Sentences with phrase «shot out of a helicopter»

It was arguably the most inventive game in the series as well, with outrageous designs for stages; such as riding on missiles shot out of a helicopter, which are hitting the boss you're fighting, the top down perspectives in mode 7, and riding a futuristic motorcycle while shooting down enemies.

Not exact matches

I want to know who cleansed him a navy seal??? Come on, they tossed him probably out of the helicopter and when did all this take place if they went at 1 am and shot him then they quickly cleansed him and threw him out to sea.

A helicopter approaches a hotel rooftop and people gathered there move toward it until it turns and opens fire on them; we see several people shot and blood splatters as they fall dead until the helicopter becomes caught in cables attached to the roof and spins out of control before crashing into the roof and exploding.

Kosinski and his returning cinematographer Claudio Miranda (who also shot Life Of Pi) are experienced in the art of digital imagery, and they capture beauty in images both relatively mundane, like a hose dangling from an initially unseen firefighting helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image of a bear charging out of a forest on firOf Pi) are experienced in the art of digital imagery, and they capture beauty in images both relatively mundane, like a hose dangling from an initially unseen firefighting helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image of a bear charging out of a forest on firof digital imagery, and they capture beauty in images both relatively mundane, like a hose dangling from an initially unseen firefighting helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image of a bear charging out of a forest on firof a bear charging out of a forest on firof a forest on fire.

Take your pick: the particular way constellations of pinkish - red candle flames help illuminate Gianni D'Antonio's shadowy underground chambers; the riotous cacophony of icy blues and fiery reds that accompanies the funhouse climax; or how peering into the detailed aerial shots of midtown Manhattan at night feels a little bit like hanging out of the helicopter.

A plot twist involving veteran actors James Woods (the remake of «Straw Dogs «-RRB- and Richard Jenkins («Jack Reacher «-RRB-, as well as any number of shootings, killings, explosions, tank and helicopter attacks, plane crashes, beatings and the wounding of a conservative Glenn Beck - type TV host and other fun events round out this two - plus hour feast for dimwits.

What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.

Despite far too many helicopter shots of Manhattan (seemingly left over from the end credits), Stahelski and Leitch direct the hell out of what little story there is — particularly the extraordinary car sequences — but this is one film that could actually use a sequel / sidequel for Kolstad's characters to really let rip.

«Cheers to @avminaircharter for always giving us the smoothest ride out there,» Hemsworth captioned a shot of his crew standing in front of a bright red helicopter.

Lixenberg, who began shooting short film sequences in 2012, captures such moments as a teenage couple getting ready for their senior prom, a modest memorial by a children's jungle gym and the conversation of women getting their hair done drowned out by the sound of LAPD helicopters flying overhead.

That's a Tank, state troopers, DEA and out of the shot a police helicopter.