Sentences with phrase «show motion shots»

Harrowing show motion shots underline Creasy's devastation as the «swarthy» villains drag Pita screaming into their car.
Harrowing show motion shots underline Creasy's pain and Pita's utter devastation as the swarthy villains haul her away, screaming, into their car.

Not exact matches

Probably the Wii Motion plus does not shows its real potential, but this product is perfect for tennis lovers, thanks to the big variety of shots, the large number of game modes and a perfect online support.
Director Cate Shortland shows this off to good effect, but could have done without the arty shots of falling leaves, and slow - motion captures of passing countryside and kept the story told in a more straightforward way.
Imamura - san granted IGN the first interview at KCET studios in advance of next week's Tokyo Game Show unveiling, in addition to revealing world exclusive first shots of actual game in motion.
Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).
Slow motion shots show a man repeatedly hit in the chest and in the eye with bullets, while other depictions include numerous gunshots, beatings, backstabbing and holding a man's head under water.
Strange gets distracted looking at a patient's X-Rays, crashes his vehicle, careens off a cliff, and the slow - motion shots from inside the car shows the audience how Strange injures his hands.
«Visual Effects in Motion» (3:40) briefly and effectively shows us the many layers of CG effects added to a handful of challenging shots, all but one taken from the film's climax.
When the federal police show up to arrest him, Quaid kills an entire team in a few quick movements (Director Len Wiseman shows it in a fake one - take, a choice that makes infinitely more sense than the reliance on random slow motion shots and lens flares from randomly placed light sources that he shows through the rest of the movie).
Once the plot proper begins, the violence becomes more straightforward (This is either for better or for worse, depending on one's disgust / admiration for inventive visions of killing), save for a few slow - motion shots that show in very digital detail bullets ripping through flesh.
Elsewhere in the video a few choreographed slow motion shots show the car's motorsport - inspired aesthetic and finer visual details of the most powerful V8 Ferrari model in history.
As the name suggests this lovingly brutal move shows you a slow motion X-Ray shot of your opponent as you smash bones and destroy internal organs.
- E3 2014 video was running in real time and in - engine - the scene shown was made especially for the trailer - the scene with Link shooting arrows at the Guardian on his horse, jumping off, and firing off one last arrow in mid-air at the enemy in slow motion, was a gameplay element that hadn't yet been implemented - Aonuma «really wanted to put that in the game» and made this happen as development went on - the team expanded on the game's story as well, which was brought about from the E3 2014 trailer
Imamura - san granted IGN the first interview at KCET studios in advance of next week's Tokyo Game Show unveiling, in addition to revealing world exclusive first shots of actual game in motion.
Earlier this month, the developer let loose an intial motion capture - themed image, showing off a collection of mo - cap actors «fresh from a test shoot
Action cam which is unique to Hell's Highway, zooms in and shows an enemy's death in slow motion when a head shot, good grenade placement or explosion takes out an enemy.
With works — all from Walther's holdings — ranging from motion studies by pioneering 19th - century photographer Eadweard Muybridge to documentation of a 1996 performance by Chinese artist Song Dong, and from Richard Avedon's 1970s portraits of the American political establishment to anonymous mug shots, the show examined how we represent ourselves and are in turn represented.
All shot with a fixed video camera, the subjects of these early works are, in fact, very simple: one video, for example, shows the head of a large doll beaten by the windshield wiper of a car (Mia testa, mio cuore [My head, my heart], 1993), while the same doll is again shot in Soap (1993), this time in circular motion inside a washing machine.
2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
«The defendant may be able to show complicity in permitting certain acts to go unchecked or unaddressed, the lack of any attempts at addressing the defendant's aggressive behavior before the shooting, and preventing this tragedy through some form of intervention,» Arreaza wrote in a motion to disqualify the public defender's office from the Cruz case.
a b c d e f g h i j k l m n o p q r s t u v w x y z