To that end, the first hour was written and
shot in a film noir style.
Not exact matches
Marilyn Monroe is the luscious femme fatale
in this
film noir travelogue
shot on the US / Canadian border.
This
film noir from director Billy Wilder tells the tale of a former big
shot reporter, Chuck Tatum (Kirk Douglas), heading to Albuquerque for one last chance
in the journalism game.
This
film noir from director Billy Wilder tells the tale of a former big
shot reporter, Chuck Tatum (Kirk Douglas), heading to Albuquerque for one last chance
in the
I'd be tempted to call Small Town Crime a
film noir, but it was
shot in sunny Utah.
There's no such thing as a perfect movie, but
in the way that the script was handled, the way it was
shot... it's a perfect
film noir movie, or it's close to perfect, I should say.»
Filmed on 35 mm and left
in its grittiest state — the colors have a relatively untreated feel, like a»70s Dirty Harry
film — Too Late is an L.A.
noir shot in five continuous take scenes.
By the way, the last
shot of «High Sierra,» with Ida Lupino walking toward the camera, framed by the mountains and the sky, is one of the great last moments
in film noir and
in all Hollywood movies.
In the best film - noir manner, rain is sheeting down, and the camera of the great d.p. Roger Deakins (who has shot the film in wintry blues and blacks with an expressionist edge) pushes in slowly from behin
In the best
film -
noir manner, rain is sheeting down, and the camera of the great d.p. Roger Deakins (who has
shot the
film in wintry blues and blacks with an expressionist edge) pushes in slowly from behin
in wintry blues and blacks with an expressionist edge) pushes
in slowly from behin
in slowly from behind.
The look of the
film, as
shot by cinematographer Ben Seresin, is dismal and gloomy, which indicates that Hughes was aiming for a
noir - ish tone, a character study bathed
in grey.
Sun Don't Shine's elemental plot — it doesn't get much more basic than two lovers, a car, a corpse, and a fuzzy plan to get out of one hell of a jam — unfolds
in such enigmatic, elliptical bursts that it can be easy to forget the
film is a
noir, not just another artily
shot independent
film about overly intense people yelling at each other.
Then, when the
film Sideways came out
in 2004, the surrounding wine county saw an upsurge of visitors wanting to check out the
shooting locations and taste some of the region's finest pinot
noir.
I borrow this term from
film — as
in film noir — of course, which refers to a genre of hardboiled American crime dramas of the 1940s and 50s
shot in a German Expressionist - derived style of black - and - white cinematography.
They are somehow reminiscent of
film noir aesthetic and the first series were
shot in the mid-1990s, but the project was resumed and completed
in 2002.