There was not one gallery that would
show figurative art.
Not exact matches
1987 Black & White: Visual Sonatas, Aion Fine
Art, Dallas, TX Recent
Figurative Prints, Associated American Artists, New York, NY Succinctly Stated, Falkirk Cultural Center, San Rafael, CA Monotypes II, Allan Frumkin Gallery, New York, NY Avant Garde In The 80's, Los Angeles County Museum of
Art, Los Angeles, CA Made in New York, NY, Gianfranco Zani Gallery, Turino, Italy Group
Show, Michael Kohn Gallery, Los Angeles, CA On Paper, Curt Marcus Gallery, New York, NY Group
Show, Sette Gallery, Scottsdale, AZ
, curated by Anne Umland, Museum of Modern
Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern
Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine
Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture
Show, Friedrich Petzel Gallery, New York Uncertain States of America: American
Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning
Art Museum, Herning / Copenhagen; The Centre for Contemporary
Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary
Art from the Collection of Burt Aaron, Museum of Contemporary
Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern
Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for
Art and Media Karlsruhe, Germany Very Abstract and Hyper
Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'
Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String
Show, curated by Josh Smith, Greene Naftali Gallery, New York
Five years ago, he curated a
show at Colby of such young
art stars as Elizabeth Peyton, Peter Doig and Merlin James, who work in the same
figurative territory staked out by Katz.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston
Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural
Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston
Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried
Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried
Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago
Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of
Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago
Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude»
Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of
Art, NY, NY 2007 — «Four Handed Lift: Advocacy,
Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago
Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of
Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2006 — «AAF»,
shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of
Art, New York, NY 2006 — «LA
Art Fair»,
shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty:
Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude»
Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National
Arts Club 26th Annual Student
Show», National
Arts Club, New York, NY
How to make sense of a
show of painterly,
figurative art in 2016 is part of the fun when taking in On Painting.
2001 10th Annual
Figurative Small Works
Show, Armory
Art Center, West Palm Beach, FL 14th Annual McNeese National Works on Paper, McNeese State University, Lake Charles, LA
Sly and obliquely, but also unmistakably, another Hockney
show currently available in London, this time at Annely Juda Fine
Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a
figurative painting made when directly confronting the subject, with no technology to modify -LSB-...]
The winner of the American Academy of
Arts and Letters's award for best young
figurative painter a few years back, she was recently curated into a
show by the artist Alex Katz and now has growing market buzz.
For there was obviously no way that this would be a
show of anything remotely resembling the
figurative art of the past; it all has to be new and instantly striking, with its own unique selling point — whatever can be summarised in the smallest number of words.
The programme you've announced for this year has an emphasis on the twentieth century; a
show covering a century of British
figurative painters centred on Francis Bacon and Lucien Freud; a
show on the
art after the First World War, followed by a
show of the Victorian pre-Raphaelite painter Edward Burne - Jones...
If it's meant to just be a
show of 100 years of
figurative art, that feels too broad.
Also, previously, the major retrospectives at the Whitney had showcased only recent developments in abstraction; in the case of the New Image
show,
figurative art made its way into the exhibition.
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been
shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at
Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been
shown at Documenta, the Salzburger Kunstverein and the Walker
Art Center and Nazım Ünal Yılmaz whose large - scale
figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
It focuses on the radical change of direction in the artist's career between 1930 — 1969, 50 key paintings and sculptural reliefs
show how Pasmore reinvented himself as one of Britain's foremost exponents of British abstract
art, having previously been known as one of its leading
figurative artists.
Moving from
art - school grad to accomplished young artist - his shows include Kavi Gupta gallery, Chicago's Museum of Contemporary Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialis
art - school grad to accomplished young artist - his
shows include Kavi Gupta gallery, Chicago's Museum of Contemporary
Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialis
Art, a recent attention grabbing appearance at
Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialis
Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and
figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialism).
Sly and obliquely, but also unmistakably, another Hockney
show currently available in London, this time at Annely Juda Fine
Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a
figurative painting made when directly confronting the subject, with no technology to modify or mediate the artist's immediate perception of what he is looking at.
The cozy NEWD
Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space
showing gently noirish
figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.
Sotheby's started the evening's other 38 lots with the 2012 painting «Drown,» by the young Nigerian - born
figurative painter Njideka Akunyili Crosby, who earlier this year was the subject of a one - woman
show at the Norton Museum of
Art in West Palm Beach, Fla..
Even so, he's moved away from the
figurative photographic work that brought him
art world renown in the wake of the Studio Museum in Harlem's pivotal 2001 group
show «Freestyle.»
We can now see in this
show that these artists were not simply traditionalist or reactionary but were creating a
figurative art that was also modern.
Referring to the song «Imagine», composed by John Lennon the lead singer of the Beatles, the
show aims to explore and present the new
figurative trend in contemporary
art.
Perhaps because of the incandescence of the YBAs in the 1990s, British
art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary
art, but — as Ikon's new
show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which
figurative painting made a comeback, the variety of abstract styles increased, installation
art grew in ambition and cut - and - paste appropriation prevailed.
