There are your typical two - and - three point baskets, but executing dunks or
shots at certain moments will let you score an additional point or two, as was hinted earlier this week.
It's a shame, because director Alister Grierson and cinematographer Jules O'Loughlin create a template of claustrophobic tension throughout much of the multitude of exploration sequences (Even, dare I say, with the aid of 3 - D in
certain moments, where the depth of rocks and ledges registers a bit more, though for every successful, stereoscopic medium
shot, there are
at least two phony - looking wide
shots that ruin the illusion).
I literally sing with happiness
at certain moments... yet panic still wakes me — like someone has
shot an arrow through my chest — in the dead of night.