Painting metallics on top of this white primer does
show brush marks, so I just avoided ugly ones as much as possible.
The paint is really thick and made to
show brush marks unless it's thinned.
I had already done a piece and it is very muddy & streaked (
shows brush marks) I hope using the clear wax over dark will help.
It shows every brush mark.
I had already done a piece and it is very muddy & streaked (
shows brush marks) I hope using the clear wax over dark will help.
Not exact matches
The Guadalupe image is made from everyday paint, the kind typically used by artists in the 1500's, and even
shows brush strokes and perhaps pencil
marks.
I also recently send chalk paint and distress I use a wax by Watco that I
brush on found it to
show a chalky
mark on colors items.
With each layer I add I always become attached to
brush marks or different sections so end up leaving parts of the under painting
showing through.
The Upper East Side / Palm Beach / Bridgehampton - based
Mark Borghi Fine Art (booth B17) is
showing Joan Mitchell's signature bold -
brush paintings and Eric Fischl's stain - like figurative watercolors.
If you want to follow an oils lesson in acrylics, stick to the more expressive images where you want some textural
brush marks to
show through.
At a distance, they vibrate vertiginously; on approach, evident
brush marks show a steady, human hand.
Vigorous blue
brush marks add a threatening, thunderous tone to an image which at first glance appears completely abstract, in which the ostensible focus of interest, Bamburgh Castle in Northumberland, is
shown simply as a blank area of paper, as though the great mass of medieval stone had been reduced to a dazzling blur of reflected light.
Chamberlain's paintings in this
show are composed of a series of random
brush strokes,
marks and drips.
Reed: Often in new paintings I'm using horizontal
brush marks made with the painting on the wall
showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.
The paintings in this
show are composed of a series of random
brush strokes,
marks and drips.
The exhibition
shows a subtle yet definite readjustment in Jason Martin's approach to his work, highlighted by the reduction of his usual vibrant colour to inflections of grey and black, ensuring our attention is honed into and focused solely on the
brush mark.
This
show marks the first occasion where both her paintings and body prints — her recent method of working with natural oils and pigments, using her whole body as a
brush — will be
shown together.
Lee Ufan makes his own minimal gesture on an opposite surface, his multi-layered
brush - stroke serving as a
mark of time and place, while a new suite of paintings by Stanley Whitney completes this more lyrical, meditative and philosophical section of the
show.
Some
brush marks showing in the finish can be part of the look.