Sentences with phrase «show giant works»

As a result, the walkable, boozy art Disneyland is now more like L.A. itself, stretching nineteen and a half miles down to the Fairchild Tropical Botanic Garden, where Larry Gagosian will show giant works by Yayoi Kusama.

Not exact matches

These two Googlers wanted to show the world what it's like working for the technology giant, so they took advantage of Google's 20 percent time policy (ergo the name), which allows employees to work on side projects up to one day a week.
Game company Looney Labs is winning customers against giants like Hasbro Games with the help of the Mad Lab Rabbits -500-plus fans who volunteer to work their tails off at trade shows, conventions and local appearances.
I am BEYOND pumped to be working with California Giant Berry Farms to show you the best ways to use your berries as we hop into berry season!
When they arrived, and the available working girls from inside showed, the party kicked up a giant notch.
Hilligoss spent much of his early career in the music industry and show business in Nashville where he sang on the Grand Ole Opry, toured with headline artists like Alan Jackson and Louise Mandrell, and worked as a producer / director for entertainment attractions giant Opryland U.S.A.
We came second in the group, lets wait and see the draw before we all start going ape s ** t. I'm thinking we should all hope to get Barcelona and any other giant club which claws it's way back on top, hoping against it has hardly ever worked, so bring on Barca and we'll show them a thing or two about the new and improved A-Team.
The north London giants have since gone on a seven - match unbeaten streak which has included six wins and a draw, and Cech feels that they have regained the trust of the Gunners» faithful, he said: «We said after the Liverpool game that the only way to bring everybody back on board was to work hard and show our attitude and work ethic through our results and performances.
During an appearance Friday evening on former governor David Paterson's WOR radio show, Governor Andrew Cuomo said talks with gambling giant Genting to build a casino and convention center at the Aqueduct Racetrack in Ozone Park «haven't really worked out,» and that he's shopping around for another developer.
The invite the salps over for dinner idea has yet to be shown doable (100 million plus giant drain pipes in the Gulf of Mexico that somehow utilize wave action to upwell nutrients) and would come close to a billion tons a year if it worked.
Flipping a giant industrial tire may seem like a daunting task, but when you apply the strength you have worked to build with the proper technique, like I show you here, you can EXCEED your own expectations.
It is like a giant pop - up store, where many designers can show their work in hotel rooms.
Later levels rarely show plant life, and are mostly dark desolate rooms filled with giant mechanics, such as pile drivers, hammers, gears, pipes, and robotic hands that are used for various means of work.
The tech giant has given a two - season order to an untitled drama about the lives of people working on morning television as well as a show from Steven Spielberg
Along with John Williams» powerful score which shows relentless execution as he re-imagines some of his other works to allow access for our empathy, these two technical giants are well on Oscar's radar.
«Survivor» was directed by James McTeigue, a filmmaker who can make stylish and enormously effective works when he is given strong material (as he showed with «V for Vendetta») and giant loads of gibberish when he isn't (as he proved with the beyond - dire «The Raven»).
When he's not sharing the screen with giant robots and talking teddy bears Mark Wahlberg has been working hard behind the scenes as an active producer of such HBO shows like Boardwalk Empire, In Treatment and Entourage.
(from Axiom Verge Review) • Examiner.com — «Breathtaking... This work of love is one of 2015's best yet» (from PS4 Review: Axiom Verge) • The Huffington Post — Indie Hit «Axiom Verge» Shows How One Person Can Take On Video Game Giants • TheVerge.com — Axiom Verge Feels Like a Brand New Metroid on PS4: An Indie Developer Picks up Where Nintendo Left Off • More than 24 independent review scores of 9/10 or higher
- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
The other Metanet project in the works, Robotology (which I brought up a few weeks ago), also received a new teaser image showing the Department of Robotology's coat of arms — it looks like a group of mechs that attach to form a Voltron-esque robot and fight giant space monsters.
Opening: Sam Moyer, «More Weight» at Rachel Uffner Gallery For her third solo show at the gallery, Sam Moyer will present a monumental installation involving a giant slab of marble and mixed media wall works incorporating dyed fabric on wood, media that comprised her previous show last April.
In response to these works, and others that were not realised in her lifetime, Peter Liversidge (b. 1973), who was a friend of Finn - Kelcey, will create a giant flag for the gallery's entrance with the word «HELLO» stitched in black on a white background, ushering visitors into the show.
From a giant inflatable Felix the Cat to the breakthrough video work that put him on the map, Fiorucci Made Me Hardcore (1999), there is a dark humor and at times, a sinister feeling as you meander through this show.
