Sentences with phrase «short montages»

Archival shots of Bruguera's performance work are interspersed as short montages with upbeat music, and several mysterious voiceovers from Hershman Leeson ask brief yet cutting questions like «Do you see this whole event as a performance?»

In this short montage, we get a glimpse of this important work.

Also included is an uncut version of Winstead singing «Baby, It's You» (part of which appears in the extended cut) and a short montage celebrating Tarantino's long - time collaborator, editor Sally Menke.

«Waiting for the Light» (2:52) is a short montage of footage of cast and crew members waiting for clouds to pass and give them the light needed.

Along with deleted scenes, a gag reel, and a short montage of Jim Carrey's on - set antics, the Blu - ray also includes a stunt featurette («Extreme Yes Man»), a set tour with author Danny Wallace, and a tour of Norman Stokes» apartment.

Rachel tries to make sense of the short montage, consulting her videographer ex-boyfriend Noah (Martin Henderson) and scrutinizing the frame and its edges for clues.

The Blu - ray and DVD loop a short montage set to the dwarves» song.

The second Easter Egg is a short montage of interview outtakes, featuring Kevin Pollak's magical eye trick, and Brian Singer's opinions on the «Jaws» documentary (missing from the DVD, parts of anyway) and multiple DVD releases for a single title - stuff that we've heard before, but elicits a generous viewer smile, since it's coming from a filmmaker and fellow movie buff.

The menu loops a short montage in between a seismograph border.

Rounding out the set is a storyboard - to - scene comparison («Bringing the Storyboards to Life»), a zombie casting call featurette («Scream Tests»), and a short montage of the film's goriest moments («Scenes of Carnage»).

In the course of a short montage, Elle goes from a 143 LSAT to a 179.

Not exact matches

The short film begins with a montage of play highlights, interspersed with title cards like, «THE (insert opposing team here) HAVE ENTERED THE FORTRESS TO CHALLENGE OUR KNIGHTS,» and, «THIS IS OUR CITY, THIS IS OUR HOME.»

API wants to capture these moments in short written or recorded format with photos to help create an API montage.

Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot.

The movie's most sublime sequence has Deadpool putting together a superhero team of his own, a quick - cut job - interview montage that allows Zazie Beetz's Domino, Terry Crews» Bedlam, Bill Skarsgård's Zeitgeist, and Lewis Tan's Shatterstar to cycle through in short order, along with Rob Delaney's Peter — a nonsuperpowered fellow who just liked the sound of the want ad — and the Vanisher, whose invisibility powers prevent him from needing to be played by anyone at all.

He has an affability and grace that makes him interesting to watch, but Silberling's film is the equivalent of a funny 20 - minute short that is dragged out to a full - length feature through music interludes and montages involving Paz Vega getting dressed, washing her car, or Freeman learning about Target (the department store).

Don Saladino, health and performance specialist and owner of Drive Health Clubs in New York City, posted a short clip of Stan's training regimen, with a montage of exercises designed to develop, define and strengthen the chest muscles.

As was something of a frustration in Noah Baumbach and Jake Paltrow's recent doc on Brian De Palma, a big chunk of Linklater's 2000s output gets the short shrift and is relegated to what's basically a montage with minimal - to - no insight.

There are two ways to experience this countdown: the good old - fashioned DVDizzy way of words, pictures, details, and links (plus reader - submitted tweets) or the following video montage comprised of short clips from all 100 movies.

DVD Extras Trailers, audio commentary, three short «Search for the Stars» featurettes, four additional scenes, an «action» montage, LeAnn Rimes» «Can't Fight the Moonlight» video, a 2 - minute «Coyote 101» featurette, and a look «Inside the Songs» (revealing where the inspiration came from for such incredible lyrics as «Baby you're the right kind of wrong» and «You can't fight the moonlight»).

