Sentences with phrase «show texture and color»

Then, randomly rubbing to show texture and color of brick.

Early in his career, Roy Lichtenstein had done abstract expressionist paintings, with comic book characters embedded in the canvas, but it wasn't until he began to strengthen his lines and use Ben Day dots to show texture and color, that his style became his own.

Not exact matches

Since mason jars worked so well for me, I knew I wanted stackable, clear glass jars that would show off the colors and textures of my favorite dry goods.

A vibrant mix of colors and an interesting blend of textures, this Moroccan - inspired salad can easily steal the show on any holiday table.

You're probably laughing at this because my pictures are so amateur anyway, but I do like to at least have enough light to show the real color and texture of the food I am photographing.

So with this recipe we want to show you what a difference a small quantity of malt can make in terms of proofing, texture, color and crust.

Teach them how to choose the highest quality fruits or vegetables by showing them what to look for in texture, color, and aroma.

Snow's textured blonde bob haircut shows off her eye - catching hair color, and we love that her long bangs are swept to one side.

I hope you have shown the color and texture of what's inside.

Showing little bits of luscious skin is a contrast against the colors and textures of fabrics.

when rebuy another pair I am going to go 1 size down but rather than the color really shows a white and grey pattern so they look textured and because of my shape I don't tuck my shirts in but I feel confident in these pants

Beautiful color and textures < 3 It really steals the show!

This outfit may lack fun colors or prints but shows how fall fashion can be done in a fun (and warm) way with the statement of textures.

The Big Fat Greek Wedding star shows just how easy print mixing can be by choosing a two - tone color palette and leaning more on textures than actual prints for contrast.

Confession: I got to see these colors in APRIL!!!! Jesse showed me a nail wheel and while the colors changed a bit since then, I knew all year this was going to be a great texture collection!!!

Custo Barcelona showed bright colors, textures, peek - a-boo fabrics, metallics, mixed prints, and an all around fun collection for spring 2017.

Sydne walked us through her gorgeous West Hollywood home to show us her neutral design palette, the spaces she utilizes for photo and video shoots, and all her use of subtle color and cozy texture.

If I have to choose it might be black?!? I know so boring, but for me it's a classic color and I love showing texture in my outfits!

The image may show slight differences to the actual stone in color and texture.

Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).

Beautifully mastered on DVD and Blu - ray, which preserve the intricate textures and vivid, defining colors of the film, with commentary by filmmaker Guillermo Del Toro (whose pride in his work shows through), the featurettes «Beware of Crimson Peak» (a seven - minute guided tour through the manor) and «The Light and Dark of Crimson Peak» (about the set designs and color schemes), and five deleted scenes.

The book has chapters on each part of the face - lips, eyes, skin, cheeks - and shows techniques on how to handle different shapes / textures / colors.

As shown in the images, the smartphone shows off a few similar design elements from Moto G 2015 including textured back cover, bright color schemes, and both Moto X Play and Moto X Style are customizable by changing the colors and accents using Moto Maker platform.

The proper texture and color of the coat can only be maintained through stripping, and show dogs should never be clipped.

Themes explored in the show will include their use of vibrant color, painterly texture, sense of light, and aerial perspective.

The show, «To Wander Determined,» weaves together a fictitious narrative about two aristocratic Nigerian families, the House of Obafemi and the UmuEze Amara Clan, in a series of richly colored, intricately textured, life - size charcoal, pencil and pastel drawings.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

The show focuses on the 1960s, when Pavia began working in marble, treating blocks of stone as collage elements to create various colors and textures culminating in «scatter sculptures.»

This late painting shows concentric circles, brushy painterliness and gorgeous color, as before, but there's an important difference: The palette is darker and uneven saturation gives an illusion of texture.

The minor miracle of the show is the late burst of color and texture in the recent work, such as the dense patterning and thick impasto of Joe's Joy (in which the fascination with quilts is particularly evident).

For both color and texture, as well as spatial complexity and the challenge of technical ideas, nothing in the show beats a brilliant painting by Irene Rice Pereira, Mill Town.

His portal series interrupt the color field with an inner geometrical shape showing contrasting color and texture.

Through juxtapositions of texture, color, and sensibility, they're also bold and gripping; particularly her paintings, which show the fecundity of unrestrained mark - making.

On this occasion I have produced a refined show living for the present, painting small color studies, monotype woodcuts, etchings, and heavily textured Abstracts on canvas.

He moved on to C ¿ zanne - like sketches (a 1932 drawing) and biomorphic art; a 1932 drawing shows his notations on light, shade, texture, scale and color above an image of interconnected bones.

They show him to be a writer with a painterly eye for colors and textures, shapes and tastes, and for the blending of physical and psychological impressions.

The show will feature Parsons» signature abstract paintings, which address notions of space, time, and the sublime via color interaction and subtle texture and layering.

Instead, they showed inclination for extreme naïvety or formalism by drawing exclusively on minimal visual elements of line, color and texture.

The solo show presents the Mexican artist's richly textured and vividly colored large - scale paintings.

The show approaches her work with other artists through common interests, such as gesture, color and texture, and how each of them deals with these characteristics.

See the excellent first show by Brent Wadden, a young Canadian - born painter who has set aside his brushes and taken up weaving, making thick rug - like abstractions whose jagged, interlocking shapes have the wobble of Op Art except softened by vagaries of color, texture and edge.

Their innovations in shape, draping, seam placement, texture and color coalesce into breathtakingly gorgeous couture and an important show.

I feel the energy of life and show it through the color, stain, texture, with different ways of painting and graphics.

David Zwirner was also a major highlight, showing a series of new Infinity Net works by Yayoi Kusama, a return to the body of work that sees the artist taking a more nuanced approach to color, craft and texture that makes a fascinating new entry in her recent, prolific output.

★ Ron Nagle: «Five O'Clock Shadow» (through Oct. 24) This large and stunning exhibition of the bonsai - size sculptures of Mr. Nagle — whose chief medium is glazed clay — shows off his inventive way of contrasting colors, forms and textures in ways both seductive and slightly that evoke food, furniture, body parts, spindly succulents and oozing drips of blood, chocolate, motor oil or just glaze.

This survey of works by Peter Sowiski shows pulp painting at its best: a sophisticated vehicle for texture, color, and shape as powerful as any brushstroke.

This journey into textures, exploring color, using «push and pull» in application has begun to show even in my representational works.

An early series of vertical stripe paintings shows him tweaking both Color Field and post-war abstraction, as Reyle creates stripes using a variety of textures and intentionally clashing colors.

At 85, Artschwager continues to exceed expectations in his sixth solo show with the gallery, using color and texture to stimulate the eye, making art a mental exercise.