Most famously he gave Andy Warhol his first
show as a fine artist — Campbell's Soup Cans at $ 100 apiece — at Ferus, his Los Angeles gallery, but he also gave early shows to Jasper Johns, Rauschenberg, Lichtenstein, you name it.
Not exact matches
Spectrum is more than just an art
show — it's an immersive
fine art experience where guests attend exciting events, live performances, and educational seminars,
as well
as enjoy signature programs such
as Spotlight
Artists, LaunchPad, Art Labs, and Art Talks.
As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one
fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a
show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the
artist who was killed by New York police officers the year it was made.
The Northern Virginia
Fine Arts Festival was named
as one of «The 100 Best
Fine Art & Design
Shows» by Sunshine
Artist Magazine.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of
Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981
Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation,
Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group
Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979
Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of
Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer
Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective
Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978
Artists Books: USA, New Gallery, Cleveland, OH 1977
Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting
Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group
Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty
Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty
Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty
Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black
as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty
Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York
Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty
Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni
Show, Hofstra University, Hempstead, NY 1970 Young
Artists: New York 1970, Greenwich, CT
And given UCLA's rank
as the No. 2 graduate
fine art program in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago, conceptual
artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman
show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the photography program at UCLA in the 1960s and was the subject of a retrospective at the Hammer Museum in 2014).
Addison / Ripley
Fine Art ---- Washington
artist Isabel Manalo is a painter who has taught at American University's art department for ten years,
as well
as shown locally, nationally and internationally throughout her career.
Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.» Exhibition, the First Annual: the emergence of the New York School — Documentation of
artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Galle
artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street
Show continued
as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of
artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Galle
artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of
artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Galle
artists» participation in the New York
Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Galle
Artists» Annuals, 1951 - 1957 —
Fine arts photographers and the New York School — Statements, artwork and biographies from the
artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Galle
artists of the «9th St.»
Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.
The
show included
artists such
as Lita Albuquerque, Nancy Youdelman, and alumna Gloria Kisch -LRB-»69
Fine Arts).
Los Angeles,
fine artist Anja Salonen returns to figurative painting with psychological portraits of herself and her friends posing with chains, wigs, sunglasses; all elements the
artist explains
as connected to the formation of the personalities of those
shown.
But,
as Fairey told us in a recent interview, this incongruity is the focus of the
show, introducing audiences to works by
artists that exist on the fringes of the «
fine art» world.
Recently selected by Sunshine
Artist Magazine
as one of the Top 100
Fine Art and Design
Shows in the USA, this year's MPAartfest promises to be better than ever, featuring the work of nearly...
The venerable Colorado museum's
show last summer, «Women of Abstract Expressionism,» featured 51 paintings by 12 women
artists who have not gotten recognition
as a group before — from Elaine de Koonig, the wife of Willem, whose work she championed; to Helen Frankenthaler, married to Robert Motherwell; to Lee Krasner, overshadowed by her art - star husband, Jackson Pollock;
as well
as many of their peers, from familiar to obscure: Joan Mitchell, Mary Abbott, Perle
Fine, Jay DeFeo, Ethel Schwabacher, Judith Godwin, Grace Hartigan, Deborah Remington and Sonia Gechtoff.
A fascinating new
show at New York gallery Hirschl & Adler Modern reveals a decade's worth of works on paper from Pop master Andy Warhol's earliest years
as a
fine artist — proving his skill
as a draughtsman
as well
as his eye for graphic design.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American
Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2,
Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25,
Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum
as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side
Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an
artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
Beautifully illustrated with Tsuji's selections from the peerless Japanese art collection at the Museum of
Fine Arts, Boston,
as well
as some of the
artist's best - known works of painting and sculpture, the combination of old and new in this groundbreaking volume enriches our understanding of each, and ultimately
shows us how contemporary art can be seen
as part of a continuum or lineage.
By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each
show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known
as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the
artist just wants to get to the heart of the matter and sloughs off all the
fine finish he had needed to impress his audience in earlier years.
Contemporary art maven, Lowell Pettit, gave us a most entertaining whirlwind tour of some
fine top - tier galleries
showing hot established
as well
as emerging
artists, and regaled us with his clip - speed storytelling of the art world's most colorful people and places.
The faculty of the Fort Worth School of
Fine Arts organized an exhibition program and brought to Fort Worth the first
show of such School of Paris
artists as Pablo Picasso, Henri Matisse, Georges Braque, and André Derain.
