Sentences with phrase «shot on his digital camera»

Although he considers himself an amateur photographer who will put in the time to frame a great shot, Alakarhu said he found himself using the PureView more because of its easy availability and quick start time when he didn't want to take the time to set up a more involved shot on his digital camera.

Shot on digital cameras, the film looks so clean and sharp it shows up the cheap costumes, props and effects and lessens the visual splendour of Jodorowsky's imagery.

Not exact matches

On the creation side, GoPro's media group manager, Bradford Schmidt, persuaded Woodman to acquire a leading digital - video software company, CineForm, in early 2011, right around the time GoPro released a rig that allows users to shoot in 3 - D by calibrating two cameras to shoot simultaneously and create layered 3 - D files.

We felt that the best way to exploit the scale and scope required to close out the final chapter of these three phases, was to be the first films shot entirely on the IMAX / ARRI Digital camera.»

Candidates should know how to edit on Adobe Premiere and how to use Adobe After Effects and Photoshop, various types of audio and digital video equipment including Canon and Sony cameras, and how to shoot awesome video with their smartphones.

Ahhh, the old days when I used to shoot outfit posts in my dressing room with a point and shoot digital camera on a tripod.

If you don't feel photogenic, I recommend getting or borrowing a laptop computer with a camera on it or a digital camera with tripod and photographing yourself 1000 times if necessary to get that flattering shot.

Have you given up on nighttime shots because of the fact that when you took pictures of your friends at an evening gathering with your new digital camera the shots were all street too dark?

Have you provided up on nighttime shots due to the fact that when you took pics of your friends at an evening gathering with your new digital camera the shots were all path too dark?

The smackdown sequences are especially masochistic, though Bay and cinematographer Jonathan Sela shot most of the picture on IMAX digital cameras, in 3D, so it looks better than the average postproduction 3 - D conversion job.

As the film began as a loose collection of scenes, many of which were originally shot for Lynch's website on a low - resolution camera, Lynch committed to making the film on digital cameras and wrote scripts daily in response to what had been filmed the day before.

It's not the first time Soderbergh has experimented with formats and platforms: 2002's «Full Frontal» was shot on a Canon prosumer digital video camera, while 2005's «Bubble» was the first film to be released simultaneously in theaters and on VOD.

Shot using the Red One digital camera, I Spit on Your Grave 2010 has a glossy but slightly soft look that I find exceptionally clean but uncompelling.

I confess relief in reporting that Garden State is not shot on digital video, or with a handheld camera, as much as the dreary surroundings might beg for such indie - movie cred - bearers.

Time Code claims to be the first movie shot simultaneously on four digital cameras, all in one take.

Especially considering the fact that the picture was shot over a decade ago, just on the brink of the cinematic digital revolution when the alchemy of actual film was still (just barely) the preferred medium over the pixelized perfection of digital cameras.

Both films were shot on the Red Dragon — the latest Red digital cinema camera — while Room was shot with Panavision Primo lenses and The Danish Girl with ARRI master primes.

Shot on the relatively new Arri Alexa, the same digital camera that was used for Melancholia and Drive, Jack and Jill looks at least as crisp as any promos the main character might have made himself, if such praise can be lavished upon such a slapdash production, much of which appears to have used the first take every time.

A drama of this nature demands the finest quality film but what comes across is hazy, resembling a digital print or one shot largely with a handheld camera intent on extreme close - ups.

This figure was the result of such senseless cost overruns as Wiseau's choice to buy rather than rent his cameras and lighting equipment and to shoot every scene both on 35 mm film and digital video, not to mention his propensity for showing up hours late to his own set every day.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

Open Water: Shot on a microscopic budget with digital cameras, Open Water is clearly this year's Blair Witch Project (and it's just as scary, too).

It was shot on Genesis cameras and thus there is a digital look to the 1.78:1 widescreen transfer, but it's befitting the material with its slightly hip, nearly grunge styling.

Chazelle recast the drummer part with Miles Teller («The Spectacular Now»), and shot the film on digital cameras in 19 days in Los Angeles, with another day spent in New York.

Reichardt had decided to shoot «Certain Women» on digital because she feared using film would cause a delay in dailies, but after seeing test footage of the movie shot in this format, specifically the way the digital camera picked up snow, she knew film would be the only way to go.

The problems with this film do not lie with the digital technologies — there are plenty of lovely films shot on the RED — but in the apparent lack of any workable aesthetic sensibility behind the camera.

The film was shot on three - perf 35 mm stock to allow for smaller magazines and therefore lighter cameras / increased mobility; according to Greg Carson's worthwhile supplemental featurette, «Obtaining Cover: Inside Code 46», director Michael Winterbottom purposely avoided digital video because he wanted the crispness of celluloid, and yet there is often a PAL - like quality to the image here that considerably softens definition and shadow detail.

They shot it on Super 16 mm film versus the now standard digital camera.

