Sentences with phrase «show presents his history»

Weissman's photos reveal an extensive line up of artists related to The Hamptons and the Selections from the Permanent Collection shows presents history and contemporary artists working in East Hampton and beyond.

Not exact matches

Knowing your history will make you more confident about the present and future by showing you where you've been and how far you've come, providing proof that you've advanced, and an inspirational vision of how far you could go.

My present understanding of the evidences of human history shows an overwhelming number of gods being worshipped, adored, feared, or served.

In this last stage of synthesis, Whitehead returns to the history of man's effort to create civilization and shows the presence of God as Eros and Beauty present within man's consciousness, effectively directing man's pursuit of civilization even in the face of tragedy.62

, That Rylaarsdam's criticism is in part, at least, based on a misunderstanding of Buber's position and a difference in Rylaarsdam's own a priori assumptions is shown by his further statements that «Because of his individual and personal emphasis the notion of an objective revelation of God in nature and history involving the whole community of Israel in the real event of the Exodus does not fit well for him,» that Buber's view of revelation is «essentially mystical and nonhistorical,» and that «the realistic disclosure of Yahweh as the Lord of nature and of history recedes into the background because of an overconcern with the experience of personal relation» — criticisms which are all far wide of the mark, as is shown by the present chapter.)

Everything proves it: its style, its contents, the extraordinary events by which it was revealed, taught, and written down; its constant conformity with past, present, and future truth; its transcendent character which never shows a trace of a particular man, of any one society or epoch of history or specific region of the globe.

I saw something on the History Channel (I think) recently that presented scientific evidence that this event potentially coincided with a big meteor shower (or something similar - I admit my memory of this show is not as detailed as I would like, but is essentially accurate).

In our earlier mention of the work of Jeremias on the parables we pointed out that one of the reasons for its success is that he achieves a history of the parabolic tradition; he is able to show how the parabolic tradition reached its present form and what that tradition was like in its earlier and earliest forms.

Author and activist Bryan Stevenson was recently interviewed on The Daily Show, and in his conversation with Jon Stewart, noted that Americans often have a difficult time acknowledging and confessing those corporate injustices — like racism — that are a part of our shared history and a part of our present - day culture.

The first year might be spent in an overview of eco-social history and cultural - intellectual history to show how we have come to our present situation, along with a survey of the problems we face.

The history of the San Francisco Zen Center from the late «50s to the present shows a continuous movement from general intellectual and cultural interest in Zen to high and demanding standards of practice.

When we read Genesis in an awareness of what is to follow, we know that these stories of origins were created and preserved through the centuries not so much to inform ancient Israel about the past as to inform about the present; not so much to speak of what once was as to make clearer what now is; not so much to show interest in what had gone before the history of the people of Israel as to make that very history clear in its significance and meaning.

Baily Winery Shakespeare in the Vines presents «A Midsummer Night's Dream» at Baily Winery / July 13, 14, 15, 16, 20, 21, 22, 23, 27, 28, 29 / Show time 7 pm — 9:30 pm / Directed by Daniel Baca / Set in a time when myths were current events, legends were history, and magic was real, A Midsummer Night's Dream transports us to Ancient Greece where four days of adventure are compressed into a single night by magic!

Wine Australia will present «Barossa: Rare and Distinguished,» featuring some of Australia's most legendary wines and showcasing the region's 170 - year history, and «Coast to Coast: Cabernet Sauvignon Terroirs of Australia,» including wines from the West and East Coasts of Australia, describing why this grape grows well in many parts of the country and shows wildly different characteristics depending on terroir.