In the piece, the kitchen is empty; in the nursery, a monster fills the cradle and a giant black spider climbs over an open egg shape; and in the studio, the artist's husband, naked except for his cowboy boots, models for an abstract painting that's a miniature of «Silver Windows» (1967), a grid - based work from the hard - edge period (that's also included in the show).
The main works in this show harboured a nasty surprise; inside large, glass spheres, which were suspended from wires attached to the ceiling, the forms hung in a line forming a giant glass Newton's Cradle.
2013 Circus Days, Higher Pictures, New York City 2012 Street Cops, The John Jay College President's Gallery, New York City 2011 Street Cops, Higher Pictures, New York City 2008 Resurrection City, Higher Pictures, New York City 2008 Homme et Bete, Parc de Villette, Paris 2007 A.M. Richard Fine Art, Brooklyn, New York 2006 Ireland, DeRicci Gallery, Edgewood College, Madison, Wisconsin 2006 Jill Freedman Photographs, Wild Wood Gallery, Beacon, New York 2006 New York New York City, Photographic Gallery, New York City 2006 Ireland Ever, M.J. Ellenbogen Photography, White Plains, New York 2002 Selected Work, Hardcastle Gallery, New York 2001 Giant Garden, Show Walls, Durst Organization, New York 2000 Selected Work, Gallery 49, New York 1999 New York City: A Look Back, Main Library, Miami, Florida 1999 Alla Vita!
At the door, I picked up a giant, free fake - newspaper filled with both some of the works from the show and a lot of supplemental materials.
Two gallery giants, Marianne Boesky Gallery and Dominique Levy Gallery will have a joint presentation of painting, drawing and sculpture by Frank Stella, while the early works of Marilyn Minter will be shown by Salon 94.
Canadian photographer Stan Douglas is showing just two new works at Victoria Miro, but they're huge: giant aerial shots that scream London — red buses, sprawling LCC estates, sooty treetops and 130 - quid - fines - for - entering box junctions — the city we all know and inhabit, day in, day out.
Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.
The show encompasses work from his famous Passstücke (or «Adaptives», from the 1970s — bizarre shapes and objects made from plaster and metal which invite the audience to pick them up and interact), through his beguiling Das Geraune («Murmuring», 1988), a collection of three giant papier - mâché forms with holes for mouths, to the enormous outdoor sculptures in aluminium and epoxy resin he conceived from 1996.
In contrast, another large work in the show, The Execution of Abstraction is of a giant super server, the kind that mega corporations and institutions (e.g. Google / NSA) employ.
Yesterday Richard Serra, one of the true giants of modern art, unveiled new works for his first show in London in 16 years made up of vast pieces of free - standing, weatherproof steel.
Across town, in a fascinating group show at White Cube in Hoxton, featuring work inspired by Edgar Allen Poe, Kiefer has created two signature pieces: a giant vitrine in which a grey, ash - encrusted landscape is overlain with branches; and an installation in the bowels of Shoreditch town hall featuring his sculptures of what look like hospital beds rescued from a nuclear disaster.
Hughes also was featured in the group show One Giant Leap: Work from the Saatchi Gallery in London in early 2012 and is scheduled for a solo exhibition this coming September at the American Contemporary gallery in New York, NY.
This unusual, dramatically lit, dark - walled show comes from inviting Laurent Grasso (well - known in France as winner of the Turner - equivalent Marcel Duchamp prize in 2008) to combine his own work with choices from the gallery's secondary market collection: Ernst, Picabia, Picasso, Magritte, Brauner... Grasso immerses us in gazes echoing the myth of Argos Panoptes, a giant covered with a myriad of eyes.
The works often have titles which are indicative and descriptive — Lock, for example, or Mammoth or Fold, the title of a 12 - tonne, 4m high ceramic sculpture which has been installed in the public entrance space outside the show and looks from the distance like a giant folding screen.
Giant Buttocks among Works Vying for Turner Prize in Tate Exhibition The Herald; September 27, 2016; Miller, Phil; 447 words... the artworks at this year's Turner Prize exhibition.The winner of the... 25,000 award is on show at Tate Britain, in an exhibition which... dramatic shifts in scale,» a Tate statement said.Ms Hamilton... by artist Josephine Pryde.Tate, in a statement, said...
Monday's gala kicks off a week of events to let the elite feast their eyes on the sweeping vistas of the water and the giant exhibition spaces, which contain «America is Hard to See,» a show of works from the permanent collection that's said to be breathtaking.
She also showed the work of Betty Parsons, who blossomed as an artist after championing the giants of Abstract Expressionism as a legendary New York dealer.
Accompanying the show are works by Congolese painter JP Mika and Ghanaian sculptor and fantasy coffin maker Paa Joe, including the latter's giant version of Sidibé's Rolleiflex camera.