Highlights of the evening included a welcome speech by Houston - based photographer and Gala Emcee Emily Peacock, the awards ceremony with introductions by Valerie Cassel Oliver, Curator of Modern and Contemporary art The Virginia Museum of
Fine Arts and Andrea Grover, Executive Director of Guild Hall, NY and founder of Aurora Picture
Show, a champagne toast by the Honorable Vanessa Gilmore, United States District Judge, and deeply moving and personal acceptance speeches by the night's honorees Trenton Doyle Hancock and Lynn Goode,
as well
as the Texas
Artist and Patron of the Year awards, which were created by Patrick Turk, and Terrell James / John Caloway.
«Liasons» is Nancy Cohen's first solo
show at Kathryn markel
Fine Arts, documenting an evolution of a body of work utilizing found glasses melted and re-formed,
as well
as glass made entirely by the
artist.
Programming at this year's fair included a public performance by acclaimed ink
artist Wang Dongling in association with his Chambers
Fine Art presentation at The Art
Show,
as well
as a keynote about the afterlives of damaged art, delivered by AXA President and CEO Christiane Fischer.
As a child, he showed promise as an artist and in 1907, after moving to St. Petersburg, he studied at the Imperial School of Fine Arts, and privately under Russian artist Léon Bakst at -LSB-..
As a child, he
showed promise
as an artist and in 1907, after moving to St. Petersburg, he studied at the Imperial School of Fine Arts, and privately under Russian artist Léon Bakst at -LSB-..
as an
artist and in 1907, after moving to St. Petersburg, he studied at the Imperial School of
Fine Arts, and privately under Russian
artist Léon Bakst at -LSB-...]
Parallel to the solo
show, the Academy of
Fine Arts and Design (AFAD) in Bratislava is hosting me
as a visiting
artist from November 26 to December 1
as part of OPEN STUDIOS, supported by the KEGA - Cultural and Educational Grant Agency of the Ministry of Education of the Slovak Republic.
More recently, street art has increasingly gained recognition and acclaim
as fine art, with
artists such
as Banksy and Shepard Fairey exhibiting in solo
shows at museums and galleries worldwide - and commanding increasingly high prices.
Titled Picha / Pictures — Between Nairobi & Berlin, the first
show will
show works by children living in Kibera, East Africa's biggest slum, created for the organization One
Fine Day
as part of the collaboration with
artists Zuzanna Czebatul, Zhivago Duncan, Andreas Golder, Amélie Grözinger, Markus Keibel, Caroline Kryzecki, Erik Schmidt, Pola Sieverding, and Ulrich Wulff.
In San Francisco, be sure to catch the soon to close exhibition of legendary Bay Area -
artist Roy De Forest at Brian Gross
Fine Art,
as well
as the just opened
show of new paintings by Martin McMurray at Gallery 16.
Support for travel to Vietnam to collaborate with
artists at Ho Chi Minh
Fine Arts Institute to create ceramic sculptures that integrate busts of famous dictators with those of Buddhas and Bodhisattvas,
as well
as organizing group
shows and open studios with
artist Dinh Q Le.
Although less than 25 percent of the lots are by women
artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (
shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted
as the first of her fabric paintings to be offered at auction (
shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing
as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of
Fine Arts in Boston.
Thursday @ Steven Wolf
Fine Arts: Revisiting the birth of punk rock in the»70s, this
show takes a look at the colliding worlds
as musicians made art and
artists made music.
Tagged
as: abstract art, abstract expressionism, art, art installation, art news, Bluestone
Fine Art Gallery, DoNArTNeWs, Essence, Landscape, mixed media art, Old City, Old City Arts District, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art
shows, Philadelphia
artists, Su Knoll Horty
Rothenstein acquired such contemporary works
as R.B. Kitaj's Isaac Babel Riding with Budyonny from the
artist's first major
show at Marlborough
Fine Art in 1963.
Released in tandem with Chambliss Giobbi's solo
show Arcadia, artnet asks the
artist to reveal how his former career
as a musical composer has influenced his current one
as a
fine artist.
The experienced hand made a particularly strong
showing this year, with overviews and / or current work by such veteran
artists as Ursula von Rydingsvard (Galerie Lelong); Hans Haacke (Paula Cooper Gallery); John Walker (Alexandre Gallery); David Lynch (Pennsylvania Academy of the
Fine Arts); Jenny Holzer (Cheim & Read); Sophie Calle (Chapel of the Episcopal Church of the Heavenly Rest); Anna Maria Maiolino (Hauser & Wirth); Judith Bernstein (Gavin Brown's Enterprise); and Susan Rothenberg (Craig F. Starr Gallery).
