Sentences with phrase «show about cinema»

«This is not a show about cinema,» Iles writes in the show's catalogue.
As curator Chrissie Iles states in her catalogue essay, «This is not a show about cinema,» nor is it a show about immersion per se.

Not exact matches

One day I came upon a cinema showing a movie about the life of the prophet Isa (Jesus).
«Believe» is a fictional story about Sir Matt Busby which has been shown in a few cinemas up and down the country over the past week and is now availab...
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They've struggled to get funding or get it shown in cinemas and on television: who would want to see a film about stillbirth, after all?
We will keep you updated with breaking news about this film — and let you know how you can help arrange to have it shown at your local cinema.
While not containing any nudity, Bonnie and Clyde jumps out of the gates by showing audiences that a new era was about to kick off in American cinema.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
This Week: Kevin begins the show with a Fat Guys Sound - Off about overzealous political causes that devour their allies and how it relates to 80s cinema.
The less said about black sheep spin - off The Bourne Legacy the better, because Bourne's back: Matt Damon here reunites with Supremacy / Ultimatum director Paul Greengrass to show action cinema's Johnny - come - latelies how it's done.
The vast majority of people don't get sent awards screeners, they don't live near an art house cinema showing the films that all critics rave about.
Spanning a century of film art and taken from various countries around the world, these posters show the evolution of movie promotion over the years, but more pertinently they also reveal a great deal about how blackness has been portrayed, exploited and indeed commoditised, throughout the history of cinema.
«The diversity of our three finalists for this extraordinary new prize show there's nothing predictable about Canadian cinema,» said TFCA President Brian D. Johnson, film critic for Maclean's.
The new format for the show allows for deep discussions about the fascinating world of cinema and we love those moments and want to embrace them!
When Idiocracy was first released in late 2006, Fox barely played it in theaters (there was a controversy about them being afraid of putting it out because it was so dumb)- I had to drive an hour outside of Los Angeles just to find the one cinema showing it.
Regardless of its bandying about of political ideas and secretive agencies, the movie isn't easily mistaken for intelligent cinema and it would be about as out of place at an awards show was as Fuqua's ridiculously - decorated Training Day.
Telluride shows off some 25 films in four days — not counting all the retrospective cinema — and so there's lots more to get excited about including the world premiere of «Amazing Grace,» a Sydney Pollack film about Aretha Franklin, finally completed years after the director's death, Laurie Anderson «s «Heart Of A Dog,», Berlin winner «Taxi» from Jafar Panahi and Un Certain Regard victor «Rams.»
I find myself every year in the peculiar position as a film academic spending all my time talking about and screening film, and then struggling to physically get to see stuff that's actually showing at cinemas and festivals.
If Andrew Haigh, the director of Weekend, the earnest, prosaic, and mostly unsurprising British drama that won an Emerging Visions Audience Award at South by Southwest last night, is considered a fresh new voice in cinema, then what about Matt D'Elia, who shows more breathtaking audacity in his debut feature, American Animal, than Haigh shows in his Richard Linklater - ish romantic talkfest?
About Photo # 3346744: Timothy Olyphant and Joelle Carter hit the red carpet together while attending the series finale party for their hit show Justified held at ArcLight Cinemas Cinerama... Read More Here
Everyone opened the letters and they are thinking about Kirby Anime back on the air with a ReBoot and a theatrical film by Toho Co. Ltd, Paper Mario, Mario Party 10 and Kirby game like Kirby's Return to Dreamland on Wii U, an R rated traditional film by Walt Disney Animation Studios, Tom & Jerry, 3 shows by Klasky Csupo Rugrats, Wild Thornberrys and All Grown Up being moved to Disneytoon Studios with a Reboot while Tom & Jerry has a reboot for Cartoon Network in 2013, Rareware joining forces with Retro Studios, The Grim Adventures of Billy & Mandy: Halloween Bash 2 in Finals Wars in cinemas, Mewtwo, Solid Snake, Sonic the Hedgehog, Shadow the Hedgehog, Metal Sonic, Ty the Tasmanian Tiger, Rayman, Banjo and Kazooie, Conker, The Powerpuff Girls Blossom, Bubbles & Buttercup for Super Smash Bros. 4 for Wii U and Nintendo 3DS.
Many contemporary artists are getting to show great interests in the cinema historically or technically, and many works referring to the films in the past have been produced in order to express their ways of understanding about the work or a perspective about the world as a whole.
Raymond Pettibon's films Sir Drone and The Whole World is Watching: Weatherman»69 about the paradoxes of American punk will be screened at Garage Auditorium throughout the exhibition, while the open - air cinema on Garage Square will show a Russian premiere of Turn It Around: The Story of East Bay Punk by Corbett Redford, exploring the 30 - year evolution of punk rock in California.
In this show, works by 26 international contemporary artists, spanning two decades, fell into one of two categories: works of film and cinema, and works «about» film and cinema.
Julian Schnabel has shown himself a far more accomplished film - maker than he is a painter, while artists Douglas Gordon and Phillipe Parreno had a surprise 2005 cinema hit with Zidane, their film about the French footballer.
Victorians can also send in a photo showing what you love about your neighbour or neighbourhood to win a $ 100 cinema gift card.
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