GROUP EXHIBITIONS 2016 Icons, Plataforma 91, São Paulo, Brazil 2016 Shift, Stretch, Expand: Everyday Transformations, Museum of Contemporary Art, Santa Barbara, California 2015 POP, Halcyon Gallery, London 2015 The British Are Coming, Long - Sharp Gallery, Indianapolis, Indiana 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 Heroes and Villains, Halcyon Gallery, London 2014 Lost Angels, Mead Carney Fine Art, London 2014 POP - FICTION, 212 Gallery, London 2014 Giant, Collectors Contemporary, Singapore 2014 The Shock of the New, Mead Carney Fine Art, Porto Montenegro 2014 Marilyn, Tagliatella Gallery, Paris 2014 Kunst, Vertes Modern, Zurich 2014 Grafix 14, Vertes Modern, Zurich 2013 Rethinking the American Dream, Long - Sharp Gallery, Indianapolis, Indiana 2013 Works on Paper, The Cat Street Gallery, Hong Kong 2013 David Bowie, Art Gallery of Ontario, Toronto 2013 Icons and Irony, Long - Sharp Gallery, Indianapolis, Indiana 2013 Rock, Tagliatella Gallery, Paris 2013 The Art of Elysium, Los Angeles, California 2012 The Rolling Stones: 50 Years of Rocking the Art World: a Celebration of The Rolling Stones, The Broome Street Gallery and Symbolic London, New York 2012 The Image is One Thing, Collectors Contemporary, Singapore 2012 Summer Exhibition, Scream Gallery, London 2012 Marilyn: 50 Years, Guy Hepner, Los Angeles 2012 Marilyn, Tagliatella Gallery, Paris 2011 POP and Contemporary American Art, Tagliatella Gallery, Paris 2011 New York, Tagliatella Gallery, Paris 2011 Arts for a Better World, Tagliatella Gallery, Miami 2011 It's A Wonderful Life, Collectors Contemporary, Singapore 2011 Pop Pop, Collectors Contemporary, Singapore 2011 Scream Now, Scream Gallery, London 2011 Hueless, Mallick Williams Gallery, New York 2011 Works on Paper, Whisper Fine Art, London 2011 Heaven Gala, Art of Elysium, Los Angeles, California 2011 Printer Proofs, Bertrand Delacroix Gallerym New York 2010 Diamonds Are Forever, Scream Gallery, London 2010 The Art of Giving, The Saatchi Gallery London 2009 Christmas Show, Scream Gallery, London 2009 Urban Legends, Collectors Contemporary, Singapore 2009 Pop, Liberty, The Sims Reed Gallery at Liberty of London 2009 Works on Paper, Sims Reed Gallery, New York 2008 Ink, Sims Reed Gallery, Miami 2008 ICONS, 108 Fine Art, Harrogate, Yorkshire 2007 Pop!
Recently, Bruce Conner has been given the hagiographical treatment — monographs, a full retrospective, and slots in innumerable group shows — all with the intention of giving the institutional stamp of approval to a body of work that is a giant middle - finger to approval and institutions.
It is showing 13 of the best artists and artist groups from India in a veritable cornucopia of Indian installation art, sculptures and giant paintings, and many of the works have been produced specifically for ARKEN — one of the biggest contemporary art museums in Denmark.
The London - based contemporary art fund, ARTiculate, founded in 2007 by a trio of women — marketing consultant Lyuba Galkina, curator Nana Zhvitiashvili and ex-dealer Lada Komarova — recently secured sponsorship from the German arm of the Russian natural gas giant Gazprom for a show of works by the conceptual artists Igor Makarevich and Elena Elagina held in London and Berlin.
Opening: «Mike Perry: Intoxicating Pollen Wiggling in a Moist Journey of Constantly Blooming Tides» at Garis & Hahn An artist, illustrator and designer, Mike Perry is best known for his opening animation and promos for the hip Comedy Central show Broad City, graphic work for such corporate giants as Apple and Nike and his jazzy mural installation at the Facebook headquarters.
In her recent show, You Are A Spacious Fluid Sac, in Los Angeles's Ghebaly Gallery, Lin's most prominent work was a giant fiberglass and papier mâché sculpture of an insect's head, into whose mouth visitors could crawl and drink tea among pink fluffy rugs.
Curated by Jeremy Deller, English conceptual, video and installation artist, the show draws together iconic and rarely seen works by two giants of the 19th and 20th centuries.
Some of her best - known works include photographs of uniformed art handlers carefully transporting a Gerhard Richter painting, Maurizio Cattelan's giant Picasso head in plastic wrapping, and a Damien Hirst spin - painting shown through a closet door.
Gagosian is showing one of Koons» kitschiest works to date in the form of a giant turquoise metallic easter egg with magenta ribbon.
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