The Post was shot on 35 mm photochemical film using Panavision cameras and finished as a native 4K Digital Intermediate.

Photographed on pore - enhancing digital cameras that lend a strikingly antiseptic sheen to daylight scenes and a gorgeously pixelated humidity to night shots, the film follows Crockett and Tubbs as they attempt to infiltrate the empire of South American drug lord Montoya (Luis Tosar).

On the front you'll see the 0.3 - megapixel video calling camera which is capable of shooting 640 x 480 30 fps (the brightness sensor has been bumped up above it), and on the rear you'll see the 0.7 - megapixel, 720p video shooting (again, 30 fps) camera to which you can apply a 5x digital zooOn the front you'll see the 0.3 - megapixel video calling camera which is capable of shooting 640 x 480 30 fps (the brightness sensor has been bumped up above it), and on the rear you'll see the 0.7 - megapixel, 720p video shooting (again, 30 fps) camera to which you can apply a 5x digital zooon the rear you'll see the 0.7 - megapixel, 720p video shooting (again, 30 fps) camera to which you can apply a 5x digital zoom.

All photos have to be submitted in raw format (straight from the digital camera), and photographers on assignment are not allowed to delete a single photo shot in the field.

Also, to clarify for those wanting to get good shots of their pets at home, the «Kids and Pets» setting is found on most point - and - shoot cameras, not digital SLRs.

Today I'd like to share some general pet photography tips based on what I've learnt using my digital point - and - shoot camera.

If you have a camera on your cell phone or have purchased a digital camera, own lots of props, and are looking for a photogenic dog that will make every shot you take amusing, be sure to get out there and find a Pug!

On our kayak tours we often see four types of cameras: waterproof point and shoot cameras, point and shoot cameras (not waterproof), mobile phone cameras, and digital SLRs.

These Kauai rentals were shot with a 35 mm camera, and then the small photos were scanned on a scanner, converted to digital files and placed on Internet websites.

Shot on Red Epic digital cinema cameras, which let us maintain ultra high - definition and cinematic quality, it was clear we'd found a great story — and character — in Ann.

Namely, Peyton uses to shot her subjects with either a standard 35 - millimeter or a Polaroid camera, without any particular focus on composition or lighting and in 2002 transferred to a digital camera.

He has only recently started shooting some work on digital, preferring to use 8x10mm plate cameras on tripods.

In 2003, whilst working on landscape shoots, Dagarslani discovered analography and his digital camera was put aside in favour of an analog camera.

The new camera Polaroid Snap is unlike the other cameras on the market that are available for digital point shots.

While Wi - Fi integration used to be a very rare premium feature on digital cameras, increasingly you'll find it on everything from DSLRs down to little pocket - size point - and - shoot cameras.

The cameras on the phone have features like backside illumination, autofocus, continuous shooting, digital zoom, geotagging, panorama, HDR, touch focus, face detection, white balance settings, ISO settings, exposure compensation, self - timer, scene mode, and phase detection.

The former allows for wider shots, while the latter allows for a sharper, optical zoom rather than the digital zoom found standard on most cameras.

The cameras on the Honor 9 Lite have many features including backside illumination, autofocus, continuous shooting, digital zoom, geotagging, panorama, HDR, touch focus, face detection, white balance settings, ISO settings, exposure compensation, self - timer, scene mode, and phase detection.

The cameras on the phone include features like CMOS (Complementary Metal - Oxide Semiconductor), Autofocus, Continuous shooting, Digital zoom, Geotagging, Panorama, HDR, Touch focus, Face detection, White balance settings, ISO settings, Exposure compensation, Self - timer, Scene mode, and Phase detection.

Google is betting this combination proves irresistible with the launch of Google Clips, a pocket - sized digital camera that decides on its own whether an image is interesting enough to shoot.

Camera features on the phone include: CMOS BSI (backside illumination), Autofocus, Continuous shooting, Digital zoom, Optical image stabilization, Geotagging, Panorama, HDR, Touch focus, Face detection, White balance settings, ISO settings, Exposure compensation, Self - timer, Scene mode, RAW, Leica Dual - camera 3.0, Phase detection, Laser autofocus, Contrast autofocus, and Depth autoCamera features on the phone include: CMOS BSI (backside illumination), Autofocus, Continuous shooting, Digital zoom, Optical image stabilization, Geotagging, Panorama, HDR, Touch focus, Face detection, White balance settings, ISO settings, Exposure compensation, Self - timer, Scene mode, RAW, Leica Dual - camera 3.0, Phase detection, Laser autofocus, Contrast autofocus, and Depth autocamera 3.0, Phase detection, Laser autofocus, Contrast autofocus, and Depth autofocus.

It's a proper, soft - touch button of the sort you'd find on a standalone digital camera, with a distinct two - stage press that makes focusing and shooting much, much easier than usual on cheap phone buttons, helping keep shots free of motion blur.