Dislocation Blues, a short documentary by Ho - Chunk filmmaker Sky Hopinka, chronicled the 2016 Standing Rock protests in images both ravishing and harrowing, recalling the keen eye and purposefully jagged montage of recent nonfiction landmarks like James Longley's Iraq in Fragments or Craig Atkinson's Do Not Resist.

Baumbach nails those first, flop - sweaty days of college with a spot - on montage: Tracy, overcome by buffet abundance, piling her dining hall tray with both pizza and cereal; Tracy vulnerably dropping her stapled short story into a wall - mounted file holder at the student literary mag; Tracy self - quashing a nascent crush when she spots the boy holding hands with someone else in the quad.

The whole thing feels frantic; within a short span of time the film wildly veers from a botched heist to a cheap «kickass» montage to a dramatic fight, and the constant changes in tone are jarring.

There's also an alternate opening scene, a costume - test montage, and one very short special feature on the use of animals in the film that's only notable for Kenneth Branagh's apparent diplomacy regarding furry creatures.

Presumably as a result of including both viewing formats on the same disc, Disney's DVD skimps on the extras but the few things it does provide — short featurettes, an alternate opening, a music video, bloopers, a commentary, and karaoke montages — add value to the package, while picture and sound quality are terrific.

There are many things to admire about «The Big Short» — a tight & well written script based on true events, several perfectly sound - tracked montages that mark the passing of time, Ryan Gosling's inexplicable love affair with both St. Tropez fake tan & mid 90's perming solution — but for the me, the biggest was that this film turns out to be very definitely and very confidently both a comedy & a horror.

Although this montage is strangely missing some of the hijinks found in a short blooper featurette distributed online last year as the most viral part of the film's marketing campaign, a bit of that content surfaces later.

As can be read above, Reese and Wernick stop short of revealing why exactly Deadpool's suicide montage was cut from the theatrical release of Deadpool 2.

This sequence, which signaled the studio's 75th anniversary, was supported with music by James Horner and premiered with Back to the Future III and later reverted to a shorter intro minus the montage.

After a short, high - octane montage, the main menu settles on a serene moving film strip of character stills that's jolted by the occasional jump.

Rounding out the set is a gag reel, a short video montage on Megan Fox, and a digital copy of the film.

Select any of them and you'll hear some information (from the troubadour) about the film or short, its source, and the role that Mickey played, followed by a brief clip or montage from the appearance.

Similar in tone to the brilliant brainwash montage at the centre of Alan J. Pakula's The Parallax View, this short film starts out by showing a most wondrous patriarchal Christmas morning but soon depicts murder and mayhem within a monarchy — a number of these images rendered all the more tongue - in - cheek by the fact that they're excerpted from cinematic Shakespeare adaptations of yesteryear.

The menus take a conventional montage approach with the main menu featuring a short looped excerpt of Iron & Wine's «Naked As We Came.»

While the trailer is largely short clips and montages, not revealing much of the film's story, there are a number of images which are striking and memorable.

From the commentaries, one learns that two short items — a black screen audio montage meant to convey the passage of time and a speakerphone conversation on the quest for a search warrant — are the biggest changes here.

À propos de Nice — Jean Vigo» first film is a documentary short along the lines of Dziga Vertov's Man With A Movie Camera (1, 29), but in miniature and without that film Soviet montage style.

«Disney's Rootin» Tootin» Cowboy Heroes» is a 2 1/2 minute montage of clips from the studio's cowboy films and shorts, set to the score and theme of Apple Dumpling Gang.

She wears cute vintage short - short ensembles as she bops around her neighbourhood that looks like the video for Frente's «Accidentally Kelly Street» whilst she and everyone around her spew gag - inducing diatribe that underline / bold / italicise the Themes and What It's All About for the audience lest we can't follow it amongst all the Leonard Cohen - themed sex montages and awkwardly violent pillow talk.

