Sentences with phrase «short piece of text»

Instead, the users» identity can be verified by simply having them take a photo of themselves or by reading a short piece of text.

His first solo show in the US at the Steven Kasher Gallery in New York is on till August 11 and he just launched his latest book, Blind Spot, a collection of photographs from his travels paired with a short piece of text that he wrote for each one.

There is no single paradigm for screen reading, because reading a short piece of text on a mobile phone screen is a different proposition from the reading experience with an e-reader.

Each slide has a short piece of text accompanied by a picture.

All the comprehensions contain a short piece of text with picture clues for tricky words and five simple questions.

They each contain a short piece of text with words that can be sounded out.

Not exact matches

Utilising three forms of media — video, images and text — football fans must submit a short piece outlining their passion for anything related to their team.

When Doudna was growing up, the literature professor got her hooked on one of his favorite pastimes — decoding short pieces of encrypted text, or cryptograms.

Each unit revolved around a short piece of engaging informational text, covering topics such as whether children watch too much television and a soccer program in Africa.

The rest of the time is for the audience to browse the different outcomes of the inquiry: properly cited research, an English text of each student's choice — an explanatory or informational text, a short story, or a collection of poems, for example — an infographic of mathematical data and statistics, written work in the students» native languages, a related art piece, and more.

Each chapter ends with a short text piece explaining terminology or the state of LGBT issues in Japan, as well as a page answering common misconceptions.

Created digitally as a single, 35 - foot - long piece of art, this story of a lone cyclist is less about the short text (sometimes only one word per page) and more about the experience he brings to young readers and listeners.

It might be a long text with pros and cons and a small piece of a text with a short overview or simple comments.

Instead of gripped cut scenes, even if they were short, as endings, players get two pieces of artwork with text underneath.

This catalogue, produced for the traveling exhibition of the same name, includes a text by curator José Roca and his interviews with the 12 artists, as well as a newly commissioned short - fiction piece by Bruce Sterling.

Accompanied by pieces of conversations, short poems and thoughts in the form of printed text, the pictures are visual accounts of the people, places and experiences that hold particular meaning to the artist.

The volume includes working plans and in - progress drawings by participating artists, as well as texts by curators Stephanie Rosenthal and Mami Kataoka, psycholgist Susan Blackmore and a piece of short fiction and texts by writer and UK editor of Cabinet magazine, Brian Dillon.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The press release is short and brief, but also includes a piece of text alluding to the narrative that will unfold within the space:

An attached mast that rises above the building's roofline, studded with short, horizontal LED «icicles,» Holzer's piece presents a continuous stream of text — alternating English and Spanish — flowing upward from second floor level until it disappears into darkness.

Would this be appropriate for a short realclimate piece on scientist communication with the media (though in this case, because the statement appears in the actual text of the paper, the media isn't really at fault at all)?