Sentences with phrase «show on every white surface»

Not exact matches

On the surface, decreasing our reliance on imports from Saudi Arabia and the rest of OPEC might seem like a resounding win, but a closer look shows a situation that's not nearly that black and whitOn the surface, decreasing our reliance on imports from Saudi Arabia and the rest of OPEC might seem like a resounding win, but a closer look shows a situation that's not nearly that black and whiton imports from Saudi Arabia and the rest of OPEC might seem like a resounding win, but a closer look shows a situation that's not nearly that black and white.

Images from the Lunar Reconnaissance Orbiter (LRO) spacecraft, released in October, show a pattern of cliffy scarps all across the lunar surface (as shown on the map above, with white dots indicating newly discovered scarps and black dots marking previously known ones).

Most of the images from Rosetta have been in black & white, so these colour ones are a nice change and show incredible detail, including patches of water ice on the rocky surface.

«To our surprise,» added White, «the images also show that most of the gas in the atmosphere is only about as hot as that on the surface.

Recent summers on the vast, white expanse of the Greenland ice sheet have featured some spectacular ice melt, including an alarming period in 2012 when nearly the whole surface showed signs of melt.

If you prime first and then want to distress the edges to create an aged look, you will see the white layer of primer show up on your painted surface.

It allows you to inhabit the body of a villain, and shows that evil acts are rarely as black and white as they seem on the surface.

The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.

He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.

On show here, «Sea and Tide» (1951) suspends three red and white ovoids against a winter - grey surface above a black band, busy with gesture and shade and traced with an illegible calligraphy.

When we meet, dozens of instantly recognisable Hume paintings — soon to go on show at White Cube's Mason's Yard and Hoxton Square galleries — cover every surface.

More precisely, it shows the east - west component of the wind vector (white = > westerly — that is, from the west; black = > easterly) in the lower troposphere, on a constant pressure surface as is customary in meteorology.