Sentences with phrase «show pictures of their rooms»

Inspired by a workshop that I attended at West Elm, these events will have participants show pictures of their rooms and ideas will be given by a panel of design experts on how to change up the room and bring it to a whole new level.

Not exact matches

«The insurer will place a higher value on your saying you lost something when you can show them a picture of the item in your living room,» he said.

A CNN reporter deleted a tweet on Thursday evening that included a picture of President - elect Donald Trump's meeting with Japan's prime minister — but not before several people noticed that it showed that Trump's daughter Ivanka was in the room.

There were pictures of women, every tribe, every tongue, on every wall, and so it felt like everyone here in the world was there with us, somehow, and a gigantic canvas on the stairs said: There is no such thing as small change, and the famous red couch at Idelette's was worn out and comfortable, especially with Kelley sprawled on it, twisting her hair unconcernedly when she really got talking about the theology of adoption and Lord, yes, that woman can preach and teach in a living room beside a piano better than some preachers I've seen in thousand - dollar suits on a television show.

Please join me in posting a picture that shows how you love your age — don't forget to hashtag it #LoveYourAge and also #TheFitFork if you have room so I can find the awesomeness of my readers!

He'll get one for his office and one for his game room — complete with FSU picture frames — and of course one to carry in his wallet to show off everywhere he goes.»

The picture shows a smiling Mr Bercow in his formal robes posing at the entrance to one of the lavish, red - carpeted dining rooms in his apartments on the banks of the Thames.

Synakowski showed the audience a picture of himself, along with Mike Zarnstorff, now PPPL's deputy director of research, Richard Hawryluk, now the had of ITER and Tokamaks at PPPL; and several other scientists in the control room of TFTR on Dec. 9, 1993.

I saved this picture for last, because it shows the beauty that my «out of the box» chair brings to our living room.

Here you can send e-cards, take advantage of ice breakers to show your interest to the members you find interesting, communicate with the help of instant messenger and socialize in chat rooms, learn more about the site and more efficient on - line dating at on - site message boards, upload as many pictures as you wish and enjoy free services.

Some people may consider the website as a traditional dating site because of features such as ability contact members via internal email, ability to upload pictures, ability to join chat rooms and show interest to different members.

However, there is plenty of room to let members show you exactly who they are through their pictures and information, so as part of your online safety routine, make sure you look for someone who is willing to give you an inside peek into their life through pictures.

Since its launch it has brought countless classic TV shows into our living rooms - from Brookside Makers of Hollyoaks, The Only Way is Essex and Geordie Shore, Lime Pictures is one the UK's leading TV production companies.

Frustratingly, this predatory aspect of their relationship is mostly ignored, in a sunny tale that is packed with laughs (albeit fewer than you'll find at an actual screening of «The Room,» where people throw things at the screen and shout the dialogue's quips on cue, a la «The Rocky Horror Picture Show»).

1080p, AVC - encoded transfer for The Disaster Artist shows off all the polish you'd expect from a modern studio picture, even one with roots in low - budget indie filmmaking (represented by the windowboxed «footage» from the fictionalized filming of The Room.)

«The Disaster Artist» somewhat chronicles the beginning of the friendship between Wiseau and Sestero, which led to the disasterpiece known as «The Room,» a film that's now shown at midnight screenings around the country and mocked much like the «Rocky Horror Picture Show.»

«' The Room» has been playing for 14 - and - a-half years, sort of like the new «Rocky Horror Picture Show» but, like, even worse,» Franco, 39, chuckles about the ineptly written, acted and directed tale of romantic betrayal that novice director Wiseau thought would be a Tennessee Williams - style, Oscar - contending drama, but since its laughed - at premiere has agreed with the world that it is a so - bad - its - great comedy.

As TCM's Oscar - celebratory month winds down, they've still got a few new ones to throw at us — the first musical to win a Best Picture Oscar, The Broadway Melody, shows on Monday; an actual good Merchant - Ivory film in A Room With a View turns up on Thursday; and fantastic underrated film noir The Killers plays on Thursday; finally, one of my personal all - time favorite films, Stage Door, hits the screen late Saturday / early Sunday (trust me, picture quality is higher than the still above; couldn't find a decenPicture Oscar, The Broadway Melody, shows on Monday; an actual good Merchant - Ivory film in A Room With a View turns up on Thursday; and fantastic underrated film noir The Killers plays on Thursday; finally, one of my personal all - time favorite films, Stage Door, hits the screen late Saturday / early Sunday (trust me, picture quality is higher than the still above; couldn't find a decenpicture quality is higher than the still above; couldn't find a decent cap).

