Sentences with phrase «shorter than the contemporary»

Not exact matches

Close - up shots in contemporary movies can be up to three seconds shorter than ones in which a small face appears at a distance.

The radio - equivalent of the contemporary B - roll promo doc, a Lux Radio short from October of 1946 joins To Have and Have Not's theatrical trailer (which is sharper than the feature proper) in rounding out the presentation.

The latter are shorter and more structured than their Con counterpart, but manages to leave a similar impression — namely, that Man of Steel aims to offer a nuanced and serious take on the Superman mythos, befitting the contemporary age of superhero movies (and influenced by DC Comics» «New 52 ″ reboot).

The result is something which though heavily inspired by the comic shorts of yesteryear (and by Warner Brothers, even more than Disney), feels thoroughly contemporary while mostly avoiding present - day references.

Thanks to Giroux and others, the contemporary classroom - even if it falls short of the critical pedagogues» ideal - increasingly is a block - scheduled site presided over by a teacher who, at least concerning academics, is the guide on the side, eschews grades in favor of portfolios, minimizes ability - grouping, and, rather than being a content provider, is a manager of peer editing, team building, and other processes.

The long and short of it, though, is that the observational components of states» contemporary teacher systems certainly «add» more «value» than their value - added counterparts (see also here), especially when considering these systems» (in) formative purposes.

In short, in this study researchers found that the observational components of states» contemporary teacher systems certainly «add» more «value» than their value - added counterparts, especially for (in) formative purposes.

It seems to pivot right beneath the visible part of the lever, too, which gives it a much shorter and more direct throw than the contemporary mk3 Golf VR6, in which you had to enlist the help of rear seat passengers to select second and fourth gears.

When the American model debuted for 1976, the so - called 930 packed more power than a contemporary Corvette in a rear - engine chassis with a shorter wheelbase than a modern Fiat 500.

This unique philosophy gave the Pacer its unusual proportions: at 171.5 inches long, the two - door hatchback is shorter than a, but its staggering 77 - inch width is as robust as many contemporary full - size cars.

The car also was nearly a foot shorter than the previous version; Ford said this was done to make the car more «contemporary.»

Most contemporary novels are written from first - or third - person perspectives, but many prominent writers (such as Junot Diaz and Lorrie Moore) have written short stories from a second - person POV on more than one occasion.

Contemporary Romances (many are at 50,000 to 60,000 words) tend to be shorter than Historical Romances, for example, which may come in at 120,000 words.

While «Metal Gear's» soundtrack is dramatically shorter than that of its contemporaries, it starts off strong with «Aerial Insertion» — perfect music to parachute to!

This association of the oak with the long - term — much longer than human life — contrasts markedly with the short - term nature of contemporary life.

In the NY Times, Roberta Smith, writes a short essay on the state of contemporary painting in which she suggests not only that ranking art mediums and declaring some of them (like painting) dead is finally passé, but that painters are approaching the medium more freely than ever.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

In October, 30 Berkeley Square's new exhibition gallery, which is bigger than the equivalent space at either Sotheby's or Christie's in London, will be hosting «A Very Short History of Contemporary Sculpture,» a show conceived by the curator Francesco Bonami that will mix loaned works with pieces that Phillips is offering either privately or for public sale.

In the 1970s and»80s, DeSana was part of the flourishing East Village art scene along with contemporaries including Cindy Sherman, Nan Goldin and close friend Laurie Simmons, and his work was the subject of more than a dozen solo shows during his short life — he died in 1990 at age 40, after contracting AIDS.

Between 2012 - 2014, he produced «Moderation (s)», a program between Witte de With Contemporary Art in Rotterdam and Spring Workshop in Hong Kong that involved more than fifty artists and engender a conference, three exhibitions, three residencies, and a book of short stories.

Contemporary principles of measure development for the assessment of parenting [36, 37] guided the construction of the intrusiveness measure, including aggregating multiple measures of the same parenting behavior from different informants into a single composite measure; focusing on specific behaviors (e.g., «mom gave me help in putting on or taking off clothes») rather than vague concepts (e.g., «mom invades my privacy»); focusing on a short, specific time - frame; using items that are relevant to the age - group being studied; and including observational methods.