Sentences with phrase «shots during this sequence»

(There's an overhead shot during this sequence that's just hilarious.)

Not exact matches

During a strange sequence, MacKinnon put a shot on Hellebuyck from inside the circle and J.T. Compher tipped the rebound in front to Kerfoot.

That was the case right up until an almost miraculous block of a Gareth Bale shot during a terrifying sequence of Real attacking nearly found the back of the net, finally letting Atlético launch forward on the counter — and Juanfran found Carrasco running for the far post, drilling a low cross to the Belgian that got emphatically fired home to level the scoreline and send Atlético fans all over the world into rapturous joy.

In total they have scored only the seven goals in their last 13 Premier League games, with an average of just three shots per game on target during that sequence.

Deadpool 2 writers Rhett Reese and Paul Wernick explain how the post-credit sequence came about, revealing that it wasn't in the original script, and was shot during reshoots.

The flashback sequence was shot during the 2010 Tomatino festival with Swinton in the middle, gloriously wide - screen and slow motion.

In Paris this week, Ben Stiller and Owen Wilson made headlines when they shot a sequence for Zoolander 2 on the catwalk during Valentino's Paris...

The fight sequences, during Moments of Truth especially, go from medium shots to the kind of close - ups that make it impossible to tell what's happening.

Scaling down a wall to escape from Berlin officers who were targeting her, and shooting and throwing punches at rogue assassins who were pursuing her and Spyglass throughout a deteriorating building, were just some of the brazen and bold sequences that Theron effortlessly embraced during filming.

The action sequences have also been ramped up in size and intensity from the original, especially during a blistering shoot - out in a German forest that sees our heroes on the run from a world - class marksman and an armada of tanks.

The plot here is entirely predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.

It's one of the best sequences in the series to date, kicked - off with an incredible tracking shot before all hell breaks loose; alas, that energy dissipates during a bizarre title sequence that combines a Roger Moore - era naked lady montage with a touch of almost Lovecraftian soft - core tentacle scored to Sam Smith's tepid theme song, «Writing's on the Wall».

Shot entirely in sequence over a scant twenty - three days ---- during a hiatus in the middle of Wong's wuxia epic, years in the making, Ashes of Time ---- the director wanted to fill this gap by making a quickie movie to restore his creative flow.

Pegg's character remains comic relief, too often his scenes end with the equivalent of a rim shot, but Pegg shows his dramatic chops during a confrontational sequence where he's used as a human bomb.

The first, by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were friends, family or local Pittsburgh volunteers (even the mall was owned by personal friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the film was «too much fun» for it, and that the fourth film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».

Director Denis Villeneuve stages and shoots those latter sequences with a clear comprehension of the environment (especially during an ambush in traffic waiting at the border), no shortage of building tension (Jóhann Jóhannsson's thumping score is highly influential in this regard), and an understanding of the suddenness with which violence arrives and is dispatched.

There are a number of exquisitely shot sequences, but the most talked about and visually impressive is a lengthy tracking shot following Robbie during the British forces» epic retreat to Dunkirk.

In Paris this week, Ben Stiller and Owen Wilson made headlines when they shot a sequence for Zoolander 2 on the catwalk during Valentino's Paris Fashion Week show.

Group shots are as appetisingly clustered as fruit baskets, while a couple of scenes with Bobby and Vonnie together — in his Hollywood motel room during a power cut, and later, on a Central Park bridge at dawn — are the most visually beautiful sequences in an Allen film in goodness knows how long.

Even with two - time Academy Award - winner Christoph Waltz as the central baddie, even with an opening sequence set during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes place.

Perversions of Science generally peaks during its opening credit sequence, an uninterrupted shot of a camera swooping in from the outside of a typical suburban home into a living room where a similarly typical family is watching television, a la The Simpsons opening credits, an association strengthened by another Danny Elfman's theme, which, not surprisingly, sounds an awful lot like the Tales from the Crypt theme with a lot of theremin thrown in.

Meanwhile, Francis Ford Coppola's Twixt got slammed by The Playlist, which gave it a D + and stated, «There are a few striking shots and the muted color palette during the dream sequences can work nicely, but some of the scenes that look like they belong in a DTV film.»

From time to time we do get a few glimpses of colours popping off the screen, such as some lush greenery or during the subway sequence, but especially when blood starts to flow from fighting or gun shots; but overall the transfer is very reserved in terms of colours.

During the many lulls in the story, viewers can pick out elements from other films: The design for the Doberman evokes «Up,» one potential buyer imitates Edna Mode from «The Incredibles,» a tracking shot through the engine of a wrecking crane recalls a clockwork sequence in «The Great Mouse Detective.»

There's also a lovemaking sequence in black and white, done in a succession of single shots that suggest a»60s French erotic strip, including close - ups of Anne's mouth during orgasm and her hand clenching on a white bedsheet.

From the spacious landscape shots of the family's heavily fortified home and farmland surroundings to the tight camera angles during the movie's suspenseful sequences, A Quiet Place varies smoothly from tender to disturbing in tone thanks its its imagery.

While Carano just isn't ready to enhance this spy - betrayed - by - the - system saga outside of using her apt MMA skills — and perhaps Soderbergh realized this during filming, as there are prolonged shots of her just running around and scaling rooftops (one of the better shot sequences though), it all falls on Soderbergh and the story to keep us wired in.

These ten short sequences, shot during a Saturday cricket match, each display a different aspect of mathematics for pupils to explore, investigate and discuss.

The only time the gameplay falters is during the few moments when Binary Domain leaves its pure cover - based shooting roots and attempts to mix things up with some different sequences, such as racing jet - skis down a river or on - rail vehicle sections.

Take down 10 enemy soldiers or more with head shots during the first sniper sequence of Almada Penitentiary.

During his GDC talk, Yoko discussed Nier: Automata's memorable ending sequence, which asks players to shoot their way through the game's credits in a feverish bullet hell.

While the majority of the game relies on the split screen sequence, A Way Out's finest moment actually comes during a brilliantly choreographed climactic foot chase through a hospital via a four - minute long, unbroken «camera shot».