Sentences with phrase «show brush marks»

Painting metallics on top of this white primer does show brush marks, so I just avoided ugly ones as much as possible.
The paint is really thick and made to show brush marks unless it's thinned.
I had already done a piece and it is very muddy & streaked (shows brush marks) I hope using the clear wax over dark will help.
It shows every brush mark.
I had already done a piece and it is very muddy & streaked (shows brush marks) I hope using the clear wax over dark will help.

Not exact matches

The Guadalupe image is made from everyday paint, the kind typically used by artists in the 1500's, and even shows brush strokes and perhaps pencil marks.
I also recently send chalk paint and distress I use a wax by Watco that I brush on found it to show a chalky mark on colors items.
With each layer I add I always become attached to brush marks or different sections so end up leaving parts of the under painting showing through.
The Upper East Side / Palm Beach / Bridgehampton - based Mark Borghi Fine Art (booth B17) is showing Joan Mitchell's signature bold - brush paintings and Eric Fischl's stain - like figurative watercolors.
If you want to follow an oils lesson in acrylics, stick to the more expressive images where you want some textural brush marks to show through.
At a distance, they vibrate vertiginously; on approach, evident brush marks show a steady, human hand.
Vigorous blue brush marks add a threatening, thunderous tone to an image which at first glance appears completely abstract, in which the ostensible focus of interest, Bamburgh Castle in Northumberland, is shown simply as a blank area of paper, as though the great mass of medieval stone had been reduced to a dazzling blur of reflected light.
Chamberlain's paintings in this show are composed of a series of random brush strokes, marks and drips.
Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.
The paintings in this show are composed of a series of random brush strokes, marks and drips.
The exhibition shows a subtle yet definite readjustment in Jason Martin's approach to his work, highlighted by the reduction of his usual vibrant colour to inflections of grey and black, ensuring our attention is honed into and focused solely on the brush mark.
This show marks the first occasion where both her paintings and body prints — her recent method of working with natural oils and pigments, using her whole body as a brush — will be shown together.
Lee Ufan makes his own minimal gesture on an opposite surface, his multi-layered brush - stroke serving as a mark of time and place, while a new suite of paintings by Stanley Whitney completes this more lyrical, meditative and philosophical section of the show.
Some brush marks showing in the finish can be part of the look.
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