And though there are some touching moments in the film — Shannon's mix of positivity and encroaching grief is especially heartbreaking — vast swaths of it don't work: The restless camerawork is unmotivated and showy (Gomez - Rejon was once Martin Scorsese's personal assistant), the lunchroom cliques in Greg's high school are ancient teen - movie anthropology, and the short films are the sort of one - joke gimmick that Wes Anderson would compress into a single montage.

The long first one (3:56) straightforwardly shows off a slew of scenes, the shorter second one «Remember» (1:10) merely attaches Alan Silvestri's score to a montage of short silent shots.

After a short black & white montage, the main menu settles on a barely animated version of the cover / poster art while playing an excerpt of «Tumblin» Dice.»

«Joke Corral: Herd of Jokes» (4:34) is montage of corny jokes performed by characters in the style of the bonus short.

I could easily replace at least two of the options, with Lenny Abrahamson's directing being the weakest aspect of Room (it's still a great movie overall, so I'm more puzzled than outraged by his inclusion) and McKay's busy, montage heavy and often out of focus direction of The Big Short actively making it a bad experience to watch.

Though this oddly enhances the ethereal mood of Code 46, it's worth noting that both an extended clip of William's interrogation montage (one of four short «deleted scenes» included on the disc) and the bonus theatrical trailer look a little sharper than the main feature, which may in fact be the victim of overfiltering.

«Martin & Short Interview Each Other» (5:13) is a montage of brief skits between the two stars Steve Martin and Martin Short.

* 4 POWERPOINTS * 18 READING / ANALYSIS SHORT ANSWER QUESTIONS (based on Bloom's cognitive levels) * 86 VIEWING QUESTIONS * 62 VIEWING / READING / LITERARY ANALYSIS MULTIPLE CHOICE QUESTIONS * 14 FOCUSED ACTIVITIES (Individual or group work) Credits and Opening Montage, Film Techniques, Brainstorming and Making Connections, Juxtaposition of Scenes, Connecting Allusions to Theme, Paintings and Significance, Symbols, TV Repairman, Significance of Name and Titles, Mural, Music * 4 READER RESPONSE ESSAY QUESTIONS * 2 FIVE - PARAGRAPH ESSAY PROMPTS * 1 AP STYLE PROMPT * 1 AP STYLE PASSAGE TEST (analysis / application of skills) * EXAMPLE LITERARY ESSAY ANALYSIS

Next door to The Montage Residences, it is a short walk to Kapalua Bay, the Spa, Golf, Tennis and a number of Restaurants, including Merriman's, Cane & Canoe, and Pineapple Grill.

Next door to The Montage Residences, it is a short walk to Kapalua Bay.

If I planned out Sony's Press Conference, it would begin with the standard montage, segue into a short - SHORT - intro where they throw out the obligatory PS4 numbers, followed by the «PS3 - is - not - dead - yet» five minute speech and game preview, before they spend 15 - 20 minutes outlining the Vita's software future which includes a Grand Theft Auto «Stories» game (or a release of the recent HD iOS original Grand Theft Auto trilogy with Trophies, I'd buy that instantaneously), until they finally spend 60 - 90 minutes hammering us over the head with a barrage of awesome PS4 goodshort - SHORT - intro where they throw out the obligatory PS4 numbers, followed by the «PS3 - is - not - dead - yet» five minute speech and game preview, before they spend 15 - 20 minutes outlining the Vita's software future which includes a Grand Theft Auto «Stories» game (or a release of the recent HD iOS original Grand Theft Auto trilogy with Trophies, I'd buy that instantaneously), until they finally spend 60 - 90 minutes hammering us over the head with a barrage of awesome PS4 goodSHORT - intro where they throw out the obligatory PS4 numbers, followed by the «PS3 - is - not - dead - yet» five minute speech and game preview, before they spend 15 - 20 minutes outlining the Vita's software future which includes a Grand Theft Auto «Stories» game (or a release of the recent HD iOS original Grand Theft Auto trilogy with Trophies, I'd buy that instantaneously), until they finally spend 60 - 90 minutes hammering us over the head with a barrage of awesome PS4 goodness.