Sentences with phrase «shot of the film just»

Not exact matches

And he finally said... He called me up and said we're on the last day of a picture and then the last day of the picture if you'll come out I'll just shoot some film on you and nobody will know the difference and then you can see what you look like and all that kind of thing.

The five - month shoot will just a bit longer than the filming of «Silence,» which took place in Taiwan from January 30 to May 15, 2015.

Known as the Covered Bridge Capital of Oregon, Cottage Grove has just under 10,000 residents and a number of films have been shot there, including Buster Keaton's «The General.»

After determining that I was not just another moralist who wanted to influence film content, but someone who was genuinely interested in film, Shurlock relaxed and asked me a question that was very much on his mind: «We are trying to determine what to do about a picture in which director Sidney Lumet wants to include a shot of a woman's bare breasts.

So, these shots here are just off my little digital camera, I'll scan some of the instant film shots to share soon.

And when Keith Smart had finished scoring 12 of his team's last 15 points, including the winning 16 - foot jump shot from the left side with five seconds remaining under massive pressure, most of Indiana didn't even care that the film Hoosiers» Dennis Hopper hadn't won the Oscar for best supporting actor just so long as this real - life Hoosier named Smart had.

First, who films a straight on crotch shot of your child giving birth, second, what mother tells her daughter to just do what the doctor says when she is adamantly refusing?

In his remarks, the Chairman, House Committee in Tourism, Arts and Culture, Hon. Desmond Elliot stated that Lagos State was not just in Cannes to sell and market itself as a venue for shooting films but to tell the world that the State has a Government that is a lover of the arts and entertainment industry.

It's not a question of religion, it's not a question of belief — it's just politics run amok,» Cuomo said last October at a film screening on the Newtown shooting.

Many people are familiar with the movie The Terminator, in which the skin of film's main villain is «re-healed» just seconds after being shot, beaten or run over, said Zhang.

Shooting film is a bit of a guilty pleasure, the results are often hit and miss but with just one chance to get it right it makes the outcome even more magical.

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

The film's striking images — an isolated gothic mansard - roofed mansion standing alone on the prairie, the dark silhouette of a scarecrow in the field, an enlarged shoot of grain coming up through the soil, a grasshopper chomping a head of wheat, a wine glass under water following a furtive tryst — are charged with emotion and meaning, never there just for effect.

Most of the film is on par with his usual output, but there are the occasional nuggets that harken back to his finer days on Saturday Night Live and Just Shoot Me.

Apart from the depth of meaning in the film however, it's also wonderfully executed: the acting is right on the money, and the cinematography breathtaking... just about every shot is perfect.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

And I'm not even suggesting that the professional and audience scores are wrong, but I just think that the film, in a lot of respects, didn't really get a fair shot.

But Footloose version 2.0 can't be taken on its own merits: from the opening shot of the shuffling sneakers to its retro - licious soundtrack to the shot - for - shot recreations, this new film isn't just a remake, it's a homage.

What makes After Midnight more than just another ménage à trois (in homage to Truffaut) is the way Ferrario, who also writes about movies, weaves the allure of early film into a contemporary story, shot with the latest high - definition technology.

Individuals have come with different agendas - love - making, a shot at stardom or political advancement, aspirations within the music business, and longing desperation, to name just a few of their motivations in this exhilarating film:

Sixteen months after the blockbuster's debut, director Todd Phillips has one of this year's most anticipated movies in the forthcoming buddy road comedy Due Date, all three leads have moved past their vaguely familiar stage to a reasonable degree of stardom, the savvily - greenlit The Hangover 2 has begun shooting, and Warner Home Video has just reissued the film in Extreme Edition DVD and Blu - ray sets.

A mural maker fluent in the extended, meandering, zooming wide shot, Altman could swallow elaborate social environments like Hollywood in a single gulp; and by peopling those environments with actors set free to improvise, he allowed an uncanny degree of naturalistic behavior to indemnify the real - lifeness he collected by, it seems, just rolling and rolling film and looking around him.

Last night at Fantastic Fest in Austin, TX, just before a showing of Penumbra, filmmaker Don Coscarelli (of Phantasm, The Beastmaster, Survival Quest, Bubba Ho - Tep) introduced an exclusive first look clip and early look at the teaser trailer for John Dies at the End, his crazy new horror film that he already shot late last year.

Since his film was only screened for the Hollywood Foreign Press he wasn't able to earn SAG or Critics» Choice nominations but now that the film has been seen and Plummer is all over it (with just nine days of shooting and as many days of post-production) this may be the easiest and best way for the Academy to recognize the efforts and ability of director Ridley Scott (if they don't give him a Best Director nomination, that is).