Film adaptations of Brooklyn, The Martian, The Revenant and Room are among the best picture nominees at this year's Academy Awards as Hollywood shows its bookish side

People couldn't help but be won over by the utter ineptitude they were witnessing, and soon The Room had become something akin to a modern - day Rocky Horror Picture Show — the stuff of midnight movie legend, with a devoted group of fans initiating their friends into an ever - growing cult movement.

Guillermo del Toro, who won two of the night's top honors (director and best picture for «The Shape of Water»), arrived at the press room after the show with the film's producer, J. Miles Dale in tow.

This car looks like it's a product of an experiment in which they invited bunch of designers into a meeting room and showed them interior and exterior pictures of Mazda3 and Golf for about 5 minutes total.

The picture was squeezed while live scenes were shown of the room where people were waiting for a book talk to start.

The picture was squeezed while live scenes were shown of a room where people were waiting for a book talk to start.

Picture this, you're on your way to the Taj Mahal (one of the six listed destinations around India), after checking your email in your room, you call the butler to help lay out your tuxedo jacket to wear at dinner and show you how to operate the microprocessor climate control system in your room.

Another thing I really respect is that she shows the behind the scenes action: how she uses her remote for solo pictures - or how her hotel room looks like her suitcase exploded within 2.5 seconds of checking - in.

Check back soon on our Blog for news update and we'll start showing you the first pictures of the grounds and rooms.

Hi, unfortunately we can't give the exact measurements of the balcony but if you visit the hotels website direct you can view the room facilities and pictures which shows the balcony and they do look spacious

If you're a fan of doing stuff with that moving picture box in your living room / bedroom / slave cellar besides playing videogames, then you may have seen some little shows called Battlestar Galactica, Terminator: The Sarah Connor Chronicles, or Eureka.

I have a lot of enthusiasm for the future of Big Picture, but it's still early days for Valve in the living room, and it shows.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

For the exhibition Portrait Gallery in Genova, the artist will show a new series of works; the installation situates the paintings, with their brooding and centripetal masses, in dialogue with the rooms of the villa responding to its monumentality and mimicking the classical display of a picture gallery.

Shows include Ground Truth, a solo show at Danielle Arnaud, London (Nov / Dec 2011) which then went onto Ha gamle prestegard, Norway (Jun - Aug 2012); Song of Grief — a residency at Meantime project space, Cheltenham (Feb / May 2011), Jerwood Drawing Prize 2011, Jerwood Space, London, Sleeping on the Severn selected by Tom Trevor for the Darbyshire Award Show, Stroud (2010); Super 8 Station at the Arnolfini, Bristol (2010), New Work UK: The Sensible Stage at the Whitechapel Gallery, London (2008); Meet, produced by Picture This and shown at ROOM, Bristol and Bath Film Festival (20show at Danielle Arnaud, London (Nov / Dec 2011) which then went onto Ha gamle prestegard, Norway (Jun - Aug 2012); Song of Grief — a residency at Meantime project space, Cheltenham (Feb / May 2011), Jerwood Drawing Prize 2011, Jerwood Space, London, Sleeping on the Severn selected by Tom Trevor for the Darbyshire Award Show, Stroud (2010); Super 8 Station at the Arnolfini, Bristol (2010), New Work UK: The Sensible Stage at the Whitechapel Gallery, London (2008); Meet, produced by Picture This and shown at ROOM, Bristol and Bath Film Festival (20Show, Stroud (2010); Super 8 Station at the Arnolfini, Bristol (2010), New Work UK: The Sensible Stage at the Whitechapel Gallery, London (2008); Meet, produced by Picture This and shown at ROOM, Bristol and Bath Film Festival (2006).

We once put up a work by a young German artist on a wall with the Richter and a Richard Prince, and when I told the gallery about it and the dealer said to me, «Can you send me a picture of it installed in the room, so that it shows up with the other art?»

The space has several rooms, one of which is functioning like an open studio of Doug's own recent work, and another showing excerpts of Steve Gladstone: The End of Pictures alongside works from the group show Polaroid Black.

