The film is spliced with familiar
shots of modernist architecture.
In the latter, Rose presented two videos that explored human perception through gauzy
shots of modernist architecture (Philip Johnson's Glass House), apocalyptic hail storms, and history - laden landscapes.
Not exact matches
The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to «Columbus,» the debut feature film
of director Kogonada, which was set and
shot in the southern Indiana city noted for its
Modernist architecture.
So he does exactly that, using countless features taking place (or
shot) in Los Angeles to show the development
of the city, as well as how decisions on and off the screen impact each other (one
of my favourite parts: when Andersen explains how the city's
modernist architecture was devalued by having the movies always associate the look with antagonists).