Sentences with phrase «shots in film history»

One of the most iconic shots in film history is the look at a young Dustin Hoffman through the arched leg of Anne Bancroft in «The Graduate.»

In 1946, Director William Wyler and Cinematographer Gregg Toland gave the world one of the most important shots in film history in The Best Years of Our Lives: a deep focus long shot of a -LSB-...]

Not exact matches

Producers really wanted to shoot in a country that had production services, or at least a history with film production, and Ghana really hadn't had an American film production.

It is among the most startlingly beautiful color film shot in history.

They are the longest 35 mm Steadicam shots in cinema history — each using nearly an entire film reel.

One of the film's earliest shots even feels like it's ripped straight out of Akira Kurosawa's Dreams, a film in which Scorsese himself performed, evoking authenticity from cinematic history and actual history in even measure.

Snyder himself hosts an ongoing commentary - «The Ultimate Watchmen Experience» - featuring behind - the - scenes shots, a timeline covering the history of the Watchmen universe, remarks from the director himself and (best of all) a side - by - side comparison between shots in the film and frames from the graphic novel.

The film juxtaposes intimate behind - the - scenes access, rich archives and history, engaging character driven stories, and dance performances shot in North America, Europe and Japan.

The final showdown in this film may very well be the best shoot out in the history of the western; its length, pace, and the way in which it was framed all seem perfectly calculated by Costner.

The film starts with a five - minute fixed shot, a café scene in which a group of urban intellectuals sit talking, half seriously, half facetiously, about philosophy, history, and law.

This reflection can not be denied, especially in the film's closing shot of the World Trade Center — a haunting crystal ball image of history doomed to repeat itself.

Granted, it's a bit too long and deeply convoluted, but the 2006 film is also one of the most nightmarish and gorgeously shot horror films in recent history.

In case you're unaware of it's history, the film was shot in 2004, but then shelved by Fox, who eventually released it into 130 theaters in September 2006, where it grossed a little under $ 500,00In case you're unaware of it's history, the film was shot in 2004, but then shelved by Fox, who eventually released it into 130 theaters in September 2006, where it grossed a little under $ 500,00in 2004, but then shelved by Fox, who eventually released it into 130 theaters in September 2006, where it grossed a little under $ 500,00in September 2006, where it grossed a little under $ 500,000.

The Appendices — A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.

«This Is VistaVision» is a cool look at the history of Paramount's groundbreaking higher - resolution filming and widescreen exhibition technology, in which Funny Face was shot, and is largely only used for effects work today.

THE DVD Shot through with grain and a certain, specific colour blanch I associate with the best movies from what I believe to be the best era in film history, Night Moves looks on Warner's DVD as good as it ever has, or, I daresay, should.

She is barely recognisable from her two most recent appearances I mentioned (and nothing like her bit part in Quantum of Solace) and I can only imagine that this must have been one of the most uncomfortable shoots in history, since she spends much of the film gagged and handcuffed to a bed, often naked.

Budgeted at five and a half million dollars — a veritable fortune for a Hong Kong film — it has a lengthy and troubled production history: Wong started shooting in northern mainland China in 1992, suspended work when his all - star cast had to leave to meet other commitments, then resumed shooting in the summer of 1993.

The film works well for the most part, focusing on Victoria's romance with Albert and her learning how to wield what power she has, and there's relatively little melodramatization of history (though a late sequence with Albert getting shot in an assassination stands out as particularly ridiculous).

by Walter Chaw The title refers to a New York Museum of Natural History diorama called «Clash of the Titans» that proposes what a tussle between a sperm whale and a giant squid would look like — and it functions as the final, stirring tableaux of a 16 mm film self - consciously shot in the manner of early Jim Jarmusch or Spike Lee joints.

Deadline reports that Miller is the first filmmaker in motion picture history to go to prison for a film shoot - related death.

(The twenty best films of the decade were determined by polling all the major and continuing contributors to Reverse Shot in the publication's history.)

Lachmann's taken my number one position over John Seale's Mad Max by the slimmest of margins, and I seem to be one of the few people who laud Tarantino and cinematographer Robert Richardson for resurrecting Ultra Panavision cameras and lenses long lost to history in order to shoot a film that takes place almost entirely indoors.

