Not exact matches
If we connect with people
about what we have in common — sports teams, TV
shows, interests — it is easier to have
dialogue about what we disagree on.
I should add, however, that while American Jews typically worry a lot
about the Christian majority, in my experience most Jews
show slight interest in the Jewish - Christian
dialogue.
Before going on to speak of the convergence that exists on this point between the present General Secretary of the World Council of Churches and the Encyclical Ut unum sint, I must first take the further step of
showing that the suggestion
about dialogue and reception as phases of a conciliar process has not come out of the blue.
All these
show that ours is a historical context conducive, not only to inter-religious but also to religion - ideology
dialogues on building a common body of insights
about being and becoming human - a
dialogue in which Christianity can make a contribution from its idea of reconciliation of humanity and the creation of a Secular Koinonia across religions, cultures and ideologies.
«There's a lot of misinformation
about Israel, and we want to
show we're open to
dialogue and reconciliation,» he said.
The film can't
show it all, but it really did begin to
show a range of experiences and to start a
dialogue about it.
In it, he not only displays his understanding that the Internet, when used well, is
about dialogue but also
shows his stoicism at the route one style of conversation that takes place in the blogosphere
The
show dates for 2012 were announced as: BMF Show, Peterborough, 18 - 20 May BMF Bikefest Kelso, 6 - 8 July BMF Tailend, Peterborough, 14 - 16 September Amy Nicholson from Archant Dialogue then spoke about Marketing and Communications, specifically about the growth and development of Motorcycle Rider magaz
show dates for 2012 were announced as: BMF
Show, Peterborough, 18 - 20 May BMF Bikefest Kelso, 6 - 8 July BMF Tailend, Peterborough, 14 - 16 September Amy Nicholson from Archant Dialogue then spoke about Marketing and Communications, specifically about the growth and development of Motorcycle Rider magaz
Show, Peterborough, 18 - 20 May BMF Bikefest Kelso, 6 - 8 July BMF Tailend, Peterborough, 14 - 16 September Amy Nicholson from Archant
Dialogue then spoke
about Marketing and Communications, specifically
about the growth and development of Motorcycle Rider magazine.
The
Dialogue on Science, Ethics, and Religion program facilitates communication between scientific and religious communities through partnerships with religious organizations to help incorporate science into educational programs and encourage scientific outreach to address public concerns
about scientific advances and
show how they address world problems.
Patients should be skeptical
about the guidelines, and have a meaningful
dialogue with their doctors
about statins, including what the evidence does and does not
show, before deciding what is best for them.»
The narrative is clearly more important than the game's mechanics, and that
shows at times, but the combination of mechanics,
dialogue choice and acting help to push the message
about how devastating depression can be for an individual suffering from it.
It hews to the most obvious tropes of case - of - the - week
shows about oddball visionaries partnered with law - and - order sharpshooters, and in the first hour at least, doesn't pay its audience much respect when it comes to the plausibility of
dialogue, character motivations, or the security procedures at a mental institution for former future - convicts.
This
show also has a sense of humor and
dialogue that wouldn't be out of place in a Joss Whedon
show about a certain Vampire Slayer.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual
dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows
about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to
show how much better Dead Mans Shoes is.
Because it's all
about deafness, it doesn't rely on spoken
dialogue, so it asks the film medium to step up and
show what it can do.»
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy»
about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center
dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky,
shown in the Youth Screen section,
about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
At the same time, everything that the movie
shows us
about Wakanda (as opposed to telling us through
dialogue) pulls the audience in the other direction, making us wish these people might be able to hold onto what they have in pristine privacy.
The movie gets off to a somewhat sluggish start, at a party scene that's overstuffed with arch
dialogue and almost as many pop - culture allusions as a Seth MacFarlane
show, but the underlying humanism in Baumbach's worldview ultimately wins out, and we actually come to care
about this quippy group of chums and their endlessly referential, often very amusing conversations.
The group makes it over the wall, but not before two of the series» prominent characters of color — played by Mekhi Phifer and Maggie Q, who are each given virtually no
dialogue as a parting gift — are gunned down, likely to make room for the new influx of white actors we're
about to meet (Daniel Dae Kim
shows up for a second too, another minority bit - part designed to create a false sense of diversity).
You commit to a year - long run, or a two - year run of a Broadway
show, and you want to be digging ditches at the end of it, because it's the same
show, same
dialogue, same everything — and after
about six months you run out of ideas.
I think there was something generic
about the writing for each specific Muppet, which led to some characters like Janice, The Swedish Chef, and Mr. Teeth left with only a couple of lines of
dialogue not fully
showing their unique personalities.
Cold Steel has just
about everything you'd want from a turn - based RPG: a fun, twisty story, strategy - heavy combat, great environments, well - written
dialogue, and characters who start off feeling stereotypical but
show all sorts of other dimensions as the game goes on.
By
showing veteran teachers how a new website, educational app, or other technology can enhance an existing lesson, coaches can start a professional
dialogue about innovation in a nonthreatening way.
Where does a data team begin their
dialogue about what the numbers
show?
What
about those of us who use some dialect and ungrammatical
dialogue to
show the characters» lack of education or geographic origins?
on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried
Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know
About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule:
Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing
When I think of «
show, don't tell,» I think
about the important stuff that I'm telling the reader in my novels and wonder if that information would be more effectively gleaned from an action, rather than from an internal
dialogue.
