Sentences with phrase «shot on a crane»

One is a movie shot from a remote controlled helicopter and the other is a film shot on a crane raised in the mist at Canary Wharf in London.

Not exact matches

Dawn was also shot with native 3 - D cameras, which are enormous and heavy, and have to be used on cranes.
We've seen sweeping crane shots through swaying wheat fields before on screen in Terrence Malick films and his countless imitators, but not like this.
The elaborate CG crane shot from Bitter Sweets is analyzed (1:42), the production design is detailed upon (2:32), and Pace and Fuller comment on the appearance of Molly Shannon, Raúl Esparza, and Ned's revelation to Chuck (6:09).
Janusz Kaminski, Spielberg's go - to director of photography, opens with stunningly beautiful overhead shots of richly green land and later crane shots on the battlefield that belong in a museum.
Linklater uses a steadicam to keep the focus on the conversation and some impressive crane shots to open things up a bit.
Whereas the Fox prologue used extremely wide crane shots, the MGM short intercuts various angles - several held in closer view on key soloists - and conveys the size of the orchestra through more dynamic angles (including a very cool overhead shot) and tracking shots.
To make the videos, the artist placed the flowers on a mirror that reflected the bright blue Los Angeles sky above and filmed them from above on a crane using a day - for - night filter — which movie directors use to make scenes shot in the day look like they occur at night — and had a rain machine pump rain between the camera and the flowers.
Jafa was the director of photography on Spike Lee's Crooklyn (1994), Isaac Julien's Darker Shade of Black (1994), A Litany for Survival (1995), Ada Gay Griffin and Michelle Parkerson's biographical film on the late Audre Lorde, John Akomfrah's Seven Songs for Malcolm X (1993), a cinematographer for Stanley Kubrick's Eyes Wide Shut (1999), Manthia Diawara's Rouch in Reverse (2000), Nefertite Nguvu's In the Morning (2014), shot second unit on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and Cranes in the Sky (both 2016).
In the Morning (2014), shot second unit on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and Cranes in the Sky (both 2016).
Both of these gangly, adolescent whooping cranes were shot and killed in Louisiana on Monday, and though two alleged shooters have been identified, the world of whooping crane scientists, managers, caretakers, volunteers and birders is in mourning — once again.
A whooping crane raised by federal biologists and known as L8, was one of two such birds shot on Monday in Louisiana.
The beginning is like an ad for rooflite ® — the truck on the closed street, the super sacks floating through the air on the crane, the ease of unloading on the roof... Couldn't have shot that much better myself.
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