Sentences with phrase «shot by experimenting»

Not exact matches

The NBA is not, for example, experimenting by having the D - League adopt a 4 - point line for what are now very deep three - point shot attempts.

Makes Espresso - If you're ever in the mood for a plain espresso shot or want to experiment with new drinks, the latte machine reviews include models that brew espresso by itself.

To simulate the uptake of lead particles by scavengers when feeding on shot wildlife, the scientists ran feeding experiments in the field where they provided mammalian carcasses prepared with metal particles of different size and shape.

The CMIP5 modelling exercise involved many more experiments and many more model - years of simulation than previous CMIP projects, and has been referred to as «the moon - shot of climate modelling» by Gerry Meehl, a senior member of the international steering committee, WGCM.....»

«George was one of the first biophysicists who married experiments and theory by developing computational models of a bewildering variety of molecular machines — kinesin motor, flagellar rotary motor, RNA polymerase and protein translocation motors, «one - shot» actin polymerization motor and «slime - gun» motor of bacterial gliding,» Magilner said.

Nothing like his slapdash «Idaho» (a freeform 2011 experiment in which Franco remade Gus Van Sant's «My Own Private Idaho» from an alternate script), these bonus scenes were shot by «This Is the End» DP Brandon Trost and prove that Franco is capable of making a professional - grade movie when he applies himself.

by Walter Chaw Billed as being filmed in a single shot (though the skeptical — and those taken in by the «unedited» long takes of Alfonso Cuarón's Children of Men — should wonder why an editor is credited), Gustavo Hernández's zero - budget conceptual experiment The Silent House (La casa mudi) has found a way not only to suggest a gimmick successfully carried through, but also to weave that gimmick into a richer thematic tapestry.

The shot of the products cheerfully sent by manufacturers to be used for heinous medical experiments on the Jewish inmates reveals that Bayer (yes, the aspirin company) was among the Nazi regime's ardent supporters (further Internet digging shows that the company finally apologized for its actions in 1995).

It's not a feature or even a short, per se, more of an experiment shot to accompany a production of the theater farce «Too Much Johnson,» but at least the first section plays just fine on its own as a tribute to silent slapstick comedy with Joseph Cotten doing Harold Lloyd antics and Buster Keaton chases as a serial philanderer pursued by a jealous husband.

Dan has been at the forefront of experimenting with progressive storytelling for years, first as a co-founder of the webcomics collective ACT - I - VATE, where he serialized KELLY, and then with the critically acclaimed webcomic SHOOTING WAR (with Anthony Lappé), originally published by Smith Magazine.

So credit Toys «R Us officials for giving the FAO experiment a shot and realizing that the move will at least create some buzz in a marketplace that is being hammered by the worst recession in decades.

Environment design is reminiscent to that of Neon Chrome as certain interior surfaces such as thinner walls, glass and furniture can be destroyed with multiple melee attacks or shooting at them, while keys are required to open some doors, alongside a glimpse of the conditioning of exterior environments when nearby to an outer wall as rain or snow falls and a trail of devastation is left behind by Mr. Time's experiments.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

With a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robert).

Mannlicher Carcano — whose name derives from the rifle allegedly used by LHO to shoot JFK - is an improvisational audio collage group that coalesced in the late - 1980's out of a number of new music, sound art, and post-punk experiments, and has been performing and recording regularly for

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

The CMIP5 modelling exercise involved many more experiments and many more model - years of simulation than previous CMIP projects, and has been referred to as «the moon - shot of climate modelling» by Gerry Meehl, a senior member of the international steering committee, WGCM.....»

We had a dig into the image properties to see what was going on, and experimented by covering lenses during shooting to see which camera was being used.