In the midfield, (including RWB & LWB) we have a whole bunch of tweeners... none offer the full package, none make sense in our manager's current favourite formation, except for Sead on the left and Ox on the right, and all of them have never shown any consistency for more than a heartbeat... Sead, who I'm including in this category because of our present formation, looks like a positive addition, minus his occasional brain farts, but I would rather see what he could do in a back 4 before making my mind up... Ox, who has never played better, which isn't saying much considering his largely underwhelming play in previous seasons, seems to have found a home in this new formation; unfortunately, can we really expect this oft - injured player to handle the taxing duties that come with said position over the long haul, not to mention, it looks like he has no intention of staying... Ramsey has relied on the empathy that stems from his gruesome injury years ago and the excitement that was generated a few years back when he finally seemed to put in altogether, but on the whole he has been a big disappointment (neither he nor the Ox have scored enough to warrant a regular spot)... Wiltshire should be put on a weekly contract then played until he suffers his first injury, if and when that occurs he should be shipped - out and no one should very be allowed to say his name on club grounds ever again... Elnehy & Coq are average players who couldn't make any of the top 7 teams currently in the EPL... both have showed some great energy on the pitch, but neither are top quality and no good team can afford to have that many average players on their bench playing the same position, especially with Coq's injury history / discipline concerns and Elheny's headless chicken tendencies... as for Xhaka, his tenure here so far has been incredibly underwhelming... we know he has some skills to provide the long ball but his defensive work is piss poor and he gives the ball away too cheaply and far too often... finally, the enigma himself, Ozil, so much skill with his left foot but his presence has been more frustrating than uplifting... in many respects his failure has been directly related to the failure of this club to provide him with the necessary players up front, minus Sanchez of course, and unless something drastic happens very soon his legacy will be largely a negative one (much like Wenger's)

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

Sim presented data at the International Conference on Eating Disorders in Montreal in May showing that 35 percent of 126 anorexia patients at her clinic had a history of overweight or obesity.

A new study now offers a very broad look at African - American genetic history and shows how the DNA of present - day African Americans reflects their troubled history.

Berberine has a long history of medicinal use in Chinese and Ayurvedic medicine.This alkaloid is present in Hydrastis Canadensis (goldenseal), Coptis chinensis (Coptis or goldenthread), Berberis aquifolium (Oregon grape), Berberis vulgaris (barberry), and Berberis aristata (tree turmeric) and has shown some promising research with PCOS.

The main focus is I want them to show change over time in U.S. history, and be able to make connections from the past to the present in whichever topic they choose to focus on.

PTDYA at our Woodlawn Campus presents, The Legacy Continues, A Celebration of Black History, on Mon, Feb 22 with two shows at 9:30 am and 12:00 pm.

Our people have a long history of educational self - reliance extending to the present: from Freedom Schools to the African American Independent School Movement, to the many charter schools founded, taught and lead by dedicated Black people, we have shown time and time again that despite the most overwhelming of odds, we will find a way to ensure our children are educated.

Published by Veloce and presented in paperback, the book features a foreword by third - gen MR2 chief engineer Tadashi Nakagawa, which is fascinating in itself - showing that Toyota was just as concerned about the third - generation car's weight as their colleagues over at Mazda are each time an MX - 5 debuts - and then moves into the history of Toyota and its sports cars.

Aston Martin will present the most potent production sports car in the marque's 95 - year history at the Geneva motor show on 3rd March.

To many of the world's automakers at the 1998 North American International Auto Show, the past is almost as important as the present and the future.With American and European automakers finally closing in on Japanese levels of quality and with too many manufacturers chasing after too few buyers, many car companies at this year's show are playing up their heritage to strengthen their brand identity.At the show, which opens to the public Saturday at the Cobo Center in downtown Detroit: * Volkswagen unveiled a groovy new version of the Beetle, the best - selling car in histShow, the past is almost as important as the present and the future.With American and European automakers finally closing in on Japanese levels of quality and with too many manufacturers chasing after too few buyers, many car companies at this year's show are playing up their heritage to strengthen their brand identity.At the show, which opens to the public Saturday at the Cobo Center in downtown Detroit: * Volkswagen unveiled a groovy new version of the Beetle, the best - selling car in histshow are playing up their heritage to strengthen their brand identity.At the show, which opens to the public Saturday at the Cobo Center in downtown Detroit: * Volkswagen unveiled a groovy new version of the Beetle, the best - selling car in histshow, which opens to the public Saturday at the Cobo Center in downtown Detroit: * Volkswagen unveiled a groovy new version of the Beetle, the best - selling car in history.

At the 2012 Geneva Motor Show, Automobili Lamborghini is presenting the most uncompromising open super sports car of its entire history.

The car (see Alfa Romeo in motorsport article for the history of this emblem) version of Mito was presented in 2009 Frankfurt Motor Show.