I grew up watching it, and throughout the years I've appreciated it more and more, from being a little lad with a crush on Willow and loving the fact that it was
about a badass chick killing monsters to beginning to understand how the
show subverted genre norms, or the clever
dialogue or the constant subtle things that were left unsaid.
When asked how much footage the team has captured using MotionScan in a recent interview with IGN, Team Bondi head honcho Brendan McNamara gave an anything but modest response: «We captured over 50 hours worth of
dialogue in total, all using MotionScan — it's equivalent to
about two full seasons of a TV
show.»
An all - new campaign spanning six epic scenarios, including new
dialogue and story,
shows what marine life is all
about in the waters of Tropico.
I remain cautiously optimistic
about the game, but regardless if the producer of the
show thinks they aren't talking down to the audience it doesn't make the
dialogue / banter any less cringe worthy.
Unfortunately we can't say much
about the Xenoblade Chronicles X, because all they
showed was a cinematic trailer that mostly featured mechs and character
dialogue.
As the gallery notes of the current
show, «MOLESTIA is
about a series of artworks with a minimalistic approach and a strong
dialogue with the exhibiting space.
The
show does not include Judd or his former school friend and studio mate, Frank Stella, but it ould well have, for it is all
about friendships and
dialogues.
«One of the interesting things
about this
show is the opportunity it has to bring back together works that were meant to be in
dialogue with each other,» Rothkopf said.
These first three interviews point out the unpredictability of a free and open
dialogue with an interviewee: Walkowitz commented on the principal organizers of the Armory
show; Sheeler remembered the collectors who purchased works from the show; and Hopper's interviewer did not ask any questions about the Armory S
show; Sheeler remembered the collectors who purchased works from the
show; and Hopper's interviewer did not ask any questions about the Armory S
show; and Hopper's interviewer did not ask any questions
about the Armory
ShowShow.
Works by Leo Hurzlmeir, Richard Schur & Brent Hallard (l to r) March 12 — May 2, 2009 Exhibiting artists: Kasarian Dane, Stephan Fritsch, Brent Hallard, Leo Hurzlmeir, Robin McDonnell, Mel Prest, Richard Schur, Nancy White, John Zurier Pharmaka is pleased to present «TRANS: formal» the Los Angeles manifestation in a series of traveling
shows by nine artists from Germany, Japan and the United States who are all engaged in a
dialogue about Abstraction -LSB-...]
This
show creates a
dialogue about the limitations we encounter when we attempt to control our environment, and alternately how our environment often determines our actions.
Most of all, so does a
show all
about the
dialogue between art and architecture, centering on visionary designs by Hariri & Hariri.
As part of Aleksandra Domanovic and Simon Denny «s respective exhibitions, Personal Effects of Kim Dotcom and From yu to me
showing at the gallery until June 1, these artists» work presents a starting point for a
dialogue about ownership in the internet age.
The four artists who are included in an exhibition at the Po Kim / Sylvia Wald Foundation on Lafayette Street maintain a perpetual
dialogue about painting and frequently
show their work together in various parts of Germany.
Blake Gopnik wrote something
about that a little while ago, how if we don't have brick - and - mortar galleries to give us these
shows then we don't have a true
dialogue where we're collectively deciding what is and what's not important to preserve.
In response to these issues, the Art Center developed The Center Program to offer working artists a unique combination of access to materials and space to develop a rigorous studio practice, inclusion in critical
dialogue about their work, guidance from professionals in the field, and a platform to
show that work to a broad and diverse audience.
Part of the Barbican's 2018 season The Art of Change, which reflects on the
dialogue between art, society and politics, the
show directly — and at times poetically — addresses difficult questions
about what it means to exist in the margins, the role artists have played in portraying subcultures and the complex intermingling between artistic and mainstream depictions of the outsider.
Babak Radboy's «Circle Time,» a faux kids»
show that engages toddlers in a
dialogue about the ills of capitalism, left a bad taste in my mouth, as did Chantal Mouffe's «General Intellects with McKenzie Wark,» in which an economic theorist, beheaded via special - effects technology, lectures on liberalism and democracy in an empty meeting room.
Blue Sky, the Oregon Center for the Photographic Arts, is a nonprofit exhibition space and community research center dedicated to educating the public
about photography through exhibitions, public programs, and publications, and
dialogue; and to further the careers and artistic development of the artists
shown.
Spagnoli says that the
show came
about as part of a larger push for a
dialogue with contemporary artists, encouraging them to contemplate a range of processes when deciding how they will depict their ideas of the world.
Rail: From what I remember from Jeremy Gilbert Rolfe's favorable review of the Clocktower
show in Artforum, in which he talked
about the glitter being identified as color with planar adherence of the surface of a painting, I'm wondering whether artists including Joyce Kozloff, Miriam Schapiro, whom you already had contact with at CalArts, along with Betty Goodman, and Robert Kushner, had any
dialogue with you or responded to that aspect of your work before creating their own Pattern and Decoration movement?
If you think
about the WACK
show at P.S. 1 last spring, it was extraordinary in that there was such a rich variety of work and
dialogue coming out of that period by women artists from all over the world.
Together, the
shows «combine to make a rich
dialogue about the past, present, and future of sculpture,» she said.