Hayley Atwell «s Agent Peggy Carter was such a scene - stealing standout in Captain America: The First Avenger, she went from a supporting character in Captain America's debut film to a One Shot subject to the lead of her own TV show, Agent Carter (not to mention the fact that her cinematic arc was only just wrapped up in Captain America: Civil War).

There are some good «making of» shots here, too, which are just as visually striking as the film's footage itself.

Photos of the three, available at Just Jared, where shot while they were filming the as - yet - untitled Avengers film.

And that is the only reason why all of those exterior shots in the film look so tactile and beautiful and hand - crafted, and that is one of a thousand suggestions that people who have that depth of talent and experience can just bring.

Often times, the well - shot and well - constructed picture (which features some of the best cinematography of any film so far this year; the soundtrack and score is equally ace) just tries to say it all at once, posing questions about whether that grass is actually greener, or whether it grows verdant only after we've shat all over it.

According to a report in the Hindustan Times, the India location shooting took place inside the Mehrangarh Fort on May 6 and 7, but these are just part of a much larger sequence and it's quite possible the location won't actually be India in the finished film.

Olson and Boise chose plaintiffs on the basis of same - sex couples who behaved just like everyone else, and the still shots of their homes and family photographs interspersed through the film show all the trimmings of a wholesome American family.

(There's a specific cinematic language these films speak; when you hear a certain kind of music cue, or see a shot framed in just such a way, or when a character expresses anything approaching contentment, you'll know it's coming, so gird your loins.)

The filming of Black Panther ended right around when Infinity War began shooting, meaning that Marvel had no idea just how popular Black Panther would become before its characters were written into Infinity War.

Aesthetically, the film is one of the most extraordinary examples of cinematography we have ever seen, which is really just another way of saying «shot by Roger Deakins».

The filmmaker doesn't seem to know how to shoot a natural conversation, as the film is full of weird, shapeless interactions in which everyone is just rambling.

At the film's press day, appropriately held at the Hollywood Forever Cemetery, actress Olivia Cooke spoke to Collider for this exclusive interview about why she wanted to be a part of this project, how she related to her character, just how much the story changed and evolved, re-shooting 50 % of the film, who she'd want to contact with a Ouija board, the most challenging aspect of the shoot, having so much fun with this cast, and why she doesn't think she'd return for a sequel.

This is almost a film with a safety net as, whenever it needs a moment of escalation, it can crank up the score, deliver a big hero money shot and then just allow a decade of storytelling to do the leg - work.

I'm not sure if this badly needs remastering, or if it just always looked this bad, but all of the outdoor shots look like they were filmed in murky swamplands on heavily overcast days.

It's absolutely one of the best films of the year; a sensual, moving summer romance coming - of - age tale that is impeccably acted, impeccably shot, and basically just impeccably crafted from head to toe.

The film's final shot, so startling in the original film, is just one more major fumble, further cementing the grotesque 2013 version of Carrie as one of the most toothless and terrible films of the year.

A prolonged sequence shot in the dark towards the beginning of the film — an attack lit just by the strobe of an automatic flash — is impressively detailed.

It works just well enough not to ruin most of the jokes, but one can't help but notice that more effort seems to have been put into the end - credits typography than into any shot in the film.

The film will be one of Amazon's big pushes this year and is there best shot at a Best Actor nomination — a category it just won this year for Casey Affleck in Manchester by the Sea.

This is his fifth collaboration with star Leonardo DiCaprio, but marks just his second feature shot digitally and combines a loosely mob - inflected story with a topical, high - finance setting, and so overall the film promises to deliver an exciting blend of the old and the new from the director.

Scaling down a wall to escape from Berlin officers who were targeting her, and shooting and throwing punches at rogue assassins who were pursuing her and Spyglass throughout a deteriorating building, were just some of the brazen and bold sequences that Theron effortlessly embraced during filming.

Liman and his successor, Paul Greengrass, reasoned that deliberately chaotic shooting and editing could transform an otherwise ordinary fistfight or rooftop sprint into something disorienting and, when done well, pretty exciting, and the Bourne films handle that sort of cut - and - paste mania better than just about any film not directed by Tony Scott.

Briefly: Legendary may have showed off some proof of concept footage for Duncan Jones «upcoming Warcraft at Comic Con, but the film isn't actually cast and shooting just yet.

If only Emmerich could figure out how to better integrate these cool effects shots into his films, rather just drop them in the middle of some tedious story about a scientist racing against the clock to blah blah blah...

Wadjda, both the first film to be shot in Saudi Arabia as well as the first to be directed by a Saudi woman, may not be infallible, but it is a sharp commentary that pierces to the heart of things just as well as its eponymous protagonist pierces our own hearts with her quirky, rebellious ways.

He's not shy about shooting anyone in their way, even a troublesome girlfriend, and he's so tough that the film has to throw everything at him (starting with one of the great urban car crash stunts of its time) in the third act just to slow him down.