Sentences with phrase «shot pieces of the story»

We see beautifully shot pieces of the story.

Not exact matches

In the latest in an appalling string of stories about the abuse of NFL cheerleaders, this piece describes a 2013 trip to Costa Rica taken by Washington Redskins officials (An aside: I honestly can not believe the team is still using that name in 2018) and the team's cheerleading squad for a calendar photo shoot.

Writer / director Terrence Malick («Badlands» / «The Thin Red Line» / «The New World») superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.

superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.

The killer moment: Skyfall skips from one brilliant mic drop to the next, but for all of its explosive set pieces, the film peaks with a simple shot of Javier Bardem sauntering toward our hero and regaling him with a story about cannibalistic rats.

Director Terrence Malick's beautifully shot period piece, which won an Oscar for its cinematography, tells the story of Bill (Richard Gere), an early - 1900s Chicago steel - mill worker who flees town after accidentally killing a man.

Shot in black - and - white, with a spare, minimal production design making it an expressionist piece projecting the barren interiors of its broken characters, Nebraska, though not the adaptation of the identically - named collection of Ron Hansen short stories I initially hoped it was, at least possesses the same wintry, intellectual mien.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The story, cobbled together by the director and young film enthusiasts Dario Argento and Bernardo Bertolucci, plays like a collection of the genre's greatest hits: the tense, real - time set pieces of High Noon; the mysterious hero of Shane; the encroaching antlike forces of civilization as explored in The Man Who Shot Liberty Valance.

It could have done without a few of the «artistic flourishes» when we get unnecessary shots of the protagonist staring into the sun etc, a romantic side - story doesn't add much either and the very end is set up a little awkwardly and obviously earlier on, but overall this is a finely made and quietly powerful piece of intelligent adult filmmaking.

JR's large prints of human faces and, sometimes, three - story printouts of faces and full - body shots, become art pieces plastered on buildings, trains, and other objects.

In Rose's half of the story, which is shot as a b & w silent film, it's the by turns merry and ominous orchestral pieces that set the tone.

Freed from the origin story box, this second installment of the Wade Wilson franchise has its cake and eats it took, taking any number of shots at the superhero sub-genre (and modern blockbuster filmmaking in general) while still crafting a story that makes sense on its own terms and works as a character piece.

Activities — designed to suit different age - groups — include games and activities to develop identification and analysis of different camera shots, learning how to construct a story and use character analysis in scriptwriting, analysing use of sound, expressing thoughts and opinions on a piece of film and exploring mise - en - scene.

SCHOOL SHOOTINGS IN CONTEXT: Kudos to John Woodrow Cox and Steven Rich for producing a lovely new piece about the number of kids who've been exposed to school gun violence since Columbine, and for considering my feedback that the story would be stronger if it gave readers some context (ie, a denominator) rather than just the raw number.

Bear in mind that every writer will revise and edit a piece of work over and over again, and it's very rare for a story or poem to come out perfect at first shot.

They currently release A Bride's Story by the same author, Kaoru Mori, as well as a one - shot of her shorter pieces, Anything and Something.

Aerie will include coverage of the shooting, pictures from vigils and memorials, a story on students dyeing their hair in honor of the victims, pieces on the surviving students» political activism and highlights from the week they returned to the school.

Maude's sole piece of vintage artwork sits on its side, grabbing the eye's attention, and has a remarkable story behind it: Shot in 1968, the photograph is from a series that followed Bobby Kennedy's funeral train from New York to Washington, capturing the mourning public standing in salute.