These galleries curated their booths as they would a solo
show in a small gallery, another example of how the exhibitors were given more room for their individual visions.
Not exact matches
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Small Victories Sunday
A
small collection of supplemental extras feature a clutch of Web links, a photo
gallery, desktop images and four bonus video cuts (including a cover of Fleetwood Mac's «Albatross») from a 2004 Kraków
show, but the best inclusion is a 22 - minute interview
in which the brothers Cavanaugh discuss various parts of their musical inspiration (Live Aid ’85 was a kickstarter) and influences, which include usual suspects like Led Zeppelin, U2, Pink Floyd and Black Sabbath but also, interestingly enough, Dire Straits.
Like Christopher Guest's «Best
in Show,» this is a story about middle - class Americans passionately seeking to outdo each other, with a
gallery of brilliant improv actors making
small fights into a cutthroat competition.
As it
shows in this photo
gallery there was the odd set wave when they eventually came through but
in between it was pretty
small.
As it
shows in today's photo
gallery we headed back over to the East Coast hoping we might find a
small wave or two.
The series was
shown again this spring
in a slightly
smaller version of the Venice
show at the South London
Gallery, mounted by Jonathan Watkins, director of Ikon and curator of the Iraq pavilion.
I remember how much it meant to me when David Smith came to my first
show at a
small downtown
gallery in 1960 and told me he loved my work.
I have sold several
smaller paintings
in group
gallery shows this year, but have been rejected from all the
galleries I've applied to this year, so no opportunity for a more important
show (yet).
Overlapping with his first solo museum exhibition
in New York, which opens at the Studio Museum
in Harlem on July 16 (see below), the
show includes five large canvases and a wall of dozens of
small - scale studies displayed
gallery style.
A second,
smaller video playing
in the side
gallery, The Girls, 1997 — 2018, a digital transfer of HI8 film,
shows children on a playground
in New York's Chinatown.
For West Wall, Dwan Main
Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.
Gallery (1967), a now classic exhibition presented
in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty
gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.
gallery, silkscreened that image onto a slightly
smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every
show in that space thereafter.»
The
show explores the spectrum of ideas between Kelly's rigorous investigation of color and shape
in «Blue Black» and Mr. Ligon's own luminous meditation on racial violence,
in a neon sculpture called «A
Small Band,» placed at the center of the Pulitzer's main
gallery.
Increasingly, as
in a
gallery show a month or so after «Sensation,» her naked women have grown cuter and
smaller — again, more like 1960s cartoons.
This
show was by Jacob Hashimoto, an artist whose constructed paper installation fills the front
gallery like a cumulus forest and whose multilayered installation of
small, kite - or parasol - like shapes hugs the walls
in the large central
galleries.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List»,
Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead
Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art
Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art
Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit
Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman
Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University
Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios
Gallery, Charleston, SC 2010 — «Remnants», Fuse
Gallery, New York, NY 2010 — «Highlights» Island Weiss
Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper
Gallery, New York, NY 2010 — «Chicago Art Fair»,
shown by Linda Warren
Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN
Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock
Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «
Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «City Lights», George Billis
Gallery, New York, NY 2008 — «Chicago Art Fair»,
shown by Linda Warren
Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson
Gallery, New York, NY 2007 — «
Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «Chicago Art Fair»,
shown by Linda Warren
Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2006 — «AAF»,
shown by DFN
Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair»,
shown by Linda Warren
Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane
Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting
in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «
Small Works», Sarah Bain
Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain
Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis
Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma
Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren
Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain
Gallery, Brea, CA 2004 — «Still Life», Sarah Bain
Gallery, Brea, CA 2004 — «27th
Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank
Gallery, New York, NY 2003 — «26th
Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student
Show», National Arts Club, New York, NY
A
small survey at George Adams
Gallery in New York last spring, Joan Brown: Major Paintings from the 50s, 60s, and 70s, gave shape to Brown's enthusiastic reception of Bischoff's example,
showing how she searched her immediate environment for things to paint.
After a long absence following his last solo
show at Paula Cooper (
in 1977), Van Buren's work finally began filtering back into public view
in New York about 10 years ago, first at
small venues such as Mitchell Algus
Gallery and Sideshow, and
in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»
Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson
Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson
Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square
Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art
In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1
In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction
in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1
in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion
in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1
in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art
Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries
in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1
in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime
Gallery 1984 Can
Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9
Small Works Carry It Off by William Zimmer, essay for
small works exhibit, Muhlenberg College, pp. 9
small works exhibit, Muhlenberg College, pp. 9 - 10.
Armory
Show:
Small paintings by Avis Newman
in acrylic and graphite at Lisson
Gallery, London.
A photograph
shows Latham perched
in small river - boat on Serpentine lake, holding a sign labelled «Lisson
Gallery» to announce his own exhibition opening.
Help us promote
small - but - great projects that don't try and change the world or demand a solo
show in a pure white
gallery or which are about the misery of war.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman
Gallery, London 2012 Times Square
Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe
Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries
in Abstract Painting, Nohra Haime
Gallery, New York, NY 1984 Fourth Annual Anniversary
Show, John Davis
Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos
Gallery, Philadeiphia, PA 1984
Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith
Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert
Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton
Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler
Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn
Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A.
Gallery, New York, NY 1982 Group Exhibition, Roy Boyd
Gallery Chicago, Merwin
Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons
Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd
Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary
Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg
Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young
Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory
Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New
Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman
Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory
Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque
Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni
Show, Allegra LaViola
Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini
Gallery, London, UK (catalogue) SUNY New Paltz Alumni
Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman
Gallery, New York, NY It's a
Small,
Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins
Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized
in Collaboration with Mike Egan, Visual Arts
Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts
Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts
Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square
Gallery, New York, NY Vuu Collective W / S 2011
Show, K&K
Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside
Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts
Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of
Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art
Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art
Gallery, New Paltz, NY Three, Smiley Art
Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
While they may be
smaller in scale and slightly off balance
in terms of their colouring, Bleu rouge (1951), Forme bleue sur fond rouge (1950) and the few other examples
shown in the secondary
gallery slip seamlessly into place as if the 15 years or so that separates them from the pack means nothing.
This is the terrain charted
in three of 2017's finest
shows: Jordan Casteel (at Casey Kaplan
Gallery), Toyin Ojih Odutola's mid-career «To Wander Determined» at the Whitney Museum of American Art, and Njideka Akunyili Crosby's «Counterparts», a
small suite of large - scale interiors at the Baltimore Museum of Art.
Yet this is just a
small selection of current and recent
shows in Berlin's commercial
galleries.
Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging
Show, April 26, 2018 East Hampton Star, 23 Successes
in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions
in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram
Gallery Offers Quiet Space for
Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art
in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists
in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks
Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration
There, there were a few memorable highlights, such as mirror paintings by Michelangelo Pistoletto from the 1970s and 80s,
shown by the Repetto
Gallery; striking portraits and still - lifes by Wayne Thiebaud,
shown by Allan Stone Projects;
small paintings by Gerhard Richter and Alexej von Jawlensky
in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones,
shown by Omer Tiroche
Gallery.
If you're
in the beginning stages of building your collection, start off supporting
smaller galleries that
show emerging artists.
Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking
in exhibitions at
small make - shift art collective
show spaces, artist studios and some more clearly identified art
galleries like the Fuchs Project and Robert Henry Contemporary.
Engaging
in their complexity and enigmatic
in their elusiveness, John Mills
shows his most recent large and
small scale graphite and oil paintings on canvas with Rosamund Felsen
Gallery.
Why, exactly, are they set together
in one relatively
small gallery — and how are we to understand the baffling title of the
show, Naked at the Edge?
Included
in the Leyden
Gallery show are mostly recent
smaller - scale (for Koorland) script paintings of songs and poems, made this past year or two with an intimate, note - to - self quality, with an occasional older piece, inserted, as Koorland says, for content and colour.
Read our interview to discover how internet blends with solitude
in his new
show, the personal way he subverts conventional displays and how he plans to open a
small gallery in London under Chewday's name.
2017 Pearled and Pasted and other new paintings, Fold
Gallery, London PIER, Linden Hall Studio, Deal, with Stephen Lewis 2014 Odelay and Wishpool, with Stephen Lewis, Kapil Jariwala, London 2012 Mali Morris: Paintings, Mostyn
Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle
Gallery, London 2010 Mali Morris: Paintings, The Cut
Gallery, Halesworth, Suffolk Mali Morris,
Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin
Gallery, London 2005 and 2007: Robert Steele
Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin
Gallery, London 2002 - 3 Angel Row
Gallery, Nottingham, touring
show 2000, 2004, and 2005
in Tokyo, Japan
The Courtauld
Gallery has established a well - deserved reputation as the home of
small, accessible
shows that make up for
in intimacy and scholarly insight what they lack
in glitz and razzmatazz.
Selections from the Venice Beach Biennial, Echo Park Film Center, Los Angeles, California Abstract - Nature: Selected Parkett Artists» Editions, 1984 - 2013, Parkett Space, Zurich, Switzerland Made
in Space, curated by Peter Harkawick and Laura Owens, Venus Over Manhattan / Gavin Brown's Enterprise, New York, New York The Cat
Show, White Columns, New York, New York Wir Drei, Guggenheim
Gallery, Chapman University, Orange, California
Small Gems, Crown Point Press, San Francisco, California Finisce e Continua uno, Gesso Artspace, Vienna, Austria
Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today
in a
small gallery on the Lower East Side,
in the guise of having just come out of the studio of some young artist, would appear completely viable and credible as contemporary works because there are so many artists today, here
in New York
showing on the LES and Bushwick as well as elsewhere
in the United States and Canada and perhaps globally, still working
in the orbit of the aesthetic consensus of post-War formalism.
The exhibition, the artist's fourth
show at the
gallery, will include approximately 100
small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches
in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.
These may comprise large - scale sculptures sited
in outdoor
galleries defined by sky and landscape, or
smaller works and supporting materials
shown in the Museum Building.
Dunham says the
show,
in the Xcel Energy
Gallery, was arranged so that larger pieces were given more space so viewers could take them
in from a greater distance, while
smaller paintings were hung
in the hall.
«Waxing Prosaic» is among the
small paintings by Randy Twaddle on view
in his solo
show «Sham - A-Ling-Dong-Ding» at Moody
Gallery through July 2.
All RAs are entitled to exhibit up to six works
in the annual Summer Exhibition, and they also have the opportunity to
show their work
in small solo exhibitions
in our other
galleries.
In her latest
show at Blue Mountain
Gallery, which opens on October 5th with a reception for the artist October 7th from 5 - 8, Margaret Grimes
shows three large canvases and a series of
small ones all depicting woods and thickets.
In 2011, he wandered out of a
show at Los Angeles» David Kordansky
gallery and into a
smaller one across the parking lot at Mihai Nicodim, a group
show that included Mr. Murillo.
2014 «The Divided Body», Predikerkerk, Leuven, Belgium «Puddle, pothole, portal», SculptureCenter, Long Island City, NY — curated by Ruba Katrib & Camille Henrot «Petals on the Wind», Galerie Micheline Szwajcer, Antwerp, Belgium «I would prefer not to», Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, The Netherlands «Lou Ford», établissement d'en face, Brussels, Belgium «Forcefield — drawing
show», A.VE.NU.DE.JET.TE — Institut de Carton vzw, Brussels, Belgium
Small Museum for the American Metaphor, REDCAT, Los Angeles, CA — curated by Kersten Geers Emoties
in de hedendaagse kunst, Gemeentemuseum Helmond, The Netherlands «The Hawker», dépendance at Carlos / Ishikawa, London, UK Progress and Hygiene, Zachęta National
Gallery of Art, Warsaw — curated by Anda Rottenberg La référence d'objet n'est pas définie à une instance d'objet, Galerie Edouard - Manet, Genevilliers — curated by Barbara Sirieix
Lelong's
smaller gallery room will feature an early inspiration for the Maypole sculpture, Kill Commies / Maypole (1967), alongside additional works on paper from The War Series, many of which have never been
shown in New York.
He returned to Paris and founded his namesake
gallery in Le Marais
in 2002, made possible by his shift toward contemporary art and the relationships he forged with artists
in small - scale group
shows.
An image of this imposing mosaic - clad figure forms a backdrop to the
smaller pieces on
show in the
gallery, and hints at the importance of nature to Saint Phalle's work.