound pieces and short films.

Serving as Apichaptong Weerasethakul's first solo exhibition in Hong Kong, the exhibition includes a selected survey of rarely seen experimental short films and videos installations by the artist, together with his sculpture, photography, drawings, sketches, and archival material.