Sentences with phrase «shot from distance which»

Let Arsen get Marco Cana, if we cant land Alonso coz of the prize money Real will spoil him with, Cana is strong, forcast and able to shoot from distance which makes his upfront runs more attacking.

Not exact matches

Lets work on his marking and tackling (which we have not seen yet) with all the rest of his attributes plus the fact he likes to shoot from distance he is sounding like a young Xabi Alonso.

Among the broomstick limbs of the distance runners and the slender legs and muscular torsos of the pole vaulters, the bulky Capes stood out in his gray sweat shirt and dark beard, which he grew in 1970 to keep the shot from irritating his neck.

We've seen it nearly every dropped point this season; Garcia's offense can pass and move, but when they stagnate, it's often because play gets trapped on the wings, lobbing in hopeless crosses and settling for shots from distance; which simply doesn't work over the long haul.

Tottenham's January signing Lucas Moura, given his first Premier League start as part of Pochettino's changes, later threatened with a powerful drive from distance, while Son Heung - min went closest to breaking the first - half deadlock with a low shot in stoppage time which forced a fine save from Albion keeper Mat Ryan.

His vision and key passes have been admired by plenty and he also packs a strong right foot which helps him shoot from distance.

His movement in the box is top class and he isn't afraid to have a shot at goal from distance, which makes him an even greater threat.

They were trying hard, and they DID try shots from distance too, most of which just ended up being blocked.

With the West Brom defence sitting deep, his shots are all from distance and from central locations, which is directly related to where he receives the ball.

He is capable of shots from any distance, which gives him an advantage over more one - dimensional attackers, and is a clear advantage over Welbeck, who prefers to capitalize on chaos in front of goal.

The arrow shot, which was probably fatal, seems to have been launched from a great distance and took the victim by surprise, from which we may infer that it was an act of treachery.

I'm in my usual size 6 above which felt overly loose — in the middle shot above the back of the top is sitting quite a distance from my actual back.

Wilhelm's dual surveyor bots are helpful, but somewhat echo towards Roland's or Axton's turret like action skills, but Claptrap will no doubt be the most played because of how inexplicably unpredictable his action skill is, as he assumes the role of all other vault hunters up to this point based on the situation around him, which is sometimes not always the good route (I cooped with my friend who got the Psycho die of the action skill when we were primarily shooting at enemies from a distance).

It is such a nice change to be able to go toe - to - toe with your opponent to see who comes out in top instead of always shooting from a distance (which you can still do of course).

From the superimposed crease patterns and dim, degraded image during these shots, I have to assume they were captured by pointing a camera at or through a screen at an actual projection — perhaps of a workprint, which would account for the minor but consistent wear - and - tear on the print itself, as well as its obvious generational distance from the negatFrom the superimposed crease patterns and dim, degraded image during these shots, I have to assume they were captured by pointing a camera at or through a screen at an actual projection — perhaps of a workprint, which would account for the minor but consistent wear - and - tear on the print itself, as well as its obvious generational distance from the negatfrom the negative.

Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the film is set to a score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the film seeks to psychologise him) by which the film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror about the events depicted — even long after Herold has proven how scarily easy it is for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the other hand, to ensure that we keep some intellectual distance from the diegetic events.

The missile launch itself follows, and there's one incredible shot (obviously done with computer graphics) in which the camera starts close and pans hundreds of feet back to see the launch from a distance.

His camera swoops and glides up staircases, through hallways, and around corners like an omniscient phantom, almost always keeping a respectful distance from its subjects which it regards almost exclusively in 2 or 3 + shots.

And while Little Accidents is no great shakes formally — its sole visual flourish is Colangelo's penchant for shooting emotionally charged scenes from a distance, which is likely motivated by a desire to avoid histrionics — it does create a clear picture of a community in which even the relatively affluent, like Bill and Diane, are essentially just middle - class.

I found myself frequently shooting a foe from a short distance in order to stun them and then taking them down in a few short slashes of my scythe - like sword, which seemed to be a very successful strategy.