Restored in 2K with native sounds and traditional songs that Flahertys daughter recorded over a half - century after they shot it, Monica Flaherty's Moana with Sound is a beautiful work of docufiction and an important piece of film history.

The twenty best films of this decade were determined by polling all the major and continuing contributors to Reverse Shot in the publication's history.

Masterfully shot and with an impeccable eye for period detail, Spielberg's film brings a pivotal era of American history to life in sensational fashion.

Extra features on this non-SE include: a comprehensive commentary by director Hoblit and co-screenwriter Billy Ray, with the occasional comment from Bruce Willis sandwiched in; another yak - track from producer David Foster, who concentrates on the film's background in WWII history; ten deleted scenes (in 16x9) that reveal that an even more structurally and politically complex film lies on the cutting room floor, with elective commentary from Ray and Hoblit — they're especially sorry to see go, as am I, a bit in which the American soldiers entertain their German captors by donning blackface; a 4 - part photo gallery — see Bruce make serious expressions for «The Poster Shoot»; and trailers for Hart's War, Windtalkers, and the TV shows «Jeremiah» and «Stargate SG - 1».

Directed by Sarah Gavron and from «The Iron Lady» scribe Abi Morgan, «Suffragette» has already made history by being the first film to be shot in the Houses of Parliament.

«Boyhood» A candidate for the longest duration between the start of a production and its eventual completion in the history of cinema (the film shot a few weeks every year for the last 12 years), the arrival of Richard Linklater «s intimate epic «Boyhood» proved to be very much worth the wait.

Though the film doesn't go into detail about Crait's history, writers Ben Acker and Ben Blacker and artist Mike Mayhew are filling in the blanks with their one - shot Star Wars: The Last Jedi - Storms Of Crait due out December 27..

In one masterfully conceived shot, Leigh evocatively situates us within the milieu of a Turner canvas, while almost subliminally shading in one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinioIn one masterfully conceived shot, Leigh evocatively situates us within the milieu of a Turner canvas, while almost subliminally shading in one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinioin one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinion.

The supercut pulls some great shots from «Raising Arizona,» «Fargo,» «No Country For Old Men,» «True Grit,» and just about every other film in their oeuvre, which over the decades has continued becoming one of the most complete, diverse, and well rounded bodies of work in cinematic history.

This detailed and high quality unit includes: * 15 lesson plans (with 13 differentiation strategies) * 93 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (21 sheets) Unit's lessons include: * Introduction to the AQA GCSE Media Studies course requirements * Introduction to the four key concepts * Activity focused on pupils» own consumption of media texts * Detailed research into the history of the media - creating a timeline of people, technology and institutions * Applying Maslow's Hierarchy of Needs to film media * Introduction of camera shots, angles and movement * Film terminology «speed - dating» to introuce key media language * Analysing a mise - en - scene * Analysing a film trailer: genre conventions and audience appeal * Creating genre - specific typography and writing a commentary * Analysing logos and slogans * Exploring stereotypes in the media * Music industry terminology and genre features * Analysing a CD album sleeve: genre conventions and audience appeal * The history ofvideo gaming * Video gaming genres and gratifications * Analysing a video game cover: genre conventions and audience appeal

He is currently completing A Distant Echo, a feature length film shot on 35 mm in various Californian deserts that explores themes of identity, culture and the construction of history in collaboration with musician Tom Challenger.

The films shot in three cities, Istanbul, Warsaw and London bring together ancient and contemporary history, the history of cinema, science fiction, and are open to constant interpretations by the viewer as all of his work.

Considering the rise of Evangelism and Neo-Pentecostalism in Brazil, as well as their connections to the «Holy Land» and Judaic traditions and history, Bartana researched and shot an elaborate, three - part film in São Paulo during the first half of 2013.

Jonathan Jones: Scorsese's Hugo, shot in 3D, is an excited paean to film history using modern techniques.

In quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through societIn quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through societin black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through societin American history that continues to ripple through society.

This includes Corinna Belz, whose film «Gerhard Richter Painting» relies very little on interviews and stated history, and very heavily on long shots of the artist painting in his studio.