19 — 27 January 2013, at the first major international car show of the year, MINI will present visitors with the most diverse model range in the history of the British premium brand.

Presented as a concept at the 79th International Motor Show of Geneva, Essence is a celebration of Infiniti and its 20 years history as a creator of performance cars.

Winner of the 2016 BookBrowse Award for Best Young Adult Novel Interweaving stories from past and present, All We Have Left brings one of the most important days in our recent history to life, showing that love and hope will always triumph.

A credit history containing different types of credit shows lenders you have experience handling a range of debt types, and therefore may present lower credit risk if you have managed the credit responsibly by paying on time.

History shows that REIT share prices have often increased during periods like the present one when the Federal Reserve shifts from a stimulative policy stance to a neutral position.

«We have a long - standing relationship with the CFA and a history of partnering with them to present adoptable cats and kittens in tandem with their New York City Cat Show at Madison Square Garden,» explained Jane Hoffman, Mayor's Alliance President.

A veterinarian who is presented with a dog showing signs of generalized skeletal muscle weakness, or showing weakness that is localized to its facial muscles, will take a thorough history from the animal's owner.

Enjoy a show at night, if you reserve the full day tour, with more than 300 actors on stage taking you on a musical journey through the history of Mexico since pre-Hispanic times to the present day.

After the visit to Zaculeu is continued the road to Todos Santos Cuchumatan visit all the stores give craft found there where also a video will be presented showing the history of the people and therefore their traditions and customs.

The solo show, «Alexis Portilla: Surface Tension,» which was extended through December, presents both a history and the current attentions of Portilla and the gradual changes that link series to series.

Art Kabinett: History, Painting The Gallery presented one of three thematic shows for the Fair's competitive Art Kabinett program.

The show explores the history of the youth subcultures of the San San International (a parallel universe) through a mise - en - scène of objects, architectural environments and a 30 - minute faux - ethnographic science fiction film, presented in the artist's signature labyrinth of immersive interiors.

Taking an interest in ceramics in contemporary art as a starting point, the group show Slipped presents the work of 11 artists who bring a criticality to the history and materiality of ceramics.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

The suffering poetically presented by Monika Weiss shows the lineaments of a history and a political community that are far more complex and demanding than is usually thought, and that are capable of incorporating, rather than segregating, those who have been perennially absent: the victims and the defeated» wrote Adriana Valdes in Lamentation and the Locus of Memory: Monika Weiss's Sustenazo (Lament II)(2012).

Mike Kelley Foundation Grants Ten Los Angeles nonprofits received grants from the Mike Kelley Foundation for the Arts, including the Underground Museum (to support videos and performances by Rodney McMillian, $ 45,000), Craft & Folk Art Museum (to present the first institutional solo show of Oakland - based artist Indira Allegra, $ 25,000), and the Museum of Latin American Art (to fund an exhibition documenting the history of printmaking in the Americas, $ 40,000).

2001 Reflections in Black: A History of Black Photographers 1840 to the Present, Smithsonian Institution, Washington, DC Rome Prize Fellows Show, The American Academy in Rome, Rome, Italy

Proposal must show history of at least 3 prior curatorial projects successfully presented to a public audience.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

«I am eager to introduce audiences to the innovative perspectives of these four artists, whose work collectively took an important step forward in the progression of modern to contemporary art history and yet has never been shown together and will also be presented now for the first time in Israel.»

Here Stella discusses the show as well as the genesis of the works, their exhibition history, and what it means to present his works in Poland, where the titular inspirational wooden synagogues once stood.

In Paris, Nicholas Ghesquière showed silk - embroidered frock coats comparable to those seen in 18th - century portraiture for his women's Spring 2018 Louis Vuitton collection; in New York, the Metropolitan Museum's recent Michelangelo show was the tenth most visited exhibition in its history, outstripping even the Alexander McQueen blockbuster in 2011; in London, renowned contemporary British artist Glenn Brown is presenting his reinterpretation of the Old Masters at the Gagosian Gallery (until 17 March), while at Victoria Miro (until 7 April), Mark Wallinger's Italian Lessons exhibition takes inspiration from the Italian masters and masterpieces in Italian collections.

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).