One is a movie shot from a remote controlled helicopter and the other is a film
shot on a crane raised in the mist at Canary Wharf in London.
Not exact matches
Dawn was also
shot with native 3 - D cameras, which are enormous and heavy, and have to be used
on cranes.
We've seen sweeping
crane shots through swaying wheat fields before
on screen in Terrence Malick films and his countless imitators, but not like this.
The elaborate CG
crane shot from Bitter Sweets is analyzed (1:42), the production design is detailed upon (2:32), and Pace and Fuller comment
on the appearance of Molly Shannon, Raúl Esparza, and Ned's revelation to Chuck (6:09).
Janusz Kaminski, Spielberg's go - to director of photography, opens with stunningly beautiful overhead
shots of richly green land and later
crane shots on the battlefield that belong in a museum.
Linklater uses a steadicam to keep the focus
on the conversation and some impressive
crane shots to open things up a bit.
Whereas the Fox prologue used extremely wide
crane shots, the MGM short intercuts various angles - several held in closer view
on key soloists - and conveys the size of the orchestra through more dynamic angles (including a very cool overhead
shot) and tracking
shots.
To make the videos, the artist placed the flowers
on a mirror that reflected the bright blue Los Angeles sky above and filmed them from above
on a
crane using a day - for - night filter — which movie directors use to make scenes
shot in the day look like they occur at night — and had a rain machine pump rain between the camera and the flowers.
Jafa was the director of photography
on Spike Lee's Crooklyn (1994), Isaac Julien's Darker Shade of Black (1994), A Litany for Survival (1995), Ada Gay Griffin and Michelle Parkerson's biographical film
on the late Audre Lorde, John Akomfrah's Seven Songs for Malcolm X (1993), a cinematographer for Stanley Kubrick's Eyes Wide Shut (1999), Manthia Diawara's Rouch in Reverse (2000), Nefertite Nguvu's In the Morning (2014),
shot second unit
on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and
Cranes in the Sky (both 2016).
In the Morning (2014),
shot second unit
on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and
Cranes in the Sky (both 2016).
Both of these gangly, adolescent whooping
cranes were
shot and killed in Louisiana
on Monday, and though two alleged shooters have been identified, the world of whooping
crane scientists, managers, caretakers, volunteers and birders is in mourning — once again.
A whooping
crane raised by federal biologists and known as L8, was one of two such birds
shot on Monday in Louisiana.
The beginning is like an ad for rooflite ® — the truck
on the closed street, the super sacks floating through the air
on the
crane, the ease of unloading
on the roof... Couldn't have
shot that much better myself.