Photo: Richard Schmidt) As we make the journey through Hockney's oeuvre — one that the artist has also clearly enjoyed revisiting — we move from his formative pictures as a student at the Royal College of Art in London, through to the breakthrough Los Angeles paintings — typified by A Bigger Splash (Hockney first moved to the Hollywood Hills in 1979)-- to the first big room of the show: a stunning display that reunites Hockney's celebrated series of large double portraits.

Pictured: View of David Hammons: Five Decades, 2016, showing (from left) Standing Room Only, 1996, and Basketball Chandelier, 1997.

Cezanne communicates his struggle as an artist, that we all go through, with such candour, I felt extremely moved by the paintings, all portraits, altho I am not a figurative artist.I must say I got off on the furniture, draperies and organisation of the whole, as much as the expression in the faces.An exception is the Courtauld picture with the white clay pipe, a masterpiece if there ever was one.I breathed in the Cezannes and haven't digested them yet, except to say since the Matisse at the RA, I think this show is second to none.The Cohens were very good also, working across a large room.

At the north end of Pier 94, near the entrance to the New York Times Media Lounge, where real moving pictures are shown (and panelized, of course), Kysa Johnson's replica of a Bank of America waiting room is installed.

The pictures, one of which showed a 19th century room filled with various props including a gigantic stuffed python, and the other a 20th century equivalent featuring amongst other things a row of M - 16 machine guns, represented one of the most overtly political pieces of his career.

McMahon's work has been shown in select group and solo exhibitions including Me at 3A Gallery (NYC, 2015); 44 at 321 Gallery (Brooklyn, NY, 2015); The White Room at White Columns (NYC, 1987); The Pictures Generation, 1974 - 1984 curated by Douglas Eklund at the Metropolitan Museum of Art (NYC, 2009); All Suffering Soon To End!

Previous exhibitions by Spence, an LA based artist who has shown with Shoshana Wayne since 2000, have been hazily photorealistic images of landscapes, an empty room, a picture of a group seated on folding chairs (the scene painted and based on an iPhone photo).

Eventually, after Russell Tyler's exhibition at DCKT, a group show at Room East and Dustin Hodges at Miguel Abreu (which were good but I forgot to take pictures), and some mediocre Pho, we saw some REALLY bad exhibitions of tasteless installation, bland abstraction, and painted trash cans.

Keep an eye out for new monotypes by Diana Al - Hadid, who currently has a solo show of paintings and sculptures at Marianne Boesky Gallery, at Graphicstudio; new screenprints with added flocking and gold leaf of mod, mid-century living rooms by Mickalene Thomas at Durham Press; and John Baldessari's «Hands & Feet,» a humorous, new series of pictures of body parts that are screened to reveal the appropriated imagery's ben - day dots, at Gemini G.E.L. at Joni Moisant Weyl.

In «Early Retirement», his recent exhibition at Fredericks & Freiser, Procession 1 (2017) shows a sombre protest flanked by Death - like, helmeted police, while Library 1 (2017) pictures an enigmatic trove consisting of, among other things, a spear, a sword, a raven and what may be Gibson's own influences: volumes by Dante Alighieri, Octavia E. Butler, Samuel R. Delany, Toni Morrison and others fill the room as a portentous wind blows through the fireplace.

With this show at the Picture Room, which is attached to the bookstore McNally Jackson, Koch will debut a series of sketches that she made in museums.

His work is regularly exhibited in a variety of contexts around the world at venues including: The Whitney Museum of American Art; The Getty Museum; The Solomon R. Guggenheim Museum; The Art Gallery of Ontario; The International Film Festival Rotterdam; The Toronto Film Festival; The New York Film Festival; The San Francisco International Film Festival, The Viennalle, Austria; Visual Arts Center, University of Texas at Austin; The International Short Film Festival Oberhausen; The Drawing Center, NYC; Mitchell Algus Gallery, NYC; PS1 / MoMA; The Kitchen; The Center for Contemporary Art, Glasgow, Visual Art Center at the University of Texas at Austin, The Images Festival; Issue Project Room, NYC; Pacific Film Archive / Berkeley Art Museum; Aurora Picture Show, Houston; The Gene Siskel Film Center, Chicago, and elsewhere

Right - a show about design in a room full of architects with cameras around their necks and she says you can't take pictures.

As you can see, Twitter for iPad takes advantage of the extra room to show previews of websites, videos, pictures, profiles, and more, without leaving the app.

The pictures do not contradict this and, in fact, show a device that seems to have a textured plastic body with an aluminum frame on the sides to make it look like it has a bezel - free display, possibly to make room for all 5.8 inches of the very large display.