2014 American Academy of
Arts and Letters: 2014 Invitational Exhibition of Visual
Arts, NYC 2011 Carrie Haddad Gallery Hudson, NY 20th Anniversary Exhibit 2010 Brik Gallery Catskill, NY Painting, Drawing, Sculpture Crowell's Fine At Gallery Bedford, MA Recent Work 2008 Sideshow Brooklyn, NY 2007 Verdigris
Art Hudson, NY
Figurative 2006 Sideshow Brooklyn, NY War is Over 2004 The Painting Center NYC Recent Works on Paper 2003 Morris Arlos Fine
Arts Gallery, NYC 2002 Morris Arlos Fine
Arts Gallery, NYC 2001 Morris Arlos Fine
Arts Gallery, NYC AFA Gallery, Scranton PA Five Figure Painters Hudosn Opera House Hudson, NY Recent Works 1999 New York tudio School NYC 100 Drawings 1998 The Painting Center NYC Paulson / Eisenbeis Recent Paintings 1997 The Painting Center NYC Figure Painting and the Reasonable Lie Rising Tide Gallery Provincetown, MA Invitational 1996 Warren Street Gallery Hudson, NY Solo
Show 1995 County College of Susssx Newton, NJ Solo
Show 1994 Ute Stebich Gallery Lenox, MA 1993 The Bill Race Gallery NYC Three Emerging Artists Education:
Delacroix's dramatic, Romantic approach to painting paved the way for modern
art, asserts a
show at the National Gallery in February, while in Bath the Holburne Museum marks its centenary year with a display of
figurative work by 19th - century radicals, the Impressionists.
His large abstracts of the Sixties — one of which, the succinctly titled 17.7.69, hangs in the Academy's current
show «British
Art in the Twentieth Century» as a reproof to academic shortsightedness — were massive walls of colour, mutely resistant to the
figurative imagination.
In addition to appearing in the special exhibitions listed above, Sleep for Yvonne Rainer was
shown in SFMOMA's galleries in 2016 as part of Pop, Minimal, and
Figurative Art: The Fisher Collection, a rotating presentation of the Doris and Donald Fisher Collection at SFMOMA.
In America,
figurative art was considered kitsch and unworthy of serious
shows, and, in Europe, realism was still associated with fascism.
Anyone can see that the early Russian paintings in this
show are a breathtaking escape from the old conventions of
figurative painting, or that geometric
art in the hands of great Latin American pioneers such as Oiticica and Lygia Pape is an escape from the ancien regime of the west, that their ecstatic floating forms are a vision of freedom.
The Upper East Side / Palm Beach / Bridgehampton - based Mark Borghi Fine
Art (booth B17) is
showing Joan Mitchell's signature bold - brush paintings and Eric Fischl's stain - like
figurative watercolors.
1982 Zabriskie Gallery, New York, Flat and
Figurative: 20th Century Wall Sculpture The Aldrich Museum of Contemporary
Art, Ridgefield, CT, Homo Sapiens: The Many Images (catalogue) Mead
Art Museum, Amherst College, Amherst, MA, When They Were Very Young Semaphore Gallery, New York, Another Look at Landscape Butler Institute of America, Youngstown, OH, 46th National Annual Midyear
Show
Performative, Poetic, Powerful Examining the various aesthetic and conceptual turns that typify César's practice, the
show at Luxembourg & Dayan will present historically significant examples from his Compression, Human Imprint, and Expansion series, as well as such early
figurative works as the Venus - like welded iron sculpture Torso (1954), on loan from the permanent collection of The Museum of Modern
Art.
And it does seem to be part of a new spark of interest in the expressionist and the painterly that is emerging in the
art world of late, with several recent
shows spotlighting painting of a decidedly
figurative and subjective bent.
Research has
shown that people are more comfortable with
figurative art than with abstract initially — of course that can change over time — when I learned that and looked at the collection, it was almost all abstract painting, and I thought we might be alienating, there need to be more entry points,» says Roberts.
It's a diverse lot that includes the Alturas Foundation, which funded «Makin» Hay,» the public
art installation of monumental sculpture by Tim Otterness at Hardberger Park; the Harmon and Harriet Kelley Foundation for the
Arts, known for one of the best collections of African American
art in the country; and Claudia Huntington and Marshall Miller, who loaned SAMA large scale
figurative sculpture for the
show, including the piece by Chia and Polish artist Igor Mitoraj's «Sonno Screpolato (Cracked Sleep),» a bronze of a fragmented face.