Howardena Pindell's work has been featured in many landmark museum exhibitions, such
as: Contemporary Black
Artists in America (1971, Whitney Museum of American Art), Rooms (1976, P.S. 1 Contemporary Art Center), Another Generation (1979, The Studio Museum in Harlem), Afro - American Abstraction (1980, P.S. 1 Contemporary Art Center), The Decade
Show: Frameworks of Identity in the 1980s (1990, New Museum of Contemporary Art), and Bearing Witness: Contemporary Works by African - American Women
Artists (1996, Spelman College Museum of
Fine Art, Atlanta).
Noland had a series of exhibitions at the André Emmerich Gallery and at Ameringer & Yohe (now Ameringer McEnery Yohe), New York, in the late»90s and in the past decade,
as well
as shows at Leslie Feely
Fine Art, New York, which began representing the
artist in 2007.
Her work has been
shown in such venues
as Robert Miller Gallery, PPOW, DC Moore,
Artists Space, The Pennsylvania Academy of
Fine Art, The New Museum, ICA Boston, MCA Chicago, ICA Philadelphia, The Sculpture Center, The American Academy for Arts and Letters, The Aldrich Museum, The Jewish Museum, Moore College of Art,
Fine Arts Center, U. Mass., The Queens Museum of Art, Tufts University Art Gallery, The Fleming Museum of Art, Artpark, Creative Time, and The Fabric Workshop.
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault,
Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne
as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person
Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of
Fine Arts, Boston 2008 The Puppet
Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
Eleanor Jewett, the Chicago Tribune's conservative critic, described Adams
as the «enfant terrible» of the group.i Adams also
showed her work in the annual exhibitions of the Pennsylvania Academy of the
Fine Arts in Philadelphia and the Whitney Museum in New York, in the annual Carnegie International exhibitions in Pittsburgh, and with the Society of Independent
Artists, the Salons of America, and the Arts Club of Chicago, among other venues.
As a
fine artist, Van Stein has involved himself in over 160 exhibitions of his paintings; both in one - man
shows and group exhibitions.
, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring
show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London
show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group
Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London
Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of
Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei
Fine Arts Museum, Taipei, CN Markers a Banner Project of
Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International
Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit
show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London
show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself
As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK
As part of Coastal Peoples
Fine Arts Gallery's tenth anniversary celebration, internationally renowned Coast Salish
artist Susan Point will be exhibiting four new works in the gallery» sTranscendence group
show.
You can usually catch Fields at the Torpedo Factory in studio 336, but we caught up with her
as she was heading out the door to attend a series of outdoor art
shows — a ritual of autumn for many working
artists in the Northeast, and a
fine day out for art lovers, too.
As part of Coastal Peoples
Fine Arts Gallery's tenth anniversary celebration, internationally renowned Coast Salish
artist Susan Point will be exhibiting four new works in the gallery's «Transcendence» group
show.
Trained
as a
fine artist, his deliberately crude graphic style gives his work an immediate and accessible appeal, while simultaneously offering insightful commentary on the absurdities of human relationships.This exhibition, his first major survey
show in London, will cover the full range of Shrigley's diverse practice.
Trevor acknowledges the grand scale of the exhibition and hopes for it to contribute to Fairhurst's legacy
as a
fine artist who cut through much of the hype of the late 20th century scene: «It really is a massive
show.
The
show chronicles an almost 50 - year investigation into the role of language and meaning in art,
as well
as Kosuth's use of neon, which he first developed
as a medium in the 1960s, a practice that is said to precede Bruce Nauman, Mario Merz and Keith Sonnier, when the
artist considered the medium a form of «public writing», without
fine art associations.
Founded by Rudiger Weng, a German contemporary
fine art collector and dealer, Weng Contemporary stages a
show of original prints to launches a new website www.wengcontemporary.com selling limited editions by internationally - renowned
artists such
as Gary Hume RA (below) and Alex Katz.
The fashion pair
showed up at Dasha Zhukova's table in the big tent set up on Grand Avenue for the MoCA gala, where B - list starlets paraded the red carpet in what Barbara Kruger memorably observed
as «the anthropology of procession,» outfitted by the event's sponsor, Chanel
Fine Jewelry, while Deitch led another exclusive tour of the
show inside the museum with Francesco Vezzoli (last year's gala
artist) in tow
as well
as Gwen Stefani and Gavin Rossdale, Anthony Kiedis, producer Brian Grazer, W editor Stefano Tonchi, and Deitch's date, actress Paz de la Huerta.
The
artist and KM
Fine Arts have joined with the Rush Philanthropic Arts Foundation and Russell Simmons to redirect a portion of the proceeds from the
show toward providing exposure to the arts for urban communities where such opportunities may be scarce,
as well
as support for exhibitions by under - represented
artists.