Her self -
shot erotic film Fuses, 1968, is composed of explicit sexual images of lovemaking between the artist and her then partner, composer James Tenney.
Not exact matches
Many of Brown's comments regarding the
film's cinematography are repeated within the bonus material on Disc 2, but it's enlightening to discover just how much was
shot with the SteadiCam, and I appreciated his dry musings on how he wasn't wearing safety goggles when
filming the close - ups of the axe chipping away at the bathroom door and how
shooting a nude scene is anything but an
erotic experience.
The
erotic fascination underlying all this is constantly visible in the way that Piñeiro and DP Fernando Lockett
film faces, often in long gliding takes that move seamlessly from wide
shot to close - up — see the radio studio scenes in The Princess of France and the extended scene in Viola in which the camera hunkers down between three characters talking in a car at very close quarters.
His eerily
erotic images call to mind psychedelia, Pop Art, and the
films of David Lynch, Dario Argento, and Pedro Almodóvar — as though capturing an entire
film in a single
shot.