Sentences with phrase «shot wide early»

Emre Can — 6.5 Scuffed a shot wide early on.

Kompany shot wide early in the second half but City had a scare after a mix - up between Walker and Bravo almost let in Aubameyang, but the forward fouled the keeper in his haste.

Not exact matches

Carefully itemizing mercantile bills of sale, inventories of militia and volunteer detachments, the evidence that there was a lack of gun - smiths, records of importation of guns from Europe, the incidence of duels (three in the entire South in the 1760s, none fatal), children's books and toys, comments by eyewitnesses about the abysmal shooting ability of settlers (lacking both the weapons and the gunpowder to practice), court records, and a wide variety of other historiographical resources, the author assembles an overwhelming mass of data to show that military prowess was not, in fact, characteristic of early Americans.

The Ox fired just wide after being fed by Alexis and Walcott should have done better with an early shot after good work in the box.

We had chances to score the early goal to settle us down, with Iwobi shooting just wide and Mertesacker heading straight at Mannone with a free header from a corner.

He flashed a shot at Lukasz Fabianski's near post early on, but the goalkeeper tipped it wide, just after the Pole had also done well to scramble away a dipping Kane free - kick from 30 yards.

Bournemouth created little aside from an early chance which Junior Stanislas shot wide and injured himself in the process, forcing Eddie Howe to make a change.

The Emirates Stadium was far from full once again - and those in attendance saw few chances in the first half with Xherdan Shaqiri curling an early left - footed effort shot inches wide and Aaron Ramsey looping a 23rd - minute shot onto the top of the crossbar.

Alli drove a shot just wide of the post from 25 yards and Kane tested goalkeeper Lovre Kalinic with another bending effort from distance early on.

That fear becomes tangible to those of us watching on and, early in the second half, after Pogba blasted a long - range shot wide, the travelling supporters began a chorus of «what a waste of money» — but their hearts were not in it and we all knew it.

Joe Allen clipping a shot wide and Philippe Coutinho firing against the post late in the half was as close as Liverpool came, as Real, having absorbed the early pressure, switched up gear in an instant.

Ashley Young, Scott Parker and Stewart Downing were all introduced and England began to look much more assured in the second half with Ashley Young inparticular looking lively and firing some early testing shots just wide of Thomas Sorenson's net.

The likes of Ashley Young, Scott Parker and Stewart Downing were all introduced and England began to look much more assured in the second half with Ashley Young inparticular looking lively and firing some early testing shots just wide of Thomas Sorenson's net.

Earlier, Sebastian Polter, back in the QPR starting line - up along with Clint Hill, Phillips, Junior Hoilett and Alejandro Faurlin, went close with a long - range shot that went just wide.

In the early stages of the match, Wilshere eased a pass through opposition's defense for in form striker Olivier Giroud but the summer signing could only drag the shot wide.

Watkins had an early shot for Brentford that hit Maupay and dribbled wide but Villa had the upper hand.

Shots flashed wide, Kimmich hit the upright — almost making amends for his earlier error — but the attack lacked a focal point.

Fabio Borini saw a couple of chances go begging but Stewart Downing should have made it three earlier on when his great run ended with a shot trickling inches wide.

He linked up play well in the middle of the park and had one shot early on that fizzed wide of the mark.

AC Milan had limited opportunities early in extra time as a lone corner in the 100th minute yielded a goal kick as a shot on goal went wide of Samir Handanovic.

Glen Johnson had the best chance for Liverpool after poking a shot just wide early into the second half but Dalglish's men, without injured captain Steven Gerrard, never looked like scoring in this forgettable bore - draw tonight.

Against the Indonesians, Vietnam were in control early on and a nice move saw Phong Duy strike a low shot just wide from the edge of box.

The Frenchman made up for driving an early shot wide with his stunning opener.

Oxlade - Chamberlain had a spurned a chance earlier, shooting wide after breaking through the inside - right channel, but he made no made mistake at the second time of asking, coolly slotting home after Sturridge's pass had sent him through.

Dortmund had the better chances early, as Marco Reus shot inches wide on a counter-attack and Schurrle's shot deflected off the outside of the post.

Brighton, who had produced some decent defensive work, tried their luck early in the second half as Pascal Gross drilled wide, and the recalled Rooney saw a shot deflect wide off ex-Everton man Shane Duffy.

Oscar gained space in the box after an error by Marcos Rojo, but his deflected shot flew wide as United scrambled back to prevent an early goal.

Rosicky was central to everything early in the game, as his shot in the 7th minute went narrowly wide.

And it's meticulously designed by Katarzyna Sobanska and Marcel Slawinski; the lounges and bars echo the mood of the underground spaces of Wajda's Fifties films (a friend also detected a flavor of early - Sixties Forman), but more than anything I was reminded of the melancholy retro of Aki Kaurismäki's Take Care of Your Scarf, Tatiana, while a wide shot of a car in a glum garage yard made me think of early Jarmusch.

A heap of bad history, the movie rewrites the one - sided feud between the early electric power moguls Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon) into a clumsy public - domain mockbuster of The Prestige; you can almost hear director Alfonso Gomez - Rejon (Me And Earl And The Dying Girl) trying to slap himself awake as he inserts overhead shots, canted angles, zooms, and wide - angle Tom Hooper - isms into every scene.

Perhaps it's a question of shot selection, as Gray — who has a painterly, shadowy visual style, often reminiscent of the great American films of the 1970s — has stuck to a largely emotional logic in earlier films; his compositions are wide or tight to reflect how characters feel.

It is Bingham who admits both the novel's cleverness and its limitations in an early statement: «If I had to pick between knowing just a little about a lot of folks and knowing everything about a few, I'd opt for the long, wide - angle shot, I think.»

And thanks to director William Friedkin's immaculate filming, we are entranced by early wide shots of a golden Middle East, then brought closer to watch people running here and there on the Georgetown campus or on the streets of NYC.

As with the current car, the new 991 Porsche Turbo will get a wider bodywork and what is confirmed by early spy shots, big air intakes ahead of the rear wheels.

Later she shot images herself, and looked to a wider variety of sources for material, like Renaissance paintings and drawings in the case of photographed collages that she made in the early 1990s.

Her layered installations, videos, and sculptures begin with wide - ranging yet highly specific references, from young - adult fiction and early 2000s cartoons, like Clone High, to autobiographical events and violent media spectacles, such as the 1999 Columbine High School shooting.

Their shows also cover a wide swath of portraiture, including an extensive exhibit by Harry Benson, a Scottish photojournalist with a knack for capturing civil rights riots and early glamour shots of Kate Moss with equal vigor.

This transition from close - up to wide shot, to think of it cinematographically, falls flat: Herzog may self - reflexively point out the mechanics of his film, but this reveal adds little additional information or affective charge to the earlier footage of Segers's cropped and enlarged images.

Influenced by New Wave films from Europe, his early work is characterized by a cinematic atmosphere with an emphasis on location, wide shots, and odd angles, to convey action, scale, and mood.