Sentences with phrase «shot piece of action»

Not exact matches

There's also a very annoying part where you have to inch up to someone with a gun, but if you get too close she shoots instead of just stopping you when you get near her, but thankfully reloading checkpoints is a piece of cake and the game gets you back into the action in a split second.

Even the flashy action is of a piece with all this conventional structuring, as Chance regularly takes a few minutes to run and jump or punch and shoot.

THE GRAND BUDAPEST HOTEL — Night Train is more of a psychological thriller than an action ripper, but it ends with an exciting set - piece shoot out on a mountain - range crossing cable - car.

Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an action beat.

Director Cary Joji Fukunaga is the sole director for all eight episodes of the series» first season, and the shot is a long, intricate piece of action choreography that feels lifted straight from a Michael Mann film.

These third - level sequences take on the guise of various sorts of generic action set pieces — always introduced by the Wise Man, always following a go - here - shoot - them - grab - that goal.

Proudly modernist directors, Joost and Schulman aren't afraid to incorporate go - pros, phones, and hand - held point of view shots into their scenes, which even stretches so that they're at the core of their action set - pieces, too.

The dazzling action set - pieces are some of the best in recent memory, from the demolition - derby opening to a museum shoot - out painted with Jackson Pollock splatters of blood to a magnificent (and metaphorically rich) fun - house climax in a mirrored art installation.

From the looks of things the picture was always simply meant to be a series of spectacular action set - pieces — and in the staging of said set - pieces, television director Abrams forgot that he had the option of shooting in something other than extreme close - up or respectful medium.

These qualities, given added weight by the shot's extended duration, encourage the viewer to regard the action as though it were a piece of sculpture, to contemplate the intermingling of glamour and sleaze.

His film may not boast a single centrepiece action sequence to rival, say, the D - Day landing scene in Saving Private Ryan, or even the single - take, five - minute tracking shot of Dunkirk beach in Atonement, but it is effectively one long unbroken set piece — surely one of the most impressive ever committed to celluloid.

Going from leveled moments to scenes on that of Hollywood levels, Black Ops has a great culmination of intense shooting, great set - pieces, and enjoyable action.

The game is full of action - packed set pieces, allowing the player to do everything from blasting soldiers with pistols while riding on a horse to shooting cannons at soldiers as they cross a river.

The new live action trailer is quite the epic piece of work and no surprise considering it has been directed by Neil Huxley (Avatar, Watchmen) and shot by Director of Photography, Fabian Wagner (Game of Thrones) although the true marvel of this trailer comes to light with how it has faithfully recreated the game's Nemesis System that allows you, the viewer, to determine whether your actions result in an Orc who is completely loyal to you or one who is consumed by revenge.

During the keynote presentation at the PlayStation Expereince, we were all given a peak at 2 pieces of gameplay footage, one of the normal shooting action of the game and one of the melee combat.

While many fans love to control every piece of the action, novice players can have just as much fun jumping in to throw a touchdown pass, nail a three pointer or take a shot on goal.

1 Inspired by Ed Ruscha's photobook Royal Road Test, in which the artist documented the act of throwing a typewriter out of a car, Rugoff traces an alternative idea of looking via the frozen, latent violence in the artworks of Vija Celmins and Robert Rauschenberg, and through the actions of Le Va (throwing pieces of felt and ball bearings), Burden (shooting), and even Yves Klein (evidence of performances as recorded in painting).

Often referred to as a pyrotechnic artist, one of Signer's performative paradoxes is captured in this photograph, Aktion in Sedrun (Action in Sedrun), and features his sculptural pieces mid-air after being shot skyward by a series of gridded charges.