Not exact matches
He built his career
on an ultra-efficient filmmaking style that demands
low budgets and short
shooting schedules.
Shot with an iPhone, this
low -
budget comedy that focuses
on a transgender sex worker out for answers when she learns that her pimp boyfriend has been cheating
on her is incredibly executed and the performances are top - notch.
These no -
budget,
low - quality postings —
shot with his cell phone camera — have attracted more than 30 million followers
on all his platforms — more than either Donald Trump or Hillary Clinton.
Someone took footage from a
low budget movie called «Desert Warrior», did a fast overdub to add the offensive comments, and put it out
on the net to obscure the fact that these people in the lands attacked by the US are actually angry over invasion, conquest, looting, drone strikes against civilians, torture, and being
shot at by the United States
on behalf of Israel.
In fact, The Film House
shot one
low -
budget movie
on location in Central New York, «American Dresser.»
Much of the attention for the movie has centered
on its preposterously
low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.
Writer - director Ryan Coogler's debut feature Fruitvale Station was a
low -
budget drama based
on the true story of the
shooting of a young African - American man at a railway station in Oakland, California,
on New Year's Day 2009.
Despite being a
low budget game for casuals The
Shoot gives the player a genuine feeling of old - style
on - rail shooters.
The earlier film was
shot in England
on a very
low budget, and such hints as Eleanor's obviously foreign car (mischievously, in the new movie Nell drives a Gremlin) and a briefly glimpsed «To Let» billboard suggest much of the location filming was done
on the fly.
director Mike Mendez — that, while it has a charming sense of humor about itself, leans too heavily
on CGI blood; The Girl With All The Gifts (B), a well -
shot British zombie film that attempts to inject new life into a tired genre, and almost succeeds thanks to young star Sennia Nanua; and the disappointing Phantasm: Ravager (C --RRB-, a
low -
budget labor of love which, while it plays like a Phantasm fan film, ultimately undercuts the emotional closure it attempts to bring to the franchise by failing to resolve the central conflict between good and evil.
While Florentine and his longtime cinematographer, Ross W. Clarkson, manage to get a few»90s Hollywood - flavored Steadicam
shots in, much of the movie is composed in an anemic, impersonal style that more closely resembles Florentine's past career as a regular director
on various Power Rangers TV shows than the
low -
budget craft of Ninja (2009) or Undisputed III: Redemption (2010).
Given the extreme
low budget (the film was
shot on a shoestring in Budapest), the special effects look pretty credible, with Petty wisely deciding to spend most of the time with the creatures in the background or swathed in shadow, understanding that Sentinel is a picture of ideas — an unusually faithful recreation of Hitchcock's film possessed of a similar, mordant sense of humour, if an understandable surfeit of corresponding depth.
There's a certain class of
low -
budget indie filmmaking that's become almost its own recognizable style — full of ordinary people just trying to find happiness in unorthodox ways, hand - held close - up
shots, montages of locations (easily recognized if you live in the area where they're
shot, but not particularly tied to the story, which could take place anywhere) with light music underneath, a tendency to shift focus amateurishly (though I think often
on purpose as part of the style), a lot of contemplative pauses and awkward conversations.
This deliciously taut, witty, intense neo-noir is lean and mean, produced
on a
low -
budget but dripping with high style —
shot in color but heavy
on blacks, whites and blood red.
Beginning with «Easy Rider» (photographed by Kovács), they helped redefine the way movies looked, from grabbing
shots on the fly for young directors making personal films
on low budgets to using natural light to give a heightened realism to their studio productions.
Psycho is pulpy and sordid and perverse,
shot in black and white
on a
low budget to give it the tawdry feel of a B movie, and directed with the impeccable craft of a master who knew how to shock the sensibilities and shake up the expectations of an audience.
After working
on a few more independent films, including «Reckless» (1984), «Old Enough» (1984) and «Heartbreakers» (1984), he made another important personal and professional connection when Martin Scorsese hired him to
shoot a
low -
budget indie - style film that he was working
on as a way of collecting his bearings after a string of increasingly complex and complicated productions, the dark comedy «After Hours» (1985).
BANG This vital
low -
budget first feature,
shot guerrilla - style
on the streets of Los Angeles, is about a young Asian American woman who spends a day pretending she is a uniformed L.A. motorcycle cop.
Davis finds that
shooting on location
on a
low -
budget film requires a lot of coordination with the 1st AD.
At the film's recent press day, Mirren revealed her approach to the role, what it was like having the opportunity to improvise
on set, acting opposite the renowned Puri and what the two share in common, what she looks for in a project, why the director is an important consideration, why she likes to alternate between big movies and smaller
low budget films, her lifelong attraction to French culture, her latest film that she's currently
shooting with director Simon Curtis entitled «Woman in Gold,» and her upcoming biopic, «Trumbo,» with Bryan Cranston about blacklisted screenwriter Dalton Trumbo.
Shot on Super 16 and premiering at the 2001 SXSW film festival, Ryman's film shows great professionalism in its production, from the cinematography to the acting, ultimately belying its
low budget reality.
Shot on 16 mm film, Fruitvale Station's
low -
budget look works to its advantage.
It's one of those movies that came and went and despite having plenty of big names in the cast, it feels like a
low budget movie
shot on the run.
For no discernable reason whatsoever, Happy Christmas was filmed
on Super 16 mm, a hugely expensive and time - consuming process for
low -
budget pictures like this one which are usually
shot on cheapo digital.
The transfer provides the movie with an apt look, e.g., that of a «70s
low -
budget sci - fi
shot on cheap, fast stock.
The Canuxploitation rage throughout the 1980s and 1990s harbored a number of
low budget schlockers, many
shot on video, and all piled onto U.S. rental shelves with interesting or even outrageous VHS artwork.
Beautifully
shot on 35 mm film, featuring, for a relatively
low budget, an impressive amount of location
shoots and multitudinous extras, this is an undertaking every bit as ambitious as the characters the film is about.
Shot on a
low -
budget often with hidden cameras and using a mix of professionals (like Johansson) and non-actors, «Under the Skin» feels dually creepy — it tells a strange story and, reportedly, the everyday Scotsmen she picks up didn't recognize the raven - haired, English - accented Johansson or know that a movie was being made.
The
low -
budget film was
shot on digital and later transferred to 35 mm.
«Another Earth» was made
on a
low budget, and Cahill
shot and edited it himself.
An impressive
shot establishing Pumpkinhead as he strides into the skeleton of an old, broken - down church in blue half - light suggests more than the triumph of practical effects
on a
low budget and tight
shooting schedule: it suggests that the film's simplicity could — should — be read as pagan folktale, complete with cautionary spiel, brutal exposition, and a surprisingly strong moral grounding.
The red band trailer promises a film full of frantic energy, sun - kissed visuals (Baker remarkably
shot the whole thing
on an iPhone, and even
on a
low budget he still nails the California look) and an earnest, humanistic portrayal of its characters.