Sentences with phrase «show by the international artist»

As part of its «FEATURED» artist series for the Platforms Project in Athens, the Museum of Museum of Contemporary Cuts presents a solo show by the international artist and activist, Willem Jan Smit.

Not exact matches

A mummified specimen of the duckbill Edmontosaurus regalis, discovered by an international team in the west - central region of Canada's Alberta province, proudly preserves just such a structure (shown above in artist's reconstruction).

Recent projects encompass commissions, artist residencies, and educational programs, and include the acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art installations by Andy Goldsworthy currently on view in the Presidio.

The Tides Lobby and Gallery feature revolving art show that feature original artworks by prominent local, national, and international artists, as well as designer décor such as imported carpets and furniture, Sforza and Utopia lighting, and a stunning floating fireplace flanked by two four - foot water walls.

The exhibition which opens during Bushwick Open Studios weekend features a work by 19 international artists who have each selected an artist from Brooklyn to participate in the show.

The Gallery's emphasis is on presenting new work by British and international artists, often by those who have rarely or never had a solo show in a London institution.

The show at Karma International will include new works by both artists.

Over the past decade the exhibitions programme has featured solo shows by established international figures such as Ellen Gallagher, Thomas Hirschhorn, Gabriel Kuri, Rashid Johnson, Rivane Neuenschwander, Roman Ondak, Amie Siegel and Lawrence Weiner, as well as those by younger and mid-career artists such as Michael Dean, Thea Djordjadze and Oscar Murillo.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

Our dynamic annual program of solo shows, curated exhibitions and artist projects is complemented by our focus on off - site exhibitions and regular participation in international art fairs and public projects.

Group shows bring together works by established and lesser - known British and international artists, whilst an ongoing residency programme provides opportunities for artists to develop new work and exhibit at the SLG.

Frame allows visitors and collectors to see work by artists who have not previously benefitted from an international platform to show their work.

Works by fourteen international artists from the Daimler Art Collection (including Robin Rhode from South Africa) are shown in a dialogue with sixteen South African artists.

DHC / ART Foundation is delighted to present a thematic group show titled Chronicles of a Disappearance, bringing together major works by five acclaimed international artists: Philippe Parreno, Taryn Simon, Teresa Margolles, Omer Fast and José Toirac.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Edited by antique dealer Frank Maresca of Ricco / Maresca Gallery in New York, «Black Dolls» (Radius Books) was published to coincide with the Mingei International Museum show and includes essays by Margo Jefferson, Lyle Rexer, and artist Faith Ringgold.

Collaborations include an exhibition with the Picker Art Gallery, Colgate University, followed by collaborations with the Reading Public Museum, Demuth Museum, Stetson University and New Art Centre in UK, among others have extended the ability to show artists of international scope.

One is a solo exhibition by Lesley Dill, a New York artist, and the other is an international group show of works on paper.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

In July 1970 Studio International organised within a special section of 48 pages of the journal, and under the aegis of Charles Harrison, a most original showing of the work of 37 artists divided into six varying groups, by six critics, including Harrison and Lucy Lippard.

At the Prada Foundation, celebrated curator Germano Celant (best known for ushering Arte Povera to international renown) has organized a fascinating show together with artist Thomas Demand and architect Rem Koolhaas that lovers of art history can't miss: an artwork - by - artwork restaging of curator Harald Szeemann's legendary 1969 show «When Attitudes Become Form» at the Bern Kunsthalle, which redefined the possibilities of what curating can and should be.

Artists Featured in International Exhibitions Frieze London will be an opportunity to encounter work by some of the world's most significant artists, showing in major biennials and museumArtists Featured in International Exhibitions Frieze London will be an opportunity to encounter work by some of the world's most significant artists, showing in major biennials and museumartists, showing in major biennials and museum shows.

This show comes 20 years after pivotal exhibitions such as Memorias Intimas Marcas — initiated by Fernando Alvim, in collaboration with Gavin Younge and Carlos Garaicoa, which looked at the residue of trauma caused by the Angolan Civil War — and the 2nd and last Johannesburg Biennale, curated by Okwui Enwezor, which unusually for the international art world at the time included many artists from the Global South.

Contributed by Kelly Inouye Haines Gallery is currently running «Poetics of Construction», a group show featuring a renown group of international artists: Ai Weiwei, Pierre Cordier, Monir Farmanfarmaian, Buckminster Fuller, Andy Goldsworthy, Patsy Krebs,...

The Lisson Gallery has announce the launch of Lisson Gallery Milan, its first international space in its 44 year history.The gallery will launch in September 2011 with a group show curated by Lisson artist Ryan Gander.

But it will still be fluid, adapting to the ideas of artists it shows — both Mexican and international — by moving around the city.

Showcasing the work of 21 artists, including nine new productions commissioned and selected in close collaboration with independent curator Julie Boukobza, the show has been produced by Balkan Projects — a new initiative led by LA - based Serbian actress Marija Karan, which aims to bring the Balkan art scene to an international stage.

Fountain Street Gallery opens its international juried show, SPACE INVADERS, featuring work by forty - two artists who utilize an array of media including paint, fibers, graphite, video, and photography, as they explore the world around them.

Group shows bring together works by established and lesser - known British and international artists, whilst an ongoing residency programme provides opportunities for artists to develop a new body of work and exhibit at the SLG.

The Swedish artist space is bringing a handful of international artists together for the group show, curated by Anna Sagström and Matilda Tjäder of Sternberg Press.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

American art is often largely defined by artists from the Northeast, and this exhibition shows how American artists working elsewhere - and especially the international port city of New Orleans - significantly broadened the range and scope of what we today think of as American art.

In a selection of paintings with an architectural focus, we aim to show that these Precisionist characteristics used by artists of the 1930s - 1940s were modified only slightly by new narratives contributed by national and international social events.»

Us is a show of new work by younger and more established local and international artists around the theme of group identity, whether nation, culture, class, gender, sexuality or race.

TYPECAST group show March 4 - 26, 2016 Reception Friday, March 4, 6 - 9 pm Hillyer Art Space International Arts & Artists 9 Hillyer Court, NW Washington, DC 20008 USA Hours: Mon 12 - 5 pm; Tue - Fri 12 - 6 pm; Sat 12 - 5 pm and by appointment Phone: [phone] hillyerartspace.org

To get some insight into the thinking behind this body of work, and the way the artist — a winner of the Frieze Foundation's Cartier Award and a participant in the 2006 Whitney Biennial — approaches his work, Artspace editor - in - chief Andrew M. Goldstein spoke to him via telephone as he was setting up a new show, a mini survey part of the Glasgow International Arts Festival, curated by Sarah McCory.

The result of a collaboration with an international group of artists, it will include a cooking show by Will Benedict, a nature show by Korakrit Arunanondchai, a video by Mckenzie Wark, a visual essay by Aria Dean, a talk show by Hannah Black, a docu - short on «seasteading» in Tahiti by Daniel Keller, a report on «reparation hardware» by Ilana Harris Babou, a cartoon by Amalia Ulman, a docu - short on «economic utopias» by Christopher Kulendran Thomas, a Nollywood fictional drama exploring the influence of technology and digital culture in South Africa by the artist collective CUSS Group, and a contribution by the Women's History Museum.

The NCMA's newest exhibition space, this gallery is dedicated to showing video and multimedia work by local, national, and international artists creating in this exciting, ever - changing medium.

Once again, the fair will build on its history of special presentations, with international galleries devising ambitious shows by their most significant artists.

«RAID Projects, Los Angeles Artist Residency Main International Call for Art Show Juried by Gary Hill, Center on Contemporary Art, Seattle»

Screening: «Ed Atkins» at the BAM Rose Cinemas Presented as part of BAM's «Migrating Forms» program, a series that shows videos and films from the international art world, this screening offers a selection of high - definition videos by British artist Ed Atkins, whose work has been celebrated in solo shows at Tate Britain and MoMA PS1.

«Solo Show [Down]» July 7 — 27, 2017 Opening Reception Friday, July 7, 2017, 6:00 — 9:00 p.m. Fort Worth Community Arts Center 1300 Gendy Street, Fort Worth, TX 76107 The Fort Worth Community Arts Center is pleased to announce the opening of Solo Show [Down], an open - themed, all media exhibition of international artists juried by Kimbell Art Museum Curator for Asian and non-Western Art Jennifer Casler Price.

ADAA's Art Show Committee selected 72 proposals from member galleries that represent the breadth and depth of the Association's art and scholarly expertise, providing audiences with a diverse range of works from the pre-Columbian period through today, by artists of a variety of genres, practices, and national and international origin.

The Contemporary Austin teen council showed You [th] Pace members around the galleries at the Jones Center featuring an exhibition by former Artpace International Artist - in - Residence Do Ho Suh.

The show brings together works by South African and international artists to discover the ways in which visual culture is harvested, consumed and given new form.

Works selected by Artists» Film International partners will be shown in the Zilkha Auditorium throughout 2014.

The International Postcard Show will feature hundreds of original creations in an array of different media by established and aspiring artists from all over the world.

A strong emphasis on making the MCA a museum that engages artists with audiences led to a program of significant solo shows by Australian and international artists as well as thematic and group exhibitions.

At that time, the notion of a black artist being collected by the Metropolitan Museum (Delta Group, 1975) or showing at an international blue - chip gallery (Hauser & Wirth) was largely unthinkable.

The gallery host exhibitions that last around two months with an interim installation period of several months, during which SCAI The Bathhouse travels around the world and shows artworks by Japanese artists at international art fairs.