Historical Society, Richmond, VA 2000 «The Human Presence» Zeuxis - Courtyard Gallery, Washington, DC 1999 «The Human Presence» Zeuxis - Peninsula Fine
Art Center, Norfolk, VA 1999 «Darkness & Light» Contemporary Landscape Painting,
Art Museum of Western Virginia 1988, 1992, 1994, 1995, 1999 «City
Art Show»
Art Museum of Western Virginia, Roanoke, VA 1999 «MATES» Longwood College, Farmville, VA 1990, 1994, 1996, 1998, 2000, 2010 «Olin Gallery Biennial» Roanoke College, Salem, VA 1998 «Five Views — One Figure» Olin Gallery, Roanoke College, Salem, VA 1997 Ferrum College - Inaugural
Show, E. Taylor Greer Gallery, Ferrum, VA 1996 «
Figurative Art» Richmond
Arts Council Richmond VA 1996 «Jack Beal & Hollins
Art Faculty»
Art Museum of Western Virginia, Roanoke, VA 1995 Cudahy's Gallery, Richmond, VA 1995, 1997, 1999, 2000 Virginia Artists — State Capitol, Richmond VA 1995 Contemporary Virginia Realists, 2nd St Gallery, Charlottesville VA 1992 Drawing: The Figure — Selected Artist from Virginia, Roanoke College, Salem, VA 1983, 1984, 1987, 1988, 1989, 1991 Virginia Watercolor Society 1990 Contemporary
Art Group and Symposium — Roanoke College, Salem, VA 1989 Drawing in Virginia — 2nd Street Gallery, Charlottesville, VA
Using Bacon and Freud as anchors, the
show will examine the portrayal of the human experience in
art and provide an expansive picture of
figurative painting in the 20th century, particularly in Britain.
Here, that means
figurative work from canonical legends such as the late, great Louise Bourgeois will be
shown alongside emerging artists and living
art stars including Marlene Dumas.
Opening: Emma Amos at Ryan Lee Ryan Lee in this
show surveys the
art of Emma Amos, an artist and educator known for her vivid
figurative works that explore issues of African American identity and narrative, often through the lens of both
art history and popular culture.
Still, the
show does promise to help assert the continued relevance of
figurative painting in today's anything - goes, hodgepodge
art world.
The
show will examine his understanding of form and light in the composition of formal portraits, still lifes and
figurative works that celebrate the sensual quality of nature and the human body.The works relate strongly to the museum's permanent collection of fine
art that includes portraits from the eighteenth and nineteenth centuries, Dutch old master still lifes and studies of the nude and human figure, a staple of western
art dating back to the classical forms of Greek sculpture.
At the Whitney Biennial that year, the ceramics of Sterling Ruby and Shio Kusaka were featured prominently; the de Purys curated a
show of leading ceramic artists at Venus Over Manhattan; and at major fairs like Frieze and
Art Basel, galleries punctuated their presentations with pots by Dan McCarthy and Takuro Kuwata, and the
figurative sculptures of Rachel Kneebone and Klara Kristalova.
The
show brings to light the popularity of abstract painting among artists at a time when
figurative and representational
art have become so prevalent.
When I was young, if a
show was described as
figurative or representational in
Art News or the New Yorker, I went to see it.
2012 Excellence in
Show, Kittitas County Juried
Show, Gallery One, Ellensburg, WA Runner Up for Most Creative work, ARC International Salon,
Art Renewal Center Finalist in
Figurative Category, ARC International Salon,
Art Renewal Center, www.artrenewal.org 2011 The Yakima Valley Society of Artist Award, 44th Annual Juried Exhibition, Allied
Arts Council of Washington State, Yakima Valley 2010 Director's Choice Award & Excellence in Painting, 55th Annual Central Washington Artist Exhibition, Larson Gallery, Yakima, WA 2008 Best in
Show, Moses Lake
Art Museum Juried Exhibition, Moses Lake WA 2006 Award of Excellence, Allied
Arts Juried Exhibition, Yakima, WA 2005 Minnesota
Art Exhibition Program Grant / Jerome Foundation, Minneapolis, MN
Art Mob and Purchase, Weisman
Art Museum Artist Collective, St. Paul, MN 2004 MN State
Arts Board Grant, St. Paul, MN Publicity Winner.
The two galleries have
shown side - by - side at multitudes of
art fairs, including Scope Miami and the LA Art Show, and share a similar taste in figurative, illustrative wo
art fairs, including Scope Miami and the LA
Art Show, and share a similar taste in figurative, illustrative wo
Art Show, and share a similar taste in
figurative, illustrative work.
Timed for the new milleneum, this group
show embraced a wide view of ends and endings — philosophical,
figurative, apocolyptical, mortal, grammatical — to survey ideas and practices in contemporary
art.
Fall Exhibitions at the Richmond
Art Center Three new exhibitions featuring works by Bay Area
figurative artist Joan Brown, an environmentally themed group
show, and a celebration of Richmond's acclaimed Pogo Park will open to the public on September 12, 2017.
The great London - based painter will not only open a major retrospective at the Metropolitan Museum of
Art this month, but also a
show of landscape and
figurative paintings at Paul Kasmin Gallery.
Another engaging
show traced the stylistic turning points in the early career of Donald Baechler (Cheim & Read), while elsewhere, strikingly assured younger painters (Jason Karolak's boldly colored abstractions at McKenzie Fine
Art; William Buchina's complexly arrayed
figurative works at Garis & Hahn; Alison Hall's historically aware Minimalism at Stephen Harvey) were making their presence felt.