Sentences with phrase «show in a small room»

Mending Cup, an installation that has been shown in a number of Ono's retrospectives, will reinforce the idea of healing and will be shown in the smaller rooms at both galleries.

Not exact matches

There were pictures of women, every tribe, every tongue, on every wall, and so it felt like everyone here in the world was there with us, somehow, and a gigantic canvas on the stairs said: There is no such thing as small change, and the famous red couch at Idelette's was worn out and comfortable, especially with Kelley sprawled on it, twisting her hair unconcernedly when she really got talking about the theology of adoption and Lord, yes, that woman can preach and teach in a living room beside a piano better than some preachers I've seen in thousand - dollar suits on a television show.
It's like a small scared child in a dark room claiming there is some monster out there in the darkness so you turn on the lights to show him there is no monster, but he just get's more scared claiming the monster must have hid in the closet or under the bed or anywhere you havn't yet looked, and when you do look and show them nothing is there it doesn't make them relieved, they get more upset because they now believe the monster is super fast or invisible or can teleport, because they know it's there, they can just feel it!
Whether it was making homemade chocolates and creepy crawlers to sell to my neighbors (there were only four houses on my street); running around my yard in a yellow raincoat with a small detective kit pretending to be Harriet the Spy; organizing schoolwide plays and talent shows in 4th grade; making up dances in my living room; or my best venture ever, capturing mini frogs, putting them in a caged box, and charging neighborhood kids to see «Frogland,» I was always up to something.
Put spreadable caramel into another pastry bag with a small round tip and pipe it in an even spiral, leaving room to chocolate to show up.
In fact, Barnacle Ben is showing small inclinations of distress when I leave a room without him.
«We have shown we can use room - temperature, plastic electronic devices that allow us to see the orientation of the tiniest magnets in nature — the spins in the smallest atomic nuclei,» says physics professor Christoph Boehme, one of the study's principal authors.
In one study, children were shown a room in a small dollhousIn one study, children were shown a room in a small dollhousin a small dollhouse.
I hope in some small way that our space shows you that you can decorate for the holidays even with partially finished rooms & that it doesn't have to be perfect to be beautiful.
If FlatOut 2 proves anything it's that there's room for more than one type of racer that strongly encourages wreckage at every twist and turn, and it's refreshing to see that despite EA's undeniable might smaller developers are willing to have a go at competing, often showing them a thing or two about game design in the process.
Schaffner came from TV, and while he has few of the obnoxious visual affectations of the TV - trained director, he tends to restrict the most significant actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes of Ian Holm and then Alan Webb, far from the splendor of St. Petersburg or the shambles of the Great War.
Those hoping to check out Sega's Binary Domain at this year's Tokyo Game Show, got the opportunity to play the game in small rooms with large windows overlooking the show flShow, got the opportunity to play the game in small rooms with large windows overlooking the show flshow floor.
They can show us, as Keats said of poetry, «infinite riches in a small room
So despite the hype, despite Oprah, despite this being a room full of hardcore readers and writers, the Kindle is still an uncommon enough device (due in no small part to its outrageous price, I'm sure) that it merited a show - and - tell.
Statistics show that there's a lot of unused RRSP and TFSA room in Canada, so maxing yours out is no small feat.
If that's impractical, either take the pets out during showings or keep them confined in a small room or crate.
USDA, zoning and undercover photos from The Family Puppy's dog breeding kennels show surgical rooms and instruments, electric fencing, matted fur, puppies in small cages, accumulation of grim and feces, wire floors, no shade, rusted cages, chewed surfaces, and limited space.
Everyone might be in distress if they were placed in a small room with nothing to keep them busy, so we are going to show you some tips how to provide your Yorkie with safe environment which has enough items necessary to keep the dog busy and soothed.
It is coming up s room only but in the photographs it is showing a small kitchen area, Can you please confirm that there is a fridge and basic cooking facilities in the rooms please.
The front desk had me checked in quickly and escorted me through the small property to my room, showing me all the features.
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When the hotel opened, the room was a restaurant that featured a small ice - skating show in the middle of the room.
To be sat in a small demo room hidden away from the hurly burly of the E3 show floor, playing — actually playing — The Last Guardian, seems almost unreal.
In this small temporary make - up room built solely with bamboo and iconic red - blue - white plastic bags, over 10 performers are preparing for the show
In the back room in the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris looIn the back room in the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris looin the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris looin the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris look.
Fowler's work is a 93 - minute film shown at least four times a day in a small cinema - type room.
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.
Los Angeles can often be found hosting two person shows, typically an artist in the front and a second artist taking a smaller room in the back.
2017 Pearled and Pasted and other new paintings, Fold Gallery, London PIER, Linden Hall Studio, Deal, with Stephen Lewis 2014 Odelay and Wishpool, with Stephen Lewis, Kapil Jariwala, London 2012 Mali Morris: Paintings, Mostyn Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle Gallery, London 2010 Mali Morris: Paintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in Tokyo, Japan
One should remember that these shows, and an array of small paintings in the Friends» Room at the RA, represent only the tip of the iceberg — in prints and ceramics as well as painting.
While there, and because the smaller project room is more conducive to a studio environment, I will be working on my own pieces (both performance and object based) that will function as responses and reflections of the specific works and artists included in the show.
Lelong's smaller gallery room will feature an early inspiration for the Maypole sculpture, Kill Commies / Maypole (1967), alongside additional works on paper from The War Series, many of which have never been shown in New York.
Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the DayIn Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the DShow - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the DShow - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dshow (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dshow with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dayin Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dayin Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?
Then, in our neighborhood, there's a place called the Drawing Room — a very small space that does very good shows.
In the first room of his current show at 20 Hoxton Square, visitors are greeted by a selection of small works mounted on plinths.
These galleries curated their booths as they would a solo show in a small gallery, another example of how the exhibitors were given more room for their individual visions.
His first London show also includes a room in which very much smaller paintings, made on 81 acetate slides, are projected on a scale far longer than the works on canvas in a 13.30 minute loop.
The ground floor has been intricately reconfigured with arched passageways and small room in order to show the temporary exhibition — Africa is No island — bringing together 40 young photographers whose work conveys aspects of contemporary African lives and more than challenge the dark continent stereotypes.
The arrangement of small black - and - white photographs in the front room, though, seems out of sync with the rest of the show.
The second half of the show has small paintings (and photos thereof) in the dandyish mode in vogue at the moment — Tim Eastman's swaths of linen adorned with sketchy flowers, Alissa McKendrick's pale mint and peach abstractions (hung next to a wall drawing of a small cat made with faint paint) and Cliff Borress's photographs of abstract paintings in plushly appointed rooms.
Small rooms serve as intimate spaces to highlight a few special pieces, including Paul Chan's moving (in both senses of the word) 6th Light and a typically eccentric film collage by Joseph Cornell — the first solo show by whom, Carpenter pointed out, was at the Walker in 1953.
The gallery divides the show into two rooms, mostly based on size, with her monumental graphite drawings in the larger central gallery and a handful of smaller works in the back.
A whole series of dressing rooms are on the back side of the «stage,» the most memorable being Wu Tsang's GREEN ROOM, 2012, which transforms his small booth into the back room of a gay bar in L.A., and shows a video of a drag queen performing in front of a live audieROOM, 2012, which transforms his small booth into the back room of a gay bar in L.A., and shows a video of a drag queen performing in front of a live audieroom of a gay bar in L.A., and shows a video of a drag queen performing in front of a live audience.
The rooms are large enough to comfortably accommodate the art — 31 black paintings (twice as many as have been shown together in nearly half a century), plus more than 40 prints, drawings, rarely seen small sculptures, exhibition announcements and other ephemera.
According to critic Lawrence Alloway, by 1975 this gallery was known as the «Nigger Room,» «a coinage of black artists who are accustomed to being shown in this small area at the Whitney.»
In an ironic, or fitting, twist, Tinguely, whose infamous, self - destroying sculpture «Homage to New York» (1960) hovers like an exterminating angel above the proceedings, was also the guiding spirit behind a small but stunning show in the same room in 201In an ironic, or fitting, twist, Tinguely, whose infamous, self - destroying sculpture «Homage to New York» (1960) hovers like an exterminating angel above the proceedings, was also the guiding spirit behind a small but stunning show in the same room in 201in the same room in 201in 2013.
Royal Academician and Turner Prize nominee Tracey Emin, whose own painting features in this year's show, takes us on a tour of the small works room to highlight some of her favourites.
Like the artworks themselves, the show is spare: eight large acrylic paintings in the front room and eight smaller drawings and studies in the back.
I've been seeing Wright's site - specific abstract paintings for years now - but usually in group shows, where they are easy to overlook since he often works on a relatively small scale on ceilings, cornices and high up in the corners of rooms.
In the center of this large room the museum has constructed a smaller gallery showing a 3 - monitor installation of Drawing Restraint 7 (in which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpturIn the center of this large room the museum has constructed a smaller gallery showing a 3 - monitor installation of Drawing Restraint 7 (in which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpturin which